1592995744000 1312637261000 Standard Record object-11165 1753207444943 1738579432000 1753207432602 adlib fitz-online adlib-object-11165 https://data.fitzmuseum.cam.ac.uk/id/object/11165 8ca5652c-b670-35b8-a217-141f759b68bc 5 person reference agent-152674 adlib-agent-152674 74829adf-5d60-3560-a5ff-499ccbd2b61c warrior person reference agent-152673 adlib-agent-152673 ece71392-121a-3e50-9ab6-b3afea82ebfb winged female reference term-42825 adlib-term-42825 858e5d17-b554-33d6-936f-25b16f72f39d stoneware reference term-42807 adlib-term-42807 39fbe2f8-78d1-3f75-a8ca-2643967b2f2d black basalt reference term-107444 adlib-term-107444 571df7cf-e062-3968-ae5e-bec9d5a82f92 C. B. Marlay red and white. . Wedgwood's 'encaustic' painting was a combination of enamels and kaolin clay slip, and was one of only two techniques which he patented (no. 939), in 1769. reference term-34387 adlib-term-34387 2948a42f-6455-37ca-86f8-354a77d507de encaustic paint Decoration reference term-106226 adlib-term-106226 194567f2-2bcd-3446-ae31-652386611815 painting reference term-1111 adlib-term-1111 46c949dd-f376-3538-878f-397baee5be09 mythology Applied Arts Black basalt painted in red and white encaustic colours. Ovoid with incurved neck, wide mouth and two handles. Shape 111. Decorated on one side with a warrior carrying two spears, followed by a winged female figure. There are two red horizontal bands on the edge of the rim, anthemion motifs on the neck, a red line and white beading round the shoulder, a formal horizontal border below the figures, and a red band round the foot. The handles are decorated with red ovals separated by white dots. reference exhibition-1988 adlib-exhibition-1988 ab970555-97b2-36fd-afa0-e74c1089ee29 From Reason to Revolution, Art and Society in Eighteenth-Century Britain MAR.C.6-1912 1 accession number MAR.C.6-1912 11165 priref 11165 uri https://data.fitzmuseum.cam.ac.uk/id/object/11165 https://data.fitzmuseum.cam.ac.uk/id/object/11165 with curve above and short line below on the base impressed WEDGWOOD factory mark on the base incised 943 mark painted in red on the base painted S mark reference agent-149638 adlib-agent-149638 7376d833-d0a7-3be0-916e-9c892b7a24d8 The Fitzwilliam Museum C.B. Marlay Bequest reference agent-149674 adlib-agent-149674 de1bf9dd-2091-39ca-85f6-41e736f6e32b Marlay, Charles Brinsley 1912 1912 1912 bequeathed Entry date: 1912 1790 CE 1790 circa 1790 factory reference agent-143579 adlib-agent-143579 c32405af-1ece-35c0-b858-f9afd196ebc6 Wedgwood, Josiah The decoration imitates a Greek red figure vase. Wedgwood's 'encaustic' painting was a combination of enamels and kaolin clay slip, and was one of only two techniques which he patented (no. 939), in 1769. True encaustic decoration involved the use of stained and heated waxes worked into a porous ground. reference term-106779 adlib-term-106779 f0706fcd-d94c-3987-bcb5-f7f794332b6a 18th Century, Late reference term-107437 adlib-term-107437 96f4b0d1-fc11-39ff-ae91-1b23d888d479 George III reference term-113623 adlib-term-113623 87ef9eaf-54a8-3838-8337-94dbf03aad62 literal England England country Etruria reference term-42807 adlib-term-42807 39fbe2f8-78d1-3f75-a8ca-2643967b2f2d black basalt Height cm 28.1 Width cm 24.8 reference media-11377 adlib-media-11377 39534ae0-706f-376f-870b-cad32fb75ec1 jpeg aa/aa8/MAR_C_6_1912_281_29.jpg 1 height pixels 740 width pixels 570 1742580717945 1 image jpeg aa/aa8/mid_MAR_C_6_1912_281_29.jpg 1 height pixels 649 width pixels 500 1742580717945 1 image jpeg aa/aa8/MAR_C_6_1912_281_29.jpg 1 height pixels 740 width pixels 570 1742580717945 1 image jpeg aa/aa8/preview_MAR_C_6_1912_281_29.jpg 1 height pixels 325 width pixels 250 1742580717945 1 image 0 media image reference media-11378 adlib-media-11378 902bcf4d-bf4a-3076-899e-f8c543c80bb2 jpeg aa/aa8/MAR_C_6_1912_282_29.jpg 1 height pixels 740 width pixels 570 1742580685859 1 image jpeg aa/aa8/mid_MAR_C_6_1912_282_29.jpg 1 height pixels 649 width pixels 500 1742580685859 1 image jpeg aa/aa8/MAR_C_6_1912_282_29.jpg 1 height pixels 740 width pixels 570 1742580685859 1 image jpeg aa/aa8/preview_MAR_C_6_1912_282_29.jpg 1 height pixels 325 width pixels 250 1742580685859 1 image 1 media image reference term-89480 adlib-term-89480 f1ea518e-351c-3f42-b2a7-db0f8559fa2c vase history note unknown before Charles Brinsley Marlay (1831-1912) reference agent-149638 adlib-agent-149638 7376d833-d0a7-3be0-916e-9c892b7a24d8 The Fitzwilliam Museum reference publication-991 adlib-publication-991 8186c883-ff06-3549-a5a9-631e01f2885b Antiquités Etrusques, Grecques, et Romaines, Tirées du cabinet de M. Hamilton, Envoye Extraordinarie de s.M.Britannique en cour de Naples Ref. For Wedgwood's encaustic decoration. Cf. vases of similar form, p. 78, colour pl. 57, one of a pair, p. 220, no. 186; and p. 78, colour pl. 58, a pair, p. 220, no. 185, all marked 'WEDGWOOD' and '943' 73-4 reference publication-2811 adlib-publication-2811 f0083d31-ce25-31ac-ba4d-f20ebe989e92 The Dwight and Lucille Beeson Wedgwood Collection at the Birmingham Museum of Art reference term-9044 adlib-term-9044 99dcb503-1a64-3792-8a40-48eda95dd763 Neoclassical object name reference term-107452 adlib-term-107452 7385c849-0aa9-3cd1-a703-69737f85c35f spears literal spears spears

reference term-89480 adlib-term-89480 f1ea518e-351c-3f42-b2a7-db0f8559fa2c vase

vase black basalt, thrown, and painted in red and white encaustic colours ? thrown reference term-120082 adlib-term-120082 ea83ed85-6b07-3e7e-83fc-440cfda22f7e throwing object OBJECT