1592991083000 1312637261000 Standard Record object-156465 1755194558649 1711212275000 1755194515997 adlib fitz-online adlib-object-156465 https://data.fitzmuseum.cam.ac.uk/id/object/156465 d0324dec-a0fe-337b-9709-843d67ac8931 9 reference agent-188376 adlib-agent-188376 c8636481-080d-328b-adc6-a46ab82925ba Morrison, Alfred person reference agent-150796 adlib-agent-150796 ec5a0c8a-e54c-3735-adea-0fd5dd14f994 Cupid reference term-107563 adlib-term-107563 38dcd825-1de1-3222-82c6-15a95729b5ff enamels reference term-121191 adlib-term-121191 74acffd9-470a-32a2-bf45-837102276fad painted enamels blue, green, dark red, shades of purple, black and white reference term-32638 adlib-term-32638 97b8d1a5-7b8f-3a2a-a275-7d001aeaae2b enamel reference term-39593 adlib-term-39593 e3e2a3f8-2433-3f63-9bcf-e776644d312d gold Decoration blue, green, dark red, shades of purple, black and white reference term-28662 adlib-term-28662 dd47e505-ccda-3f2b-b576-6104109430e8 enamelling reference term-28681 adlib-term-28681 c1f659e2-1209-31cf-8ff4-154e11452559 gilding Diameter cm 14.5 Dover Diameter cm 15 Rim Diameter cm 8 Foot Applied Arts Copper, polchrome enamels, platinum, and gilding, with a cast cherub finial on the cover: decorated with stylized plant motifs and scrolling foliage, a dragon crest, a winged, crowned, and veiled three-quarter-length female nude terminating in foliage, and a Cupid riding a dragon Copper decorated in blue, green, dark red, shades of purple, black and white enamels, and with platinum, and profusely and thickly gilded. The tazza has a shallow domed foot, a very slender trumpet-shaped stem with a slightly domed circular knop near the base, and a wide shallow bowl with a small filigree boss in the centre. The elements of the tazza are held together by an iron rod with a gilt nut at the bottom, which is within a circular depression in the centre of the gilt-metal plate which closes the base.The shallow, domed cover has a central filigree ring enclosing the green base on which the cast gilt cherub finial stands. The bowl of the tazza is decorated internally with a central black disk on which is a dark red circle, a wide zone with a gold ground decorated in black and shades of purple with a circular branching stem of delicate stylized foliage, buds, and flowers; a narrow black band with projecting groups of three pointed leaves form spandrels between eleven semi-circular motifs comprising a silver and black arch enclosing a half-flower, with blue and white rhomboidal petals with gold between their tips. On one side, the border is broken by the mark 'CHARLES LEPEC/-PARIS-/N 288.I.P.V.66' in gold below a coronet, and a dragon crest. The exterior is decorated en suite, but the border is broken by a stylized plant with acanthus-type leaves. The foot is decorated with the border, broken by a dragon crest. The exterior of the cover is decorated en suite, but the border is broken at the front by a winged, crowned, and veiled three-quarter-length female nude terminating in foliage. She holds a laurel wreath in her right hand, and a palm branch in her left. The putto is orientated so that he aims his arrow over her. The interior of the cover is decorated en suite, but has a central gold disk decorated with Cupid riding a dragon. surrounded by a circular spray of foliage, and a border of alternately green and red triangles. The border is broken by the mark, 'CHARLES LEPEC/-PARIS-/N 287.I.P.V.1866' in bold below a crown and a crowned black swan or eagle crest. M.5 & A-1994 1 accession number M.5 & A-1994 156465 priref 156465 uri https://data.fitzmuseum.cam.ac.uk/id/object/156465 https://data.fitzmuseum.cam.ac.uk/id/object/156465 on tazza below the dragon crest painted in enamel CHARLES LEPEC/-PARIS-/N 288.I.P.V.66 maker's mark on cover, inside, below the black swan drest painted in enamel CHARLES LEPEC/-PARIS-/N 287.I.P.V.1866 maker's mark reference agent-149638 adlib-agent-149638 7376d833-d0a7-3be0-916e-9c892b7a24d8 The Fitzwilliam Museum Purchased with the F. Leverton-Harris Fund reference agent-171469 adlib-agent-171469 febc583b-2154-3ac6-bda7-b0cae0634578 H. Blairman & Sons 1994 1994 1994-11-21 bought 1866 CE 1866 dated 1866 enameller reference agent-78807 adlib-agent-78807 6d3a65a1-5300-3370-b7db-bb27143c43c9 Lepec, Charles-Florent-Joseph Charles Lepec (1830-90), is said to have been a pupil of the painter, Jean Hippolyte Flandrin (1809–64), and exhibited paintings in oils at the Paris Salon in 1857 and 1859. By then he was experimenting with enamelling on metals, and his earliest recorded example is a small plate, dated 1860 and numbered '34'. A year later Lepec exhibited two enamels at the Salon, and, with the exception of 1862 and 1868, continued to exhibit enamels on gold or copper there until 1869. The year 1862 was crucial for Lepec’s career. His participation in the London International Exhibition, brought him into contact with the silversmith, Robert Phillips, probably through whom he obtained the patronage of Alfred Morrison (1821–1897) of Fonthill in Wiltshire, a fabulously wealthy businessman, landowner and collector, who became his most important English patron. During the next seven years Lepec created a stream of portrait miniatures, plates, standing cups, caskets, ornamental vases and flasks for Morrison and other patrons, and his exhibited enamels were acclaimed by French and English art critics for the originality of their design, and the brilliance of their execution. This standing cup (tazza or coupe), was made for Morrison in 1866. The Cupid on the cover suggests that it might have been a token of love, because it was in April of 1866 that he married Mabel Chermside (1847-1933), the eighteen-year old daughter of the Rector of Wilton. In early December of the same year, Lepec completed a portrait miniature of the bride, now in the Metropolitan Museum of Art, New York ( 2018.74). A preparatory design for a 'coupe' in the Victoria and Albert Museum (D.410-1891), titled 'Dessous '( below /under) and signed and dated 'CH.LEPEC 65' partly resembles a section of the decoration on the underside of the cover of this cup, but lacks the central Cupid riding a dragon, and has instead a black disk, like the inside of the bowl. Many firings would have been necessary to complete the intricate enamelling and gilding of the cup and its cover, and the project could have taken more than six months to complete, particularly as Lepec was working on several other projects during 1865 and 1866. Despite lack of explicit evidence, the gilt mounts for the tazza, and the cast Cupid may have been made by the goldsmith and enameller, Charles Duron (1814-72) who sometimes collaborated with Lepec, and made a greatly admired gold and silver nef enamelled by Lepec which was displayed on his stand at the Exposition Universelle in Paris in 1867. reference term-119977 adlib-term-119977 96c74ab3-0541-3751-b578-34008824b454 19th Century, third quarter reference term-129470 adlib-term-129470 8353db27-fba9-33c1-94a1-f268fd2a2d21 literal France France country Paris reference term-39588 adlib-term-39588 b17ff981-06b2-30a2-b9a9-b514fe84a191 copper Height cm 23.8 reference media-146468 adlib-media-146468 18f3a09e-8261-3c96-a098-0c4eecf4d2d4 jpeg aa/aa20/M_5_1994_20_281_29.jpg 1 height pixels 760 width pixels 507 1616242954738 1 image jpeg aa/aa20/mid_M_5_1994_20_281_29.jpg 1 height pixels 750 width pixels 500 1616242954738 1 image jpeg aa/aa20/M_5_1994_20_281_29.jpg 1 height pixels 760 width 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6dc74b6f-ef14-3cfd-aa61-a239269ef742 jpeg portfolio/F25982D9_7CB9_CFFF_028E_8BBFC531887C/641/473/large_M_5___A_1994_06_201501_kly25_mas.jpg 1 height pixels 1365 width pixels 1024 1554768502000 1 image jpeg portfolio/F25982D9_7CB9_CFFF_028E_8BBFC531887C/641/473/mid_M_5___A_1994_06_201501_kly25_mas.jpg 1 height pixels 667 width pixels 500 1554768502000 1 image jpeg portfolio/F25982D9_7CB9_CFFF_028E_8BBFC531887C/641/473/M_5___A_1994_06_201501_kly25_mas.jpg 1 height pixels 6496 width pixels 4872 1554768502000 1 1 image jpeg portfolio/F25982D9_7CB9_CFFF_028E_8BBFC531887C/641/473/preview_M_5___A_1994_06_201501_kly25_mas.jpg 1 height pixels 333 width pixels 250 1554768502000 1 image 56 media image reference media-257878353 portfolio portfolio-media-257878353 d55c3e41-50e1-3f8a-8da1-95b47e96ba4c jpeg portfolio/F25982D9_7CB9_CFFF_028E_8BBFC531887C/641/476/large_M_5___A_1994_2_200712_mfj22_mas.jpg 1 height pixels 1536 width pixels 1024 1554768505000 1 image jpeg portfolio/F25982D9_7CB9_CFFF_028E_8BBFC531887C/641/476/mid_M_5___A_1994_2_200712_mfj22_mas.jpg 1 height pixels 750 width pixels 500 1554768505000 1 image jpeg portfolio/F25982D9_7CB9_CFFF_028E_8BBFC531887C/641/476/M_5___A_1994_2_200712_mfj22_mas.jpg 1 height pixels 4992 width pixels 3328 1554768505000 1 1 image jpeg portfolio/F25982D9_7CB9_CFFF_028E_8BBFC531887C/641/476/preview_M_5___A_1994_2_200712_mfj22_mas.jpg 1 height pixels 375 width pixels 250 1554768505000 1 image 57 media image reference term-125347 adlib-term-125347 2d6a6b04-e571-3b4c-9e03-3891a8012eef standing cup and cover tazza history note Alfred Morrison (1821-1897); sold by his widow, Mabel (1847-1933) at Christie, Manson & Woods, 25-7 January 1899, Objects of Oriental and European Art, first part of lot 390; sold to Marcus. Christie's, South Kensington, 20 September 1994, lot 70; H. Blairman & Sons, 119 Mount Street, London. reference agent-149638 adlib-agent-149638 7376d833-d0a7-3be0-916e-9c892b7a24d8 The Fitzwilliam Museum Publ. p. 18, illustrated 18 reference publication-2466 adlib-publication-2466 d343d176-8c0d-3f91-a432-58097cd5170d Fitzwilliam Museum, Annual Report 1994 Publ. p. 28, p. 30, fig. 3 30 reference publication-200002136 adlib-publication-200002136 a5243ecf-17bf-35ca-a1d2-2a05d188ccc1 Alfred Morrison: A Forgotten Patron and Collector Publ. pp. 204, illustrated p. 205, figs. 14 whole, and 15 inside bowl of cup. Cf. Another tazza 'La Fantaisie' of 1864, p. 201, figs. 6 whole, and 7 inside, in the Saint Louis Art Museum, inv. no. 129.1994. This article provides the fullest coverage to date (2015) of Lepec's biography and output. 204-05 reference publication-200003167 adlib-publication-200003167 148f2a24-450f-3389-b165-385657a4ec36 Charles Lepec and the Patronage of Alfred Morrison Publ. Mentioned pp. 306-07, illustrated, p. 308, fig. 17.5 in 17. Martin Levy, Fonthill and its Maecenae, pp. 300-11. 306-08 reference publication-8530 adlib-publication-8530 c7001ad6-82de-316e-890a-2df04df6eee9 Fonthill Recovered: A Cultural History Ref. This article played a significant role in bringing about an interest in the enamelling of Charles Lepec, whose work had been almost forgotten by the early twentieth century. 102-21 reference publication-200002137 adlib-publication-200002137 af8a2785-a78b-3996-a38a-971f3a286352 Les émailleurs français à l'Exposition Universelle de 1867 reference publication-200003168 adlib-publication-200003168 0bf8fda1-75b5-3de8-944c-d5de96e302ee The Apotheosis of Charles Lepec: his participation at the Paris Exposition Universelle of 1867 Cf. p. 84, no. 21, a coffer unmarked or signed, attributed to Charles Lepec on stylistic grounds, in the Musée Municipal de L’Évêché, Limoges, (Inv. 94.522), illustrated. The Fitzwilliam's cup is mentioned. 84 reference publication-200002363 adlib-publication-200002363 d64c7ed3-5583-3e98-b4ae-ceba42535297 Acquisitions Cf. p. 91, no. 34, a plate signed by Charles Lepec and dated 1865 in the Musée Municipal de L’Évêché, Limoges (95.529), exhibited in the Exposition Universelle of 1867. 91 reference publication-200002364 adlib-publication-200002364 1477d865-ee8a-3ca6-baf9-dad0ee00ca5e Acquisitions reference term-10679 adlib-term-10679 30c89029-7ace-3d30-9487-1e243ab1b791 Renaissance Revival reference term-135617 adlib-term-135617 93ef2628-340c-3e49-a998-8111434ae5c3 Second Empire (1852-70) people reference term-133016 adlib-term-133016 927d6210-1f1c-3235-9ff2-8c6dd9719c86 nymph animal reference term-106796 adlib-term-106796 fef6b92a-dc59-38ad-83bc-7ff2a745cfac swan animal reference term-107785 adlib-term-107785 c70edf96-a6e9-39b0-99bb-d97be0cef893 dragon literal nymph nymph literal swan swan literal dragon dragon

reference term-125347 adlib-term-125347 2d6a6b04-e571-3b4c-9e03-3891a8012eef standing cup and cover

standing cup and cover copper, painted in blue, green, dark red, shades of purple, black and white enamels, and gold reference term-28810 adlib-term-28810 c6a00cef-33f7-3107-8666-d791bd49707c raising (metal forming process) object OBJECT