Cutting from an Antiphoner for the Sanctoral

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Illuminated manuscript. Cutting from an Antiphoner for the Sanctoral. Production Place: Italy, Perugia. Parchment, gold, 306 x 192 mm, four musical staves ruled in red ink, four fragmentary lines of text, ruled in brown ink, circa 1325 to circa 1350. CONTENTS: Antiphon and responsories to the first lesson of Matins for the Nativity of St John the Baptist, [Ne timeas a facie eorum quia ego] tecum sum dicit dominus. P. Domine qui]. R. i. Fuit ho[mo missus a deo cui no]men iohannes erat. H[ic venit ad testimonium perhiberet de lumine et pareret] (reverse) [do]mino ple[bem perfect]am. V. Erat [iohannes in desert]o predicans baptismum [penitenti]e. Hic. R. ii Heli[zabeth zachari magnum virum genuit]; the initial F introduced the first responsory, Fuit homo missus. ORNAMENTATION: Ornamental initial in liquid gold and pink on blue and dark pink grounds with coloured vine-scroll infill and acanthus extensions forming partial borders: [F, 4 staves high]. Alternate red or blue initials [height of the gap between staves] with purple or red pen flourishing, using small scallop and trefoil motifs: two initials on reverse.

Image data

Accession Number: MS McClean 201.12a.5
Photograph copyright © The Fitzwilliam Museum, Cambridge.
Photographer name: Andrew Morris
Image height: 1575 pixels
Image width: 1024 pixels
Processed with: Adobe Photoshop CS3 Windows
Filesize: 273.92kB

Key words

14th Century _WF_AdOK _WF_KWD _WF_OPAC _WF_OPAC_pending acanthus antiphonal antiphoner antiphons blue cutting decorative initial Early Renaissance Fitz_MSPB fragment gold illuminated illumination initial Italian liquid gold manuscript music manuscript neum neume notation notes ornamental ornamented parchment penwork Perugian School red Renaissance sanctoral scrolls staves Trecento trefoil

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            The Fitzwilliam Museum (2024)
            "Cutting from an Antiphoner for the Sanctoral"
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