<?xml version="1.0"?>
<root>
  <admin>
    <added>1592984526000</added>
    <created>1312637261000</created>
    <flag>Standard Record</flag>
    <id>object-156464</id>
    <indexed>1755194558326</indexed>
    <modified>1711451001000</modified>
    <processed>1755194515997</processed>
    <source>adlib</source>
    <stream>fitz-online</stream>
    <uid>adlib-object-156464</uid>
    <uri>https://data.fitzmuseum.cam.ac.uk/id/object/156464</uri>
    <uuid>14e2a0a7-3631-333c-9020-a8e8209b0fd7</uuid>
    <version>10</version>
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      <type>reference</type>
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      <id>agent-179498</id>
      <uid>adlib-agent-179498</uid>
      <uuid>a66203ba-d987-331b-b04a-3ce6ee72d5c0</uuid>
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    <summary_title>Beit, Alfred, Sir</summary_title>
  </agents>
  <categories>
    <link>
      <type>reference</type>
    </link>
    <admin>
      <id>term-107563</id>
      <uid>adlib-term-107563</uid>
      <uuid>38dcd825-1de1-3222-82c6-15a95729b5ff</uuid>
    </admin>
    <summary_title>enamels</summary_title>
  </categories>
  <categories>
    <link>
      <type>reference</type>
    </link>
    <admin>
      <id>term-125750</id>
      <uid>adlib-term-125750</uid>
      <uuid>2b10ac09-63c3-34ed-87d5-487058c1c344</uuid>
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    <summary_title>Limoges painted enamels</summary_title>
  </categories>
  <collection>
    <link>
      <type>reference</type>
    </link>
    <admin>
      <id>term-117089</id>
      <uid>adlib-term-117089</uid>
      <uuid>70d59fbc-64f7-304e-a336-bf6d65a433a8</uuid>
    </admin>
    <summary_title>Louis C. G. Clarke</summary_title>
  </collection>
  <component>
    <materials>
      <note>
        <value>white, black; clear counter enamel</value>
      </note>
      <reference>
        <link>
          <type>reference</type>
        </link>
        <admin>
          <id>term-32638</id>
          <uid>adlib-term-32638</uid>
          <uuid>97b8d1a5-7b8f-3a2a-a275-7d001aeaae2b</uuid>
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        <summary_title>enamel</summary_title>
      </reference>
    </materials>
    <materials>
      <reference>
        <link>
          <type>reference</type>
        </link>
        <admin>
          <id>term-39593</id>
          <uid>adlib-term-39593</uid>
          <uuid>e3e2a3f8-2433-3f63-9bcf-e776644d312d</uuid>
        </admin>
        <summary_title>gold</summary_title>
      </reference>
    </materials>
    <name>Decoration</name>
    <techniques>
      <description>
        <value>circular, and slightly convex copper plaque, with a small circular hole at 3 and at 9 o&#x2019;clock, enamelled en grisaille on a black ground, and gilded. The black enamel appears brownish-red near the edges. The chiaroscuro was produced by the enlevage technique with hatching and cross-hatching in the background and on the horses. The reverse has translucent counter-enamel which appears pinkish-red from the oxydization of the copper beneath it. The enamel has blackened and shrunk away from the two holes. There are several brownish-black speckles in the counter-enamel elsewhere.</value>
      </description>
      <reference>
        <link>
          <type>reference</type>
        </link>
        <admin>
          <id>term-28662</id>
          <uid>adlib-term-28662</uid>
          <uuid>dd47e505-ccda-3f2b-b576-6104109430e8</uuid>
        </admin>
        <summary_title>enamelling</summary_title>
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    </techniques>
    <techniques>
      <reference>
        <link>
          <type>reference</type>
        </link>
        <admin>
          <id>term-115831</id>
          <uid>adlib-term-115831</uid>
          <uuid>6eb9297e-cdbe-300e-8a0a-37765a9807a2</uuid>
        </admin>
        <summary_title>enlevage</summary_title>
      </reference>
    </techniques>
    <techniques>
      <reference>
        <link>
          <type>reference</type>
        </link>
        <admin>
          <id>term-27035</id>
          <uid>adlib-term-27035</uid>
          <uuid>1f03d2ef-fecf-39da-9d04-1928042bf4ee</uuid>
        </admin>
        <summary_title>hatching</summary_title>
      </reference>
    </techniques>
    <techniques>
      <reference>
        <link>
          <type>reference</type>
        </link>
        <admin>
          <id>term-28681</id>
          <uid>adlib-term-28681</uid>
          <uuid>c1f659e2-1209-31cf-8ff4-154e11452559</uuid>
        </admin>
        <summary_title>gilding</summary_title>
      </reference>
    </techniques>
  </component>
  <component>
    <materials>
      <reference>
        <link>
          <type>reference</type>
        </link>
        <admin>
          <id>term-39588</id>
          <uid>adlib-term-39588</uid>
          <uuid>b17ff981-06b2-30a2-b9a9-b514fe84a191</uuid>
        </admin>
        <summary_title>copper</summary_title>
      </reference>
    </materials>
    <name>Plaque</name>
  </component>
  <component>
    <measurements>
      <dimensions>
        <dimension>Diameter</dimension>
        <units>cm</units>
        <value>4.8</value>
      </dimensions>
      <dimensions>
        <dimension>Height</dimension>
        <units>cm</units>
        <value>6</value>
      </dimensions>
    </measurements>
    <name>Mount</name>
  </component>
  <department>
    <value>Applied Arts</value>
  </department>
  <description>
    <value>Circular medallion enamelled in grisaille with a battle scene and gilded</value>
  </description>
  <description>
    <value>Circular, and slightly convex copper plaque, with a small circular hole at 3 and at 9 o&#x2019;clock. Copper enamelled in grisaille on a black ground, and gilded. The black enamel appears brownish-red near the edges. The chiaroscuro was produced by the enlevage technique with hatching and cross-hatching in the background and on the horses. The reverse has translucent counter-enamel which appears pinkish-red from the oxydization of the copper beneath it. The enamel has blackened and shrunk away from the two holes. There are several brownish-black speckles in the counter-enamel elsewhere.
The front is decorated with a battle scene. In the foreground there are two rearing horses mounted by warriors wearing Roman armour and helmets. One, on the left, carries a banner, the other, in the middle, is about to slay a nude man standing with his back to the viewer in the right foreground. Behind him is another horseman, clad only in a pleated skirt. Behind them there are fifteen  men, wholly or partly visible, some of whom brandish swords. The swords and the horses&#x2019; bridles are gold. The edge is white and is encircled by a narrow gold band.
The circular metal alloy mount has a toothed inner edge, and at the top has a circular ring and a loose suspension ring.</value>
  </description>
  <exhibitions>
    <link>
      <catalogue>117</catalogue>
      <type>reference</type>
    </link>
    <admin>
      <id>exhibition-2376</id>
      <uid>adlib-exhibition-2376</uid>
      <uuid>3e2208a0-ad25-3b64-b03f-cb63aa00fd02</uuid>
    </admin>
    <summary_title>Treasured Possessions from the Renaissance to the Enlightenment</summary_title>
  </exhibitions>
  <identifier>
    <accession_number>M.118-1961</accession_number>
    <primary>1</primary>
    <type>accession number</type>
    <value>M.118-1961</value>
  </identifier>
  <identifier>
    <priref>156464</priref>
    <type>priref</type>
    <value>156464</value>
  </identifier>
  <identifier>
    <type>uri</type>
    <uri>https://data.fitzmuseum.cam.ac.uk/id/object/156464</uri>
    <value>https://data.fitzmuseum.cam.ac.uk/id/object/156464</value>
  </identifier>
  <institutions>
    <link>
      <type>reference</type>
    </link>
    <admin>
      <id>agent-149638</id>
      <uid>adlib-agent-149638</uid>
      <uuid>7376d833-d0a7-3be0-916e-9c892b7a24d8</uuid>
    </admin>
    <summary_title>The Fitzwilliam Museum</summary_title>
  </institutions>
  <legal>
    <credit_line>Louis.C.G. Clarke Bequest, 1960</credit_line>
  </legal>
  <lifecycle>
    <acquisition>
      <agents>
        <link>
          <type>reference</type>
        </link>
        <admin>
          <id>agent-149875</id>
          <uid>adlib-agent-149875</uid>
          <uuid>89f52d0e-b912-3dc9-8b2c-61d6aa011b16</uuid>
        </admin>
        <summary_title>Clarke, Louis Colville Gray</summary_title>
      </agents>
      <date>
        <earliest>1961</earliest>
        <latest>1961</latest>
        <value>1961-04-27</value>
      </date>
      <method>
        <value>bequeathed</value>
      </method>
      <note>
        <value>Louis C.G.  Clarke died on 13 December 1960</value>
      </note>
    </acquisition>
    <creation>
      <date>
        <earliest>1550</earliest>
        <from>
          <earliest>1550</earliest>
          <era>CE</era>
          <latest>1550</latest>
          <precision>circa</precision>
          <value>1550</value>
        </from>
        <latest>1575</latest>
        <range>1</range>
        <to>
          <earliest>1575</earliest>
          <era>CE</era>
          <latest>1575</latest>
          <value>1575</value>
        </to>
      </date>
      <maker>
        <link>
          <qualifier>possibly</qualifier>
          <role>
            <value>maker</value>
          </role>
          <type>reference</type>
        </link>
        <admin>
          <id>agent-207580</id>
          <uid>adlib-agent-207580</uid>
          <uuid>17d0e298-cbf2-3343-a544-282d89f7cea3</uuid>
        </admin>
        <summary_title>P&#xE9;nicaud, Jean III</summary_title>
      </maker>
      <maker>
        <link>
          <qualifier>possibly</qualifier>
          <role>
            <value>maker</value>
          </role>
          <type>reference</type>
        </link>
        <admin>
          <id>agent-86871</id>
          <uid>adlib-agent-86871</uid>
          <uuid>b6b58d0e-4e90-3a6f-bb74-0dc06687af89</uuid>
        </admin>
        <summary_title>Master M. P.</summary_title>
      </maker>
      <note>
        <value>Battle scenes of varying degrees of complexity occur on many small rectangular and circular grisaille plaques. The holes on either side of this roundel, may indicate that it was originally a hat badge, as battle scenes al antica were among the most popular themes for the decoration of this masculine form of jewellery. However, these usually measure between about 4 to 6 cm across, so this is on the large side and may have had another function. 

It was formerly attributed to an anonymous enameller who sometimes signed his work KIP, but the style is closer to a plaque of Samson killing a Phillistine in the Walters Art Gallery, Baltimore (inv. no. 44.37) attributed by Pierre Verdier to Jean III P&#xE9;nicaud or to an anonymous master &#x2018;formed in the workshop of the P&#xE9;nicaud&#x2019;. A particularly notable point of similarity is the four-toed foot of the mounted warrior in the middle which resembles the foot of a mounted figure in the Walters&#x2019; plaque. The treatment of the rearing horses is also comparable. The iconography is reminiscent of a slightly larger medallion initialled 'MP' in the Louvre attributed by Marquet de Vasselot, and Baratte, to the anonymous Master MP. 

The source of the design on the Fitzwilliam&#x2019;s medallion has not been found. Two of the horses might have been inspired by those on the right of one of six friezes of cavalry combats engraved c. 1543&#x2013;45 by Jacques Androuet du Cerceau (c. 1520-86).</value>
      </note>
      <periods>
        <link>
          <type>reference</type>
        </link>
        <admin>
          <id>term-125332</id>
          <uid>adlib-term-125332</uid>
          <uuid>76f10b5d-9bf4-36d4-b4e3-f4df05af8260</uuid>
        </admin>
        <summary_title>16th Century, third quarter</summary_title>
      </periods>
      <places>
        <link>
          <type>reference</type>
        </link>
        <admin>
          <id>term-15498</id>
          <uid>adlib-term-15498</uid>
          <uuid>61725bf5-360f-3837-8aab-3c90b956a537</uuid>
        </admin>
        <hierarchies>
          <link>
            <type>literal</type>
          </link>
          <name>
            <value>France</value>
          </name>
          <summary_title>France</summary_title>
          <type>country</type>
        </hierarchies>
        <hierarchies>
          <link>
            <type>literal</type>
          </link>
          <name>
            <value>Haute Vienne</value>
          </name>
          <summary_title>Haute Vienne</summary_title>
          <type>region</type>
        </hierarchies>
        <summary_title>Limoges</summary_title>
      </places>
    </creation>
  </lifecycle>
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    <admin>
      <id>media-136194</id>
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