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    <created>1312637261000</created>
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    <id>object-166628</id>
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    <modified>1724754835000</modified>
    <processed>1755194515997</processed>
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    <stream>fitz-online</stream>
    <uid>adlib-object-166628</uid>
    <uri>https://data.fitzmuseum.cam.ac.uk/id/object/166628</uri>
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    <version>19</version>
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    <summary_title>Marlay, Charles Brinsley</summary_title>
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      <uuid>7573a5ca-49c5-39a1-a2a4-646fb9806792</uuid>
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    <summary_title>Meyrick, Sir Samuel</summary_title>
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      <id>agent-38244</id>
      <uid>adlib-agent-38244</uid>
      <uuid>efd81695-4c59-3d16-b9cc-80582d8d972d</uuid>
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    <summary_title>Douce, Francis</summary_title>
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      <id>agent-101772</id>
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      <uuid>91c6be71-bfc2-3abe-8410-db6a791a3f7e</uuid>
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    <summary_title>Ottley, William Young</summary_title>
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      <id>agent-187316</id>
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      <uuid>5a452b0f-7f05-3ec2-8c38-8002fffa6284</uuid>
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    <summary_title>Camaldolese Monastery of Santa Maria degli Angeli</summary_title>
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      <uid>adlib-term-110558</uid>
      <uuid>ee824bc5-8d70-3060-824d-9ed6f392557b</uuid>
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    <summary_title>illuminated manuscript</summary_title>
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      <type>reference</type>
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    <admin>
      <id>term-114522</id>
      <uid>adlib-term-114522</uid>
      <uuid>76be19ae-554e-3b73-af2d-112e09263aaf</uuid>
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    <summary_title>manuscript</summary_title>
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    <admin>
      <id>term-130282</id>
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      <uuid>7c727b47-7c5f-347c-b1e7-06a3998a6218</uuid>
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    <summary_title>Charles Brinsley Marlay</summary_title>
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        <summary_title>parchment</summary_title>
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    <name>Support</name>
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  <department>
    <value>Manuscripts and Printed Books</value>
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  <description>
    <value>PHYSICAL DESCRIPTION:  Parchment, initial aprox. 300 x 270 mm, mounted on cardboard.

CONTENTS: The initial S, pasted on cardboard, would have opened the Introit to the Mass for the Purification of the Virgin (2 February), Suscepimus, Deus, misericordiam in medio templi tui.

DECORATION: Historiated initial in graded blue, orange, pale yellow and liquid gold with acanthus extensions on a ground of gold leaf: [S] Presentation in the Temple with Simeon and Anna holding the infant Christ on the right, Mary and Joseph on the left, and a mitred priest behind holding the knife for Christ&#x2019;s circumcision.</value>
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    <link>
      <catalogue>6</catalogue>
      <type>reference</type>
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    <admin>
      <id>exhibition-2154</id>
      <uid>adlib-exhibition-2154</uid>
      <uuid>0fbf8320-0359-3282-ac35-0ad1beeb0f7f</uuid>
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    <summary_title>Catalogue of a Series of Illuminations from Manuscripts principally of the Italian and French Schools</summary_title>
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  <exhibitions>
    <link>
      <catalogue>45</catalogue>
      <type>reference</type>
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    <admin>
      <id>exhibition-184</id>
      <uid>adlib-exhibition-184</uid>
      <uuid>01cf4a69-a350-33c8-90b7-8b927b8aca41</uuid>
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    <summary_title>Early Italian Paintings and Works of Art 1300-1480</summary_title>
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  <exhibitions>
    <link>
      <catalogue>15</catalogue>
      <type>reference</type>
    </link>
    <admin>
      <id>exhibition-2188</id>
      <uid>adlib-exhibition-2188</uid>
      <uuid>9a850e5f-3233-32c7-af19-629d05ff52d0</uuid>
    </admin>
    <summary_title>Splendours of Italian Illumination: Romanesque - Gothic - Renaissance</summary_title>
  </exhibitions>
  <exhibitions>
    <link>
      <type>reference</type>
    </link>
    <admin>
      <id>exhibition-1596</id>
      <uid>adlib-exhibition-1596</uid>
      <uuid>39d6ff27-d986-342b-8729-48fa7cf4f0ef</uuid>
    </admin>
    <summary_title>Early Italian Paintings from the Museum's Collection, including drawings and illuminated manuscripts</summary_title>
  </exhibitions>
  <exhibitions>
    <link>
      <catalogue>16b</catalogue>
      <type>reference</type>
    </link>
    <admin>
      <id>exhibition-2167</id>
      <uid>adlib-exhibition-2167</uid>
      <uuid>dde1d392-e71d-36b2-8166-b1f8d0a89483</uuid>
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    <summary_title>Painting and Illumination in Early Renaissance Florence 1300-1450</summary_title>
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  <exhibitions>
    <link>
      <catalogue>59</catalogue>
      <type>reference</type>
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    <admin>
      <id>exhibition-2133</id>
      <uid>adlib-exhibition-2133</uid>
      <uuid>7980fdc9-b779-3814-857e-6bbbed5c0d95</uuid>
    </admin>
    <summary_title>The Cambridge Illuminations: Ten Centuries of Book Production in the Medieval West</summary_title>
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  <identifier>
    <accession_number>Marlay cutting It. 13A</accession_number>
    <primary>1</primary>
    <type>accession number</type>
    <value>Marlay cutting It. 13A</value>
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  <identifier>
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    <value>166628</value>
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  <identifier>
    <source>Cambridge Illuminated</source>
    <type>project ID</type>
    <value>1365</value>
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  <identifier>
    <type>uri</type>
    <uri>https://data.fitzmuseum.cam.ac.uk/id/object/166628</uri>
    <value>https://data.fitzmuseum.cam.ac.uk/id/object/166628</value>
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  <institutions>
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    <admin>
      <id>agent-149638</id>
      <uid>adlib-agent-149638</uid>
      <uuid>7376d833-d0a7-3be0-916e-9c892b7a24d8</uuid>
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    <summary_title>The Fitzwilliam Museum</summary_title>
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          <id>agent-149674</id>
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        <summary_title>Marlay, Charles Brinsley</summary_title>
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        <earliest>1912</earliest>
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          <era>CE</era>
          <latest>1370</latest>
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          <value>1370</value>
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        <latest>1375</latest>
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Marlay cutting It. 13.i 1390s
Marlay cutting It. 13.ii c.1409 with additions of c.1450</value>
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          <era>CE</era>
          <latest>1375</latest>
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        <summary_title>Gherarducci, Don Silvestro dei</summary_title>
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        <summary_title>Francesco di Ser Cenni, Cenni di</summary_title>
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        <summary_title>14th Century, second half</summary_title>
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        <summary_title>gold</summary_title>
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