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        <summary_title>paper</summary_title>
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    <name>Support</name>
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    <value>Paintings, Drawings and Prints</value>
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    <value>Book</value>
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    <summary_title>Designed to Impress: highlights from the Print Collection (I)</summary_title>
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    <accession_number>P.1-1986</accession_number>
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  <identifier>
    <date>
      <earliest>1964</earliest>
      <latest>1964</latest>
      <value>1964</value>
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    <type>Harris (Goya)</type>
    <value>III. 1</value>
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    <description>
      <value>collector's stamp, at the verso of each plate and manuscript page</value>
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    <location>verso lower centre</location>
    <method>black ink</method>
    <transcription>
      <value>Tomas Harris</value>
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    <type>stamp</type>
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    <summary_title>The Fitzwilliam Museum</summary_title>
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    <credit_line>From the Gow Fund with the aid of the Regional Fund administered by the Victoria &amp; Albert Museum on behalf of the Museums and Galleries Commission</credit_line>
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        <summary_title>Artemis Fine Arts Limited</summary_title>
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        <earliest>1986</earliest>
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      <method>
        <value>bought</value>
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        <summary_title>Goya y Lucientes, Francisco Jos&#xE9; de</summary_title>
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        <value>80 plates and 6 pages of manuscript notes, bound in early 19th century (German binding ?)</value>
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        <value>First edition with manuscript explanations based on the Prado explanation sheets, with attempts to identify particular people, etc. , derived from the Alaya manuscript that was published by El Conde de la Vinanza, in "Goya, su tiempo, su vida y sus obras" (Madrid, 1887, pp. 327-359)</value>
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        <summary_title>1790s</summary_title>
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