<?xml version="1.0"?>
<root>
  <admin>
    <added>1592996560000</added>
    <created>1312637261000</created>
    <flag>Standard Record</flag>
    <id>object-48315</id>
    <indexed>1756836093746</indexed>
    <modified>1714465497000</modified>
    <processed>1756836091179</processed>
    <source>adlib</source>
    <stream>fitz-online</stream>
    <uid>adlib-object-48315</uid>
    <uri>https://data.fitzmuseum.cam.ac.uk/id/object/48315</uri>
    <uuid>4d8fea80-a5ed-3b98-9790-a1996a4e318e</uuid>
    <version>12</version>
  </admin>
  <agents>
    <link>
      <relation>person</relation>
      <type>reference</type>
    </link>
    <admin>
      <id>agent-149742</id>
      <uid>adlib-agent-149742</uid>
      <uuid>1d4d164f-45d5-3cec-ad71-bbc83cea9b86</uuid>
    </admin>
    <summary_title>woman</summary_title>
  </agents>
  <agents>
    <link>
      <relation>person</relation>
      <type>reference</type>
    </link>
    <admin>
      <id>agent-156648</id>
      <uid>adlib-agent-156648</uid>
      <uuid>100c3770-df28-3ca1-a4c3-1b6c0443686e</uuid>
    </admin>
    <summary_title>grotesque</summary_title>
  </agents>
  <categories>
    <link>
      <type>reference</type>
    </link>
    <admin>
      <id>term-108348</id>
      <uid>adlib-term-108348</uid>
      <uuid>667e7a19-db33-3d85-bd9b-c2dafd8e02ff</uuid>
    </admin>
    <summary_title>tin-glazed earthenware</summary_title>
  </categories>
  <categories>
    <link>
      <type>reference</type>
    </link>
    <admin>
      <id>term-42865</id>
      <uid>adlib-term-42865</uid>
      <uuid>92be1d50-bb1c-3472-950f-b140ee6cdde9</uuid>
    </admin>
    <summary_title>maiolica</summary_title>
  </categories>
  <collection>
    <link>
      <type>reference</type>
    </link>
    <admin>
      <id>term-113302</id>
      <uid>adlib-term-113302</uid>
      <uuid>2747e058-f9ff-3d49-9bc9-c69e97b18c26</uuid>
    </admin>
    <summary_title>H.S. Reitlinger</summary_title>
  </collection>
  <component>
    <materials>
      <note>
        <value>blue, green, and yellow</value>
      </note>
      <reference>
        <link>
          <type>reference</type>
        </link>
        <admin>
          <id>term-108364</id>
          <uid>adlib-term-108364</uid>
          <uuid>115b8729-a560-35c1-b654-4b9d2fc5f68b</uuid>
        </admin>
        <summary_title>high-temperature colours</summary_title>
      </reference>
    </materials>
    <name>Decoration</name>
    <techniques>
      <reference>
        <link>
          <type>reference</type>
        </link>
        <admin>
          <id>term-106226</id>
          <uid>adlib-term-106226</uid>
          <uuid>194567f2-2bcd-3446-ae31-652386611815</uuid>
        </admin>
        <summary_title>painting</summary_title>
      </reference>
    </techniques>
  </component>
  <component>
    <materials>
      <reference>
        <link>
          <type>reference</type>
        </link>
        <admin>
          <id>term-107733</id>
          <uid>adlib-term-107733</uid>
          <uuid>00160189-e3ce-3796-a88b-5aa8d6c808c4</uuid>
        </admin>
        <summary_title>lead-glaze</summary_title>
      </reference>
    </materials>
    <name>Exterior</name>
    <techniques>
      <reference>
        <link>
          <type>reference</type>
        </link>
        <admin>
          <id>term-120062</id>
          <uid>adlib-term-120062</uid>
          <uuid>d05176fb-17b8-3888-bba1-6c5e6c77d206</uuid>
        </admin>
        <summary_title>lead-glazing</summary_title>
      </reference>
    </techniques>
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  <component>
    <materials>
      <reference>
        <link>
          <type>reference</type>
        </link>
        <admin>
          <id>term-39575</id>
          <uid>adlib-term-39575</uid>
          <uuid>cdf6707a-1eeb-3622-a26b-6e54f1f8d4ab</uuid>
        </admin>
        <summary_title>tin-glaze</summary_title>
      </reference>
    </materials>
    <name>Interior</name>
    <techniques>
      <description>
        <value>Red earthenware, the interior lead-glazed; the exterior tin-glazed, but applied thinly on the back and appearing pinkish-grey in places. Painted in blue, green, and yellow.</value>
      </description>
      <reference>
        <link>
          <type>reference</type>
        </link>
        <admin>
          <id>term-120059</id>
          <uid>adlib-term-120059</uid>
          <uuid>dfa315b5-819d-37ab-ab22-bddfdbb3cbe7</uuid>
        </admin>
        <summary_title>tin-glazing</summary_title>
      </reference>
    </techniques>
  </component>
  <component>
    <measurements>
      <dimensions>
        <dimension>Diameter</dimension>
        <units>cm</units>
        <value>15.5</value>
      </dimensions>
    </measurements>
    <name>Base</name>
  </component>
  <component>
    <measurements>
      <dimensions>
        <dimension>Diameter</dimension>
        <units>cm</units>
        <value>15.8</value>
      </dimensions>
    </measurements>
    <name>Rim</name>
  </component>
  <department>
    <value>Applied Arts</value>
  </department>
  <description>
    <value>Renaissance maiolica two-handled pharmacy jar, painted in blue, green and yellow with, on the front, a woman in a landscape surrounded by grotesques.</value>
  </description>
  <description>
    <value>Red earthenware, the interior lead-glazed; the exterior tin-glazed, but applied thinly on the back and appearing pinkish-grey in places. Painted in blue, green, and yellow.
Albarello with straight sides, sloping shoulders, a short neck with a groove below the projecting rim and two handles, each composed of three rolls of clay pressed together, with upturned terminals.
The front is decorated with a circular medallion containing a woman standing in a landscape with trees and buildings. She rests her right hand on a shield, and holds a spear in her left. The medallion is surrounded by symmetrical grotesques, including dolphins, flaming torches and foliated scrolls, reserved in a rectangular blue panel. A wide label with pairs of blue horizontal bands above and below, encircles the lower part of the jar. The front is inscribed in blue. Below, and on the shoulder at the front, there are foliated scrolls painted in blue alla porcellana. The handles and rim are green.</value>
  </description>
  <exhibitions>
    <link>
      <catalogue>no catalogue</catalogue>
      <type>reference</type>
    </link>
    <admin>
      <id>exhibition-1605</id>
      <uid>adlib-exhibition-1605</uid>
      <uuid>04d3c358-0bef-3d8f-8df5-14f16987ac1b</uuid>
    </admin>
    <summary_title>Italian Maiolica in the Fitzwilliam Museum</summary_title>
  </exhibitions>
  <exhibitions>
    <link>
      <catalogue>25</catalogue>
      <type>reference</type>
    </link>
    <admin>
      <id>exhibition-2376</id>
      <uid>adlib-exhibition-2376</uid>
      <uuid>3e2208a0-ad25-3b64-b03f-cb63aa00fd02</uuid>
    </admin>
    <summary_title>Treasured Possessions from the Renaissance to the Enlightenment</summary_title>
  </exhibitions>
  <identifier>
    <accession_number>C.185-1991</accession_number>
    <primary>1</primary>
    <type>accession number</type>
    <value>C.185-1991</value>
  </identifier>
  <identifier>
    <priref>48315</priref>
    <type>priref</type>
    <value>48315</value>
  </identifier>
  <identifier>
    <type>uri</type>
    <uri>https://data.fitzmuseum.cam.ac.uk/id/object/48315</uri>
    <value>https://data.fitzmuseum.cam.ac.uk/id/object/48315</value>
  </identifier>
  <inscription>
    <description>
      <value>square</value>
    </description>
    <method>inscribed in pencil</method>
    <transcription>
      <value>204</value>
    </transcription>
    <type>label</type>
  </inscription>
  <institutions>
    <link>
      <type>reference</type>
    </link>
    <admin>
      <id>agent-149638</id>
      <uid>adlib-agent-149638</uid>
      <uuid>7376d833-d0a7-3be0-916e-9c892b7a24d8</uuid>
    </admin>
    <summary_title>The Fitzwilliam Museum</summary_title>
  </institutions>
  <legal>
    <credit_line>H.S. Reitlinger Bequest, 1950; transferred from the Reitlinger Trust, 1991</credit_line>
  </legal>
  <lifecycle>
    <acquisition>
      <agents>
        <link>
          <type>reference</type>
        </link>
        <admin>
          <id>agent-150552</id>
          <uid>adlib-agent-150552</uid>
          <uuid>566a6fcb-b8cd-3926-9bbf-78d0c4a5cc81</uuid>
        </admin>
        <summary_title>Reitlinger, Henry Scipio</summary_title>
      </agents>
      <date>
        <earliest>1991</earliest>
        <latest>1991</latest>
        <value>1991-04-29</value>
      </date>
      <method>
        <value>bequeathed</value>
      </method>
      <note>
        <value>Entry date: 1991-04-29</value>
      </note>
    </acquisition>
    <creation>
      <date>
        <earliest>1510</earliest>
        <from>
          <earliest>1510</earliest>
          <era>CE</era>
          <latest>1510</latest>
          <precision>circa</precision>
          <value>1510</value>
        </from>
        <latest>1530</latest>
        <range>1</range>
        <to>
          <earliest>1530</earliest>
          <era>CE</era>
          <latest>1530</latest>
          <value>1530</value>
        </to>
      </date>
      <maker>
        <link>
          <qualifier>probably</qualifier>
          <role>
            <value>maker</value>
          </role>
          <type>reference</type>
        </link>
        <admin>
          <id>agent-149652</id>
          <uid>adlib-agent-149652</uid>
          <uuid>0d4f90dc-b166-3d4b-b0db-25f4118b6e98</uuid>
        </admin>
        <summary_title>Unknown</summary_title>
      </maker>
      <note>
        <value>The jar was one of a set of pharmacy jars of which nine other examples are known, each with a different contents  label. The inscription on this jar 'SLI RoI P stands for the Latin, salvia ridotto praeparatio (reduced sage preparation).</value>
      </note>
      <note>
        <value>This pharmacy jar was attributed to Faenza in the unpublished third volume of the Pringsheim collection, and to Castel Durante in the Catalogue of the Pringsheim Sale, but the red fabric and bluish-green handles and rim suggest a Tuscan origin. In 1987 Wilson tentatively attributed the British Museum's jar to Montelupo, citing for comparison the grotesques on a jug which was excavated there. Luccarelli has attributed the two in the Museo Civico, Massa Marittima, to Siena, where grotesques were a prominent feature of frescos and tile pavements.  The panel on the front of the Fitzwilliam's jar seems to support Luccarelli's view, for both figure and landscape are similar in style to a series of late fifteenth-century panels representing famous men and women attributed to the Master of Griselda with Neroccio de' Landi (1447-1500) or Signorelli (active 1470-1523). The pavilion and trees in particu&#xAC;lar are reminiscent of those in the back&#xAC;ground of Alexander the Great in the Barber Institute, Birmingham.  Other features of the jar support a Siena attri&#xAC;bu&#xAC;tion. The form could have evolved from the large relief-blue albarelli bearing the emblem of Santa Maria della Scala in Siena, although it is not certain that they were made there. A Siena or Siena area also seems to be supported by a Sienese floor tile with a comparable figure on the front. However, scientific analysis of this jar and an example in the British Museum, did not support an attribution to Siena.</value>
      </note>
      <periods>
        <link>
          <type>reference</type>
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        <admin>
          <id>term-128171</id>
          <uid>adlib-term-128171</uid>
          <uuid>5652efbe-9925-3bba-936f-62cfd6954cf4</uuid>
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        <summary_title>16th Century, Early</summary_title>
      </periods>
      <places>
        <link>
          <type>reference</type>
        </link>
        <admin>
          <id>term-11364</id>
          <uid>adlib-term-11364</uid>
          <uuid>7245b126-74ce-3569-8149-2aeb1daafa35</uuid>
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        <hierarchies>
          <link>
            <type>literal</type>
          </link>
          <name>
            <value>Italy</value>
          </name>
          <summary_title>Italy</summary_title>
          <type>country</type>
        </hierarchies>
        <note>
          <value>perhaps</value>
        </note>
        <summary_title>Siena</summary_title>
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    <reference>
      <link>
        <type>reference</type>
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      <admin>
        <id>term-42861</id>
        <uid>adlib-term-42861</uid>
        <uuid>5b368285-f1a8-3dcf-a5b2-637fd3c3956c</uuid>
      </admin>
      <summary_title>earthenware</summary_title>
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  <measurements>
    <dimensions>
      <dimension>Height</dimension>
      <units>cm</units>
      <value>37</value>
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    <dimensions>
      <dimension>Width</dimension>
      <units>cm</units>
      <value>30.1</value>
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            <dimension>height</dimension>
            <units>pixels</units>
            <value>693</value>
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            <units>pixels</units>
            <value>500</value>
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            <value>1024</value>
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      <summary_title>pharmacy jar</summary_title>
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  <name>
    <value>two-handled pharmacy jar</value>
  </name>
  <name>
    <value>two-handled drug jar</value>
  </name>
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    <type>history note</type>
    <value>Dr Alfred Pringsheim; Sotheby's, 7 June 1939, lot 43; H.S. Reitlinger (d.1950); the Reitlinger Trust, Maidenhead, from which transferred in 1991.</value>
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    <summary_title>The Fitzwilliam Museum</summary_title>
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    <summary_title>Die Majolikasammlung Alfred Pringsheim</summary_title>
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    <link>
      <notes>Publ. pp. 151-2, no. 215. Colour Plate 14</notes>
      <page>pp. 151-2</page>
      <type>reference</type>
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    <summary_title>Italian Maiolica and Incised Slipware in the Fitzwilliam Museum Cambridge</summary_title>
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  <publications>
    <link>
      <notes>Publ. pp. 50-1, no. 20</notes>
      <page>50-1</page>
      <type>reference</type>
    </link>
    <admin>
      <id>publication-3378</id>
      <uid>adlib-publication-3378</uid>
      <uuid>e4a41d6d-c98c-3959-bcb4-041c12eeb88c</uuid>
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    <summary_title>Fitzwilliam Museum Handbooks, Italian Maiolica</summary_title>
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  <publications>
    <link>
      <type>reference</type>
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    <admin>
      <id>publication-7751</id>
      <uid>adlib-publication-7751</uid>
      <uuid>cfa79c6e-ae29-31e3-85fa-3a838db1be3c</uuid>
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    <summary_title>Treasured Possessions from the Renaissance to the Enlightenment</summary_title>
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  <publications>
    <link>
      <notes>Cf. p. 77, no. 248, vol II, pl. 39 labelled GENTZIANA</notes>
      <page>77</page>
      <type>reference</type>
    </link>
    <admin>
      <id>publication-1571</id>
      <uid>adlib-publication-1571</uid>
      <uuid>4e0f6f47-bf3a-3285-8417-f9bff14edde2</uuid>
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    <summary_title>Victoria and Albert Museum, Catalogue of Italian Maiolica</summary_title>
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  <publications>
    <link>
      <type>reference</type>
    </link>
    <admin>
      <id>publication-6468</id>
      <uid>adlib-publication-6468</uid>
      <uuid>f13102be-29f6-37ba-83aa-b469d3a5b799</uuid>
    </admin>
    <summary_title>Die Alte Apotheke</summary_title>
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  <publications>
    <link>
      <notes>Cf. pp. 76-7, no. 109, labelled COMINO PESTO (crushed caraway), British Museum, 1885,5-8, 23, attributed perhaps to Montelupo</notes>
      <page>76-7</page>
      <type>reference</type>
    </link>
    <admin>
      <id>publication-3227</id>
      <uid>adlib-publication-3227</uid>
      <uuid>93afae36-69d1-3a32-bcca-d2487b5e0af7</uuid>
    </admin>
    <summary_title>Ceramic Art of the Italian Renaissance</summary_title>
  </publications>
  <publications>
    <link>
      <notes>Cf. pp. 183-4, no. 117, 1885,5-8, 23, attributed probably to Siena</notes>
      <page>183-4</page>
      <type>reference</type>
    </link>
    <admin>
      <id>publication-6434</id>
      <uid>adlib-publication-6434</uid>
      <uuid>4524f0a3-0484-3e51-8720-80332f8ac8a2</uuid>
    </admin>
    <summary_title>Italian Renaissance Ceramics: A Catalogue of the British Museum Collection, Volume I and Volume II</summary_title>
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  <publications>
    <link>
      <type>reference</type>
    </link>
    <admin>
      <id>publication-6467</id>
      <uid>adlib-publication-6467</uid>
      <uuid>f6660d17-02ab-3510-8c05-f5ff073c42ae</uuid>
    </admin>
    <summary_title>Majoliques italiennes du Mus&#xE9;e des Arts D&#xE9;coratifs de Lyon. Collection Gillet</summary_title>
  </publications>
  <publications>
    <link>
      <notes>Cf. pp. 106-07,  the jar at Lyon labelled SA(L)SAFINA, attributed to Siena, second half of 16th century</notes>
      <page>106-07</page>
      <type>reference</type>
    </link>
    <admin>
      <id>publication-7898</id>
      <uid>adlib-publication-7898</uid>
      <uuid>2a6754fd-a2f8-39e3-b4e0-1372bcaeb9e5</uuid>
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    <summary_title>Majoliques italiennes de la Renaissance, Collection Paul Gillet, Mus&#xE9;e des Arts D&#xE9;coratifs de Lyon</summary_title>
  </publications>
  <publications>
    <link>
      <notes>Cf. p. 363, pls. 9-10, pp. 370-1, pls. IX-X,  two labelled SAVOR(I)TO and M(A)LVE C(ON)FETTE in the Museo Civico, Massa Marittima, and said to come from the former Convent of Santa Chiara there</notes>
      <page>363</page>
      <type>reference</type>
    </link>
    <admin>
      <id>publication-200001034</id>
      <uid>adlib-publication-200001034</uid>
      <uuid>54fb3e2a-a975-3935-be72-317de456b75e</uuid>
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    <summary_title>La maiolica senese del Rinascimento</summary_title>
  </publications>
  <publications>
    <link>
      <notes>Cf. p. 59, pl. XXXV, a Sienese floor tile  (ambrogetta) with the same figure of a woman, which could support a Sienese attribution for the jar</notes>
      <page>59</page>
      <type>reference</type>
    </link>
    <admin>
      <id>publication-200002303</id>
      <uid>adlib-publication-200002303</uid>
      <uuid>52d4cda3-fa8e-3003-a8d2-cfd19fa63d97</uuid>
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    <summary_title>Contributo all a conoscenze della maiolica senese</summary_title>
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    <admin>
      <id>publication-200002775</id>
      <uid>adlib-publication-200002775</uid>
      <uuid>ffe8eb8b-0426-34be-8807-eb7f316ecd4a</uuid>
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    <summary_title>'Not in Rackham' - Italian Renaissance maiolica in the Victoria and Albert Museum - Part 1</summary_title>
  </publications>
  <publications>
    <link>
      <type>reference</type>
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    <admin>
      <id>publication-7526</id>
      <uid>adlib-publication-7526</uid>
      <uuid>ceb92dd4-7854-3192-82d7-ddfa5f0f3dd4</uuid>
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    <summary_title>Italian Renaissance Maiolica</summary_title>
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  <publications>
    <link>
      <notes>Cf. p. 197, pl. 150 the jar inscribed ZAFARANO in the Victoria and Albert Museum. attributed, probably to Siena, c. 1510-30</notes>
      <page>197</page>
      <type>reference</type>
    </link>
    <admin>
      <id>publication-8419</id>
      <uid>adlib-publication-8419</uid>
      <uuid>539aee1e-9757-3e3f-aa55-2099c7400e7e</uuid>
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    <summary_title>&#xC2;ge d&#x2019;or de la Fa&#xEF;ence italienne au XVIe si&#xE8;cle</summary_title>
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      <uuid>9ebc0ae1-8cf8-312b-832c-9cf44da02136</uuid>
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    <summary_title>Renaissance</summary_title>
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    <summary_title>shield</summary_title>
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    <summary_title>spear</summary_title>
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    <link>
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  <subjects>
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      <summary_title>pharmacy jar</summary_title>
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