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It was commissioned by Admiral Edward Russell (1653-1727), the celebrated naval hero. With its shells and marine imagery, it was probably made between 1693 and 1697 to celebrate his appointment as Admiral of the Fleet, and First Lord of the Admiralty. Russell was a generous patron of architecture and the arts. His Cambridgeshire estate, Chippenham Park, was luxuriously furnished and featured intricately carved woodwork throughout. Celia Fiennes, who visited in 1698, noted the \u2018finest carved wood in fruitages, herbages, gems, beasts, fowls etc, very thin and fine.\u2019\n\nThe frame is decorated with symbols representing eternal glory. A personification of Fame with two trumpets flies beneath the mirror, which is flanked by two ancient gods: Mercury (with three money bags) representing trade, commerce and financial gain, and Hercules (with the Apples of the Hesperides), symbolising military strength and triumph. Just as Hercules\u2019 fruit bestowed immortality on those who ate it, this showy frame trumpeted the knowledge, taste and wealth of its patron, and ensured his everlasting fame. Sadly, this was not true for the unknown carvers. They were probably Dutch or French Huguenots (Protestant refugees), based at the naval dockyards, more used to carving elaborate ship prows and interiors.\n\nThe current mirror plate is a later addition and is not original to the frame."}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-106447","uid":"adlib-term-106447","uuid":"c24dda6b-b738-3a7d-bddf-648ede5b5cd4"},"summary_title":"17th 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