15929971400001427815557000Standard Recordobject-201254170810661551815948506570001708106603494fitz-onlineadlib-object-201254https://data.fitzmuseum.cam.ac.uk/id/object/20125497a33ed9-8c1b-3884-99e4-ca351784eaf89referenceagent-193054adlib-agent-19305499bb3982-efdf-3a7e-ab32-374ba1a824efRozenburg Royal Delftware Factoryreferenceterm-37642adlib-term-376428f36efe3-4fe1-3da2-9944-000db5687ad7porcelainreferenceterm-134216adlib-term-1342165f53b7d7-af49-3763-99f4-1c023e7297d7eggshell porcelainclearreferenceterm-32652adlib-term-3265282d8ae3b-f165-395c-ba93-dfa1c282b7beglazereferenceterm-107563adlib-term-10756338dcd825-1de1-3222-82c6-15a95729b5ffenamelsDecorationreferenceterm-106226adlib-term-106226194567f2-2bcd-3446-ae31-652386611815paintingreferenceterm-122641adlib-term-122641d5fb75d8-097d-3fd7-8e70-87e9d96d77f7glazingreferenceterm-115adlib-term-11594d65983-dea2-361b-b187-a968c98ab1d8NatureApplied ArtsEggshell porcelain, decorated underglaze in polychrome enamels with hand-painted motifs.Tall eggshell porcelain vase, baluster shape, hand-painted in polychrome enamels with bird, poppy and foliage motifs in Art Nouveau style. Circular in plan, with tall gently-concave body rising to a long narrow neck, the top of the neck slightly wider than the bottom. Two strap handles, cast with the body, rise from the shoulders and rejoin the vase towards the top of the neck. The overall form suggests an erect female body with arms raised to her head. Decorated with a finely painted flowing floral design. On one side is a black-headed songbird which appears to be flying out of the body. On other side is a large spray of orange oriental poppies.C.29-20141accession numberC.29-2014201254priref201254entry form number1077old object numberAAL.3-2013urihttps://data.fitzmuseum.cam.ac.uk/id/object/201254https://data.fitzmuseum.cam.ac.uk/id/object/201254underside of basetransfer printed’‘AMPHORA / HOLLAND’factory markunderside of basepainted'W458'markunderside of basepainteda double ‘S’ mark in which a lower case ‘s’ is inserted into the bottom curve of a capital ‘S’painter's mark(model number)underside of base'M109'markreferenceagent-149638adlib-agent-1496387376d833-d0a7-3be0-916e-9c892b7a24d8The Fitzwilliam MuseumGiven by the friends of the Fitzwilliam Museum and with a grant from the V & A Grant Fundreferenceagent-193063adlib-agent-1930630b10d98e-93d6-3e62-b3d5-f391878aedb3Popper, John201420142014-11-14boughtAdvised in January 2014, purchase completed December 2014.1914CE1914circa1914factoryreferenceagent-193066adlib-agent-1930669a550090-4548-38f3-b23b-4524995480dcTegel- en Fayencefabriek Amphora Factoryfactoryreferenceagent-193054adlib-agent-19305499bb3982-efdf-3a7e-ab32-374ba1a824efRozenburg Royal Delftware Factorydesignerreferenceagent-72826adlib-agent-728264bdff901-de21-3182-9f60-60035a2d3c54Kok, Jurriaan Jurriaandesigner and decoratorreferenceagent-193056adlib-agent-19305675af855c-d0e6-3d2f-b391-6665c9a151cbSchellink, SamuelIn 1914, Rozenburg went into liquidation. The undecorated stock was bought by Tegal-en Fayencefabriek Amphora factory in Oegstgeest and Rozenburg painters were hired to finish it. Thus, this vase was cast in the Rozenburg factory from a model designed by Kok, painted by Schellink and sold under the Amphora mark. There is another very similar but differently coloured vase in the Fitzwilliam collection, on display with other examples of eggshell porcelain.The Rozenburg Royal Delftware Factory (1883-1917) launched ‘eggshell’ porcelain at the 1900 Paris World Fair, and it was highly popular for a decade or so. The porcelain, similar in composition to bone china, was very thinly slip-cast, with handles and spouts formed in one piece with the body. A high temperature biscuit firing (up to c.1,500°C) produced a hard, transparent, non-porous surface. After hand-painting with enamels, a lower temperature final firing conserved the bright colours. The organic shape of this vase is typical of Art Nouveau.The vase was painted by Samuel Schellink (1876-1947), a leading Rozenburg designer and painter, the fine detail of the painting complementing the delicate curves of the pot. The shape, model no. 109, is illustrated in the Modellenboek of the factory’s general director, Jurriaan Kok (1861-1919), who introduced eggshell porcelain after lengthy experimentation. Several different vase shapes were introduced, as well as chocolate, tea and coffee sets, though surviving pieces are rare, because the material is so fragile.referenceterm-109008adlib-term-109008841b18bd-944d-3c9c-8d39-bdaabbcc28e120th Century, Earlyreferenceterm-134226adlib-term-134226e732ecf8-9100-35c1-81c9-cb8fd588b52bliteralNetherlandsNetherlandscountryOegstgeestreferenceterm-106561adlib-term-106561a9736707-6951-330c-a846-17b87fb3dda3literalNetherlandsNetherlandscountryThe Haguereferenceterm-134216adlib-term-1342165f53b7d7-af49-3763-99f4-1c023e7297d7eggshell porcelainBase Widthcm8.5Heightcm36.5referencemedia-195379adlib-media-195379d1bf3bbd-c1db-3659-879d-1172f8dfa163jpegaa/aa32/C_28_2014_C_29_2014_1_201504_jas244_dc2.jpg1heightpixels1024widthpixels76816162791458631imagejpegaa/aa32/mid_C_28_2014_C_29_2014_1_201504_jas244_dc2.jpg1heightpixels667widthpixels50016162791458631imagejpegaa/aa32/C_28_2014_C_29_2014_1_201504_jas244_dc2.jpg1heightpixels1024widthpixels76816162791458631imagejpegaa/aa32/preview_C_28_2014_C_29_2014_1_201504_jas244_dc2.jpg1heightpixels333widthpixels25016162791458631image0media
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imagereferenceterm-89480adlib-term-89480f1ea518e-351c-3f42-b2a7-db0f8559fa2cvasehistory notePurchased from a Cambridgeshire collector of Art Nouveau ceramics, November 20141same makerreferenceobject-201241adlib-object-201241e0ec9b29-6787-3d66-8774-239d33dfe8631reference1term-91295adlib-term-912950003c2c4-dd88-369d-8083-323186273fb7chocolate potchocolate pot1see also eggshell porcelain items on loansame makerreferenceobject-201253adlib-object-2012534511e0f0-188e-33ac-a11c-b25b65b52a951reference1term-89480adlib-term-89480f1ea518e-351c-3f42-b2a7-db0f8559fa2cvasevasereferenceagent-149638adlib-agent-1496387376d833-d0a7-3be0-916e-9c892b7a24d8The Fitzwilliam MuseumCf. p.102, shape with similar decoration illustrated on p. 14 of Jurriaan Kok’s Modellenboek. See also for other marks.exh. cat., 67-73, 78,102-104referencepublication-400001970adlib-publication-4000019701ed1041b-362c-3abe-8ec6-8cc154db8a28Rozenburg 1883-1917: Geschiedenis van een Haagse fabriekCf. other examples of Rozenburg (and Amphora) eggshell porcelain.exh. cat., 151, 162, 174, 251-2.referencepublication-400001971adlib-publication-400001971c59789fb-2abe-325e-b0d1-093aed1f4bdcRozenburg plateel uit Haagse kringen (1883-1917)Cf. examples of Rozenburg eggshell porcelain vases and coffee cups.82-83referencepublication-7767adlib-publication-776797d3c793-4a5f-3c34-ae50-0c0f7c4c8500Decorative Art 1880-1980Cf. lot 120, a vase with same model number with a very similar songbird design by Schellink, 1914, with Rozenburg factory mark.exh. cat.,referencepublication-400001972adlib-publication-4000019724a70e454-81bd-34d7-960c-735cee8f678eRozenburg Eierschalenporzellan – Eine deutsche Privatsammlung, Munich, 6 November 2013Cf. similar vase belonging to Gemeentemuseum den Haag70referencepublication-7769adlib-publication-776992a75cdc-abdc-3556-9f09-23483d4ea488Dutch Decorative Arts, 1880-1940referencepublication-7770adlib-publication-7770f005d894-8976-36f0-b298-fd6ad35322bfArts Décoratifs du XXe Siècle & Design, 29 November 2011, Parisreferencepublication-7771adlib-publication-7771e271aded-738c-35c8-aacf-29b73a12e473Jugendstil and 20th Century Arts and Crafts, May 2014, Palais Dorotheum, Vienna.Ref.34-41referencepublication-400001974adlib-publication-4000019740b755ac4-2b50-303d-a7f7-3186bd0f5f6cRozenburg Factory: an exercise in Anglo-Dutch co-operationreferenceterm-9029adlib-term-90299ca5441a-79d7-3f8a-bc86-bddce0243a38Art Nouveaureferenceterm-89480adlib-term-89480f1ea518e-351c-3f42-b2a7-db0f8559fa2cvasevaseeggshell porcelain, slip-cast, glazed and hand-painted with enamelsreferenceterm-28383adlib-term-283831abc8fbe-1c71-3b7c-8a53-64d9cc93199fslip castingTwo-handled songbird vase (pair)object
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