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    <summary_title>Ricketts and Shannon Collection</summary_title>
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    <value>Paintings, Drawings and Prints</value>
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    <summary_title>All for Art: The Ricketts &amp; Shannon Collection</summary_title>
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    <summary_title>Andrea Solario en France</summary_title>
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    <summary_title>15th and 16th Century Italian Master Drawings</summary_title>
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    <summary_title>Italian Drawings: Highlights from the Collection</summary_title>
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    <location>bottom centre</location>
    <method>ink</method>
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      <value>No 190</value>
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    <summary_title>The Fitzwilliam Museum</summary_title>
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    <credit_line>The Ricketts and Shannon Collection. Bequeathed by Charles Shannon, 1937</credit_line>
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        <summary_title>Shannon, Charles Haslewood</summary_title>
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        <earliest>1937</earliest>
        <latest>1937</latest>
        <value>1937</value>
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        <summary_title>Solario, Andrea</summary_title>
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        <value>a study for the figure of Christ in the painting of the Crucifixion signed and dated 1503 in the Louvre (inv. 61)</value>
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        <summary_title>red wash</summary_title>
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        <summary_title>black chalk</summary_title>
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      <summary_title>drawing</summary_title>
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    <type>history note</type>
    <value>Leo Planiscig; Benno Geiger, Vienna; his sale, Sotheby's, 1920; Ricketts and Shannon</value>
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    <summary_title>The Fitzwilliam Museum</summary_title>
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      <notes>D.Alan Brown, Andrea Solario, Milan, 1987, p.141, no.17, pl.60</notes>
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      <notes>No. 8, reproduced, P. 20.</notes>
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      <notes>No. 17, pl. 60.</notes>
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      <value>red chalk over black chalk outline with point of brush and red wash, strengthened with black chalk</value>
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    <value>Study for a figure of Christ on the Cross</value>
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    <base>object</base>
    <type>OBJECT</type>
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</root>
