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Very rare."}],"type":"label"},{"location":"on front below figures","method":"painted in manganese","transcription":[{"value":"CON.POL.DI.S.CASA"}],"type":"inscription"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"Dr J.W.L. Glaisher Bequest"},"lifecycle":{"acquisition":[{"agents":[{"@link":{"type":"reference"},"admin":{"id":"agent-152564","uid":"adlib-agent-152564","uuid":"c20df94d-f096-3e0b-a9b5-6ddd12161fb7"},"summary_title":"Glaisher, J. W. 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On 10 December 1294 it was moved again to a forest near Recanati but, because of brigands in the area, it was moved in August 1295 to a hilltop. This site in turn proved unfavourable because two brothers robbed the pilgrims who went there, and after one brother murdered the other, the angels transported the house to its final resting place at Loreto.  During the late Middle Ages Loreto developed into an important pilgrimage centre, and a great church, completed in 1500, was built around the `house' which was encased in an elaborate marble rivestimento during the early sixteenth century. In addition to the Holy House, pilgrims came to venerate a statue of the Virgin and the Holy Bowl said to have been used by her."},{"value":"Souvenir bowls for pilgrims bear the words 'CON POL DI S CASA' (con polvere di Santa Casa), referring to the adding of dust from the sweeping of the Holy House to the clay from which they were made. Bowls like this one are fairly common. The scene inside was probably copied from a woodcut on one of the printed attestations, which pilgrims acquired as evidence of their visit to the shrine. The Virgin is shown wearing a stiff robe similar to that worn by the famous statue, and stands in front of the church of the Santa Casa. Another common design is painted in baroque style, mainly in blue and yellow. The origin of most of these bowls is uncertain. Some can be attributed to Castelli, and it seems likely that the others were made near Loreto, or elsewhere in the Marches."}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-106400","uid":"adlib-term-106400","uuid":"3e80c102-1483-3c39-b2f4-67e333d653d8"},"summary_title":"18th Century"},{"@link":{"type":"reference"},"admin":{"id":"term-106853","uid":"adlib-term-106853","uuid":"25492eb4-1164-35eb-8dce-3601486f3415"},"summary_title":"19th Century"}],"places":[{"@link":{"type":"reference"},"admin":{"id":"term-113179","uid":"adlib-term-113179","uuid":"e74d25a1-07c3-3a30-b91b-004673211ee5"},"hierarchies":[[{"@link":{"type":"literal"},"name":[{"value":"Italy"}],"summary_title":"Italy","type":"country"},{"@link":{"type":"literal"},"name":[{"value":"The Marches"}],"summary_title":"The Marches","type":"region"}]],"note":[{"value":"possibly 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I, p. 292, no. 2244, where it is suggested that it was probably made at Castelli.","page":"p. 292","type":"reference"},"admin":{"id":"publication-1031","uid":"adlib-publication-1031","uuid":"a5cc6cb3-2b6f-390a-af51-7e9d123e55ed"},"summary_title":"Catalogue of the Glaisher Collection of Pottery and Porcelain in the Fitzwilliam Museum Cambridge"},{"@link":{"notes":"Publ. pp. 286-8, no. 359","page":"286-8","type":"reference"},"admin":{"id":"publication-3010","uid":"adlib-publication-3010","uuid":"e3e61863-a797-3051-8d0a-20288306ca36"},"summary_title":"Italian Maiolica and Incised Slipware in the Fitzwilliam Museum Cambridge"},{"@link":{"notes":"Publ. pp. 124-5, no. 57","page":"124-5","type":"reference"},"admin":{"id":"publication-3378","uid":"adlib-publication-3378","uuid":"e4a41d6d-c98c-3959-bcb4-041c12eeb88c"},"summary_title":"Fitzwilliam Museum Handbooks, Italian Maiolica"},{"@link":{"notes":"Publ. p. 255, fig. 284, and p. 273, cat. 256","page":"255, 273","type":"reference"},"admin":{"id":"publication-7751","uid":"adlib-publication-7751","uuid":"cfa79c6e-ae29-31e3-85fa-3a838db1be3c"},"summary_title":"Treasured Possessions from the Renaissance to the Enlightenment"},{"@link":{"notes":"Publ. p. 149, plate 145, and p. 180, no. 145, brief description","page":"149","type":"reference"},"admin":{"id":"publication-8422","uid":"adlib-publication-8422","uuid":"849d6b11-70f3-3a5b-9261-5930e598885c"},"summary_title":"Madonnas and Miracles. The Holy Home in Renaissance Italy"},{"@link":{"notes":"Cf. p. 94, a bowl of this type but with a different design, dated hesitantly to the 18th century (C 1448)","page":"94","type":"reference"},"admin":{"id":"publication-6684","uid":"adlib-publication-6684","uuid":"0ff530df-a3e4-32ae-9517-6b86ed72f13a"},"summary_title":"Catalogue des C\u00e9ramiques du Palais des Beaux-Arts de Lille"},{"@link":{"notes":"Ref. See pp. 247-91, Pointon, Marcia, The Treasury of the Santa Casa at Loreto and its English Visitors","page":"247-91","type":"reference"},"admin":{"id":"publication-7781","uid":"adlib-publication-7781","uuid":"921bdd31-23b1-3ce3-b7b6-67d968fc353f"},"summary_title":"Brilliant Effects. A Cultural History of Gem Stones and Jewellery"},{"@link":{"notes":"Cf. pp. 322-3, no. 159, a baroque style example in the Ashmolean Museum, Oxford (WA 1888.CDEF.C.464), attributed to Loreto district c. 1700-50. See also p. 323, fig. 100, five different pilgrim bowls from the Santa Casa in the Pitt Rivers Museum, Oxford (1985.50.420-424)","page":"322-3","type":"reference"},"admin":{"id":"publication-8466","uid":"adlib-publication-8466","uuid":"4c005d49-2023-314f-8cdd-34a2a03f0c7e"},"summary_title":"Italian Maiolica and Europe"},{"@link":{"notes":"Cf. p. 185, no. 141, a comparable bowl. MAK, KE 7174. See also p. 185, no. 140, a bowl painted in blue, yellow and orange with the Virgin and Child on clouds in front of the Santa Casa. Both attributed to 'Probably Loreto or district, c. 1700-1750.","page":"185","type":"reference"},"admin":{"id":"publication-8915","uid":"adlib-publication-8915","uuid":"53de1acc-24ac-39fd-8418-d4ffc3f13e3b"},"summary_title":"Tin-glaze and Image Culture: the MAK Maiolica Collection in its Wider Context"}],"subjects":[{"@link":{"type":"reference"},"admin":{"id":"term-25016","uid":"adlib-term-25016","uuid":"a85b3fde-33ee-3989-8f48-3dc551f92b36"},"summary_title":"pilgrimage"},{"@link":{"relation":"object name","type":"reference"},"admin":{"id":"term-61910","uid":"adlib-term-61910","uuid":"bb023646-39b3-3f69-bef3-7f1330e66f1f"},"summary_title":"church"},{"@link":{"relation":"place name","type":"reference"},"admin":{"id":"term-113216","uid":"adlib-term-113216","uuid":"c032511a-6515-3783-8bd5-872643043b1f"},"summary_title":"Loreto"},{"@link":{"type":"literal"},"name":[{"value":"church"}],"summary_title":"church"},{"@link":{"type":"literal"},"name":[{"value":"Loreto"}],"summary_title":"Loreto"}],"summary":{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-107667","uid":"adlib-term-107667","uuid":"1b81c806-cfb7-3291-9803-525db5f75e09"},"summary_title":"bowl"}},"summary_title":"bowl","techniques":[{"description":[{"value":"pale yellowish-buff earthenware, tin-glazed overall, and painted in greyish-blue, sage-green, yellow, orange, brown, and manganese."}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-120082","uid":"adlib-term-120082","uuid":"ea83ed85-6b07-3e7e-83fc-440cfda22f7e"},"summary_title":"throwing"}},{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-120059","uid":"adlib-term-120059","uuid":"dfa315b5-819d-37ab-ab22-bddfdbb3cbe7"},"summary_title":"tin-glazing"}}],"title":[{"value":"Virgin and Child"}],"type":{"base":"object","type":"OBJECT"}},[[58,50,39],[203,202,198],[124,123,113],[180,181,170],[149,105,40],[203,204,180],[208,187,129],[179,171,125],[73,80,75],[173,147,94],[121,109,68]],{}]