<?xml version="1.0"?>
<root>
  <admin>
    <added>1592999663000</added>
    <created>1312637261000</created>
    <flag>Standard Record</flag>
    <id>object-75669</id>
    <indexed>1747246354878</indexed>
    <modified>1714469804000</modified>
    <processed>1747245848890</processed>
    <source>adlib</source>
    <stream>fitz-online</stream>
    <uid>adlib-object-75669</uid>
    <uri>https://data.fitzmuseum.cam.ac.uk/id/object/75669</uri>
    <uuid>396da693-f565-3e26-801c-25df079780db</uuid>
    <version>8</version>
  </admin>
  <categories>
    <link>
      <type>reference</type>
    </link>
    <admin>
      <id>term-37637</id>
      <uid>adlib-term-37637</uid>
      <uuid>89b09133-dc0a-3a88-bd40-5aef1ad30ecb</uuid>
    </admin>
    <summary_title>soft-paste porcelain</summary_title>
  </categories>
  <collection>
    <link>
      <type>reference</type>
    </link>
    <admin>
      <id>term-117089</id>
      <uid>adlib-term-117089</uid>
      <uuid>70d59fbc-64f7-304e-a336-bf6d65a433a8</uuid>
    </admin>
    <summary_title>Louis C. G. Clarke</summary_title>
  </collection>
  <component>
    <materials>
      <note>
        <value>green, pink, shades of brown, and grey</value>
      </note>
      <reference>
        <link>
          <type>reference</type>
        </link>
        <admin>
          <id>term-32638</id>
          <uid>adlib-term-32638</uid>
          <uuid>97b8d1a5-7b8f-3a2a-a275-7d001aeaae2b</uuid>
        </admin>
        <summary_title>enamel</summary_title>
      </reference>
    </materials>
    <materials>
      <note>
        <value>small remnants</value>
      </note>
      <reference>
        <link>
          <type>reference</type>
        </link>
        <admin>
          <id>term-113745</id>
          <uid>adlib-term-113745</uid>
          <uuid>73b89827-e3e5-3dad-a409-42a340697270</uuid>
        </admin>
        <summary_title>gold pigment</summary_title>
      </reference>
    </materials>
    <name>Decoration</name>
    <techniques>
      <note>
        <value>in green, pink, shades of brown, and grey enamels</value>
      </note>
      <reference>
        <link>
          <type>reference</type>
        </link>
        <admin>
          <id>term-106226</id>
          <uid>adlib-term-106226</uid>
          <uuid>194567f2-2bcd-3446-ae31-652386611815</uuid>
        </admin>
        <summary_title>painting</summary_title>
      </reference>
    </techniques>
    <techniques>
      <reference>
        <link>
          <type>reference</type>
        </link>
        <admin>
          <id>term-28681</id>
          <uid>adlib-term-28681</uid>
          <uuid>c1f659e2-1209-31cf-8ff4-154e11452559</uuid>
        </admin>
        <summary_title>gilding</summary_title>
      </reference>
    </techniques>
  </component>
  <component>
    <measurements>
      <dimensions>
        <dimension>Height</dimension>
        <units>cm</units>
        <value>13.8</value>
      </dimensions>
    </measurements>
    <name>Over Bullrush</name>
  </component>
  <component>
    <measurements>
      <dimensions>
        <dimension>Length</dimension>
        <units>cm</units>
        <value>21.6</value>
      </dimensions>
    </measurements>
    <name>Base</name>
  </component>
  <component>
    <name>Exterior</name>
    <techniques>
      <note>
        <value>presumed lead-glaze</value>
      </note>
      <reference>
        <link>
          <type>reference</type>
        </link>
        <admin>
          <id>term-120062</id>
          <uid>adlib-term-120062</uid>
          <uuid>d05176fb-17b8-3888-bba1-6c5e6c77d206</uuid>
        </admin>
        <summary_title>lead-glazing</summary_title>
      </reference>
    </techniques>
  </component>
  <content>
    <motifs>
      <link>
        <type>reference</type>
      </link>
      <admin>
        <id>term-115</id>
        <uid>adlib-term-115</uid>
        <uuid>94d65983-dea2-361b-b187-a968c98ab1d8</uuid>
      </admin>
      <summary_title>Nature</summary_title>
    </motifs>
  </content>
  <department>
    <value>Applied Arts</value>
  </department>
  <description>
    <value>Soft-paste porcelain group of a dog with two geese, decorated with enamels, and gilding.</value>
  </description>
  <description>
    <value>Soft-paste porcelain, press-moulded in parts, decorated overglaze with green, pink, shades of brown, and grey enamels, and with remnants of gilding. The base is unglazed and has a small, central, oval ventilation hole. The dog, perhaps a large, clipped poodle, stands on a rocky base. He is attacking two geese, one of which lies on the ground beneath him, the other is held by its neck in his mouth. Behind the dog there is a clump of bulrushes. The dog is painted brown with darker brown ears, eyebrows and whiskers, and has a pink nose. The geese are shaded in grey. The rushes are green with a brown bullrush head. The base is uncoloured but has remnants of gilding round the edge.</value>
  </description>
  <identifier>
    <accession_number>C.6-1961</accession_number>
    <primary>1</primary>
    <type>accession number</type>
    <value>C.6-1961</value>
  </identifier>
  <identifier>
    <priref>75669</priref>
    <type>priref</type>
    <value>75669</value>
  </identifier>
  <identifier>
    <type>uri</type>
    <uri>https://data.fitzmuseum.cam.ac.uk/id/object/75669</uri>
    <value>https://data.fitzmuseum.cam.ac.uk/id/object/75669</value>
  </identifier>
  <inscription>
    <location>on base</location>
    <method>painted in blue enamel</method>
    <transcription>
      <value>interlaced L's enclosing K</value>
    </transcription>
    <type>factory mark</type>
  </inscription>
  <inscription>
    <description>
      <value>two hearts joined together, pierced by an arrow</value>
    </description>
    <location>on top of the rocky base, at the back</location>
    <method>incised underglaze</method>
    <type>mark</type>
  </inscription>
  <institutions>
    <link>
      <type>reference</type>
    </link>
    <admin>
      <id>agent-149638</id>
      <uid>adlib-agent-149638</uid>
      <uuid>7376d833-d0a7-3be0-916e-9c892b7a24d8</uuid>
    </admin>
    <summary_title>The Fitzwilliam Museum</summary_title>
  </institutions>
  <legal>
    <credit_line>Louis C.G. Clarke Bequest, 1960</credit_line>
  </legal>
  <lifecycle>
    <acquisition>
      <agents>
        <link>
          <type>reference</type>
        </link>
        <admin>
          <id>agent-149875</id>
          <uid>adlib-agent-149875</uid>
          <uuid>89f52d0e-b912-3dc9-8b2c-61d6aa011b16</uuid>
        </admin>
        <summary_title>Clarke, Louis Colville Gray</summary_title>
      </agents>
      <date>
        <earliest>1961</earliest>
        <latest>1961</latest>
        <value>1961-04-27</value>
      </date>
      <method>
        <value>bequeathed</value>
      </method>
      <note>
        <value>Louis Clarke died on 13 December 1960</value>
      </note>
    </acquisition>
    <creation>
      <date>
        <earliest>1752</earliest>
        <from>
          <earliest>1752</earliest>
          <era>CE</era>
          <latest>1752</latest>
          <precision>circa</precision>
          <value>1752</value>
        </from>
        <latest>1756</latest>
        <note>
          <value>See production notes for date of decoration</value>
        </note>
        <range>1</range>
        <to>
          <earliest>1756</earliest>
          <era>CE</era>
          <latest>1756</latest>
          <value>1756</value>
        </to>
      </date>
      <maker>
        <link>
          <role>
            <value>production</value>
          </role>
          <type>reference</type>
        </link>
        <admin>
          <id>agent-140732</id>
          <uid>adlib-agent-140732</uid>
          <uuid>1cccf6bc-5e51-3e11-a849-d05785821974</uuid>
        </admin>
        <summary_title>Vincennes Porcelain Manufactory</summary_title>
      </maker>
      <note>
        <value>This group was probably decorated outside the factory at a much later date and the mark for 1763 added then. This is suggested by the application of enamel on the rushes over the breaks. This date could have been chosen because there is an example of this model in the biscuit with incised F mark, presented to the Duchess of Bedford as part of a service in 1763, and still at Woburn Abbey</value>
      </note>
      <periods>
        <link>
          <type>reference</type>
        </link>
        <admin>
          <id>term-106496</id>
          <uid>adlib-term-106496</uid>
          <uuid>bd563695-7339-3178-a8c4-251899070993</uuid>
        </admin>
        <summary_title>18th Century, Mid</summary_title>
      </periods>
      <periods>
        <link>
          <type>reference</type>
        </link>
        <admin>
          <id>term-15538</id>
          <uid>adlib-term-15538</uid>
          <uuid>e4001da7-ed48-3271-a6fb-c7f54095a1ad</uuid>
        </admin>
        <summary_title>Louis XV</summary_title>
      </periods>
      <places>
        <link>
          <type>reference</type>
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        <admin>
          <id>term-113744</id>
          <uid>adlib-term-113744</uid>
          <uuid>da105475-9705-3ee7-94ad-24892e6217d4</uuid>
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        <hierarchies>
          <link>
            <type>literal</type>
          </link>
          <name>
            <value>France</value>
          </name>
          <summary_title>France</summary_title>
          <type>country</type>
        </hierarchies>
        <summary_title>Vincennes</summary_title>
      </places>
    </creation>
  </lifecycle>
  <materials>
    <note>
      <value>presumed lead-glaze</value>
    </note>
    <reference>
      <link>
        <type>reference</type>
      </link>
      <admin>
        <id>term-107733</id>
        <uid>adlib-term-107733</uid>
        <uuid>00160189-e3ce-3796-a88b-5aa8d6c808c4</uuid>
      </admin>
      <summary_title>lead-glaze</summary_title>
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  </materials>
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    <reference>
      <link>
        <type>reference</type>
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      <admin>
        <id>term-37637</id>
        <uid>adlib-term-37637</uid>
        <uuid>89b09133-dc0a-3a88-bd40-5aef1ad30ecb</uuid>
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      <summary_title>soft-paste porcelain</summary_title>
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Cf. p. 158, no. 466. Modelled by Blondeau after Oudry, 1752.
Cf. p. 182, no. 519, Renard et Perdreau, to which the Fitzwilliam's piece is incorrectly described as being similar. That too modelled by Blondeau after Oudry, 1752.</notes>
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