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    <added>1592996840000</added>
    <created>1312637261000</created>
    <flag>Standard Record</flag>
    <id>object-95820</id>
    <indexed>1764266520880</indexed>
    <modified>1764243463000</modified>
    <processed>1764266516623</processed>
    <source>adlib</source>
    <stream>fitz-online</stream>
    <uid>adlib-object-95820</uid>
    <uri>https://data.fitzmuseum.cam.ac.uk/id/object/95820</uri>
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    <version>19</version>
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        <value>Home of Dante Gabriel Rossetti, 1862-1882.</value>
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    <summary_title>Rossetti, Dante Gabriel</summary_title>
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    <summary_title>Murray, Charles Fairfax</summary_title>
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    <summary_title>furniture</summary_title>
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        <value>dark green</value>
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        <summary_title>wood</summary_title>
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        <summary_title>paint</summary_title>
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        <summary_title>gold</summary_title>
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        <summary_title>carving</summary_title>
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        <summary_title>painting</summary_title>
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        <summary_title>gilding</summary_title>
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        <summary_title>upholstering</summary_title>
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  <department>
    <value>Applied Arts</value>
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  <description>
    <value>Open-back sofa of wood painted black and partially gilded, the back painted with three figures in oval medallions inscribed "Amor," "Amans," and "Amata" (Love, the Loving or Lover, the Beloved), upholstered with contemporary green cut velvet, and accompanied by a square cushion of the same fabric (A)</value>
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      <catalogue>1129</catalogue>
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      <id>exhibition-1936</id>
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    <summary_title>Exhibition of Decorative Art of Great Britain and ireland</summary_title>
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      <catalogue>I 8</catalogue>
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      <id>exhibition-1760</id>
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    <summary_title>Exhibition of Victorian and Edwardian Decorative Arts</summary_title>
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      <catalogue>85</catalogue>
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    <summary_title>Morris &amp; Company in Cambridge</summary_title>
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    <summary_title>'I turned it into a palace', Sir Sydney Cockerell and The Fitzwilliam Museum</summary_title>
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    <summary_title>The Cult of Beauty: The Aesthetic Movement in Britain 1860-1900</summary_title>
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  <identifier>
    <accession_number>M/F.1 &amp; A-1918</accession_number>
    <primary>1</primary>
    <type>accession number</type>
    <value>M/F.1 &amp; A-1918</value>
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  <identifier>
    <priref>95820</priref>
    <type>priref</type>
    <value>95820</value>
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  <identifier>
    <type>uri</type>
    <uri>https://data.fitzmuseum.cam.ac.uk/id/object/95820</uri>
    <value>https://data.fitzmuseum.cam.ac.uk/id/object/95820</value>
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  <inscription>
    <location>above three medallions with figures on the back</location>
    <method>painted</method>
    <transcription>
      <value>Amor, Amans, Amata</value>
    </transcription>
    <type>inscription</type>
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    <summary_title>The Fitzwilliam Museum</summary_title>
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  <legal>
    <credit_line>Given by C. Fairfax Murray</credit_line>
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    <acquisition>
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          <id>agent-153239</id>
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        <summary_title>Murray, Charles Fairfax</summary_title>
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      <date>
        <earliest>1918</earliest>
        <latest>1918</latest>
        <value>1918</value>
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      <method>
        <value>given</value>
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      <note>
        <value>Entry date: 1918</value>
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      <date>
        <earliest>1862</earliest>
        <latest>1862</latest>
        <note>
          <value>dated</value>
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        <precision>circa</precision>
        <value>1862</value>
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          <qualifier>Possibly</qualifier>
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            <value>maker</value>
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          <id>agent-153892</id>
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          <uuid>6867b7b9-4eb4-3971-a945-c42b2457073a</uuid>
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        <summary_title>Morris, Marshall, Faulkner &amp; Co.</summary_title>
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        <summary_title>Rossetti, Dante Gabriel</summary_title>
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        <summary_title>Rossetti, Dante Gabriel</summary_title>
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      <note>
        <value>Rossetti&#x2019;s career encompassed poetry, painting and design, and bridged three key artistic schools of the late 19th century: the Pre-Raphaelite Brotherhood, the Arts &amp; Crafts Movement and Aestheticism. His later life centred on Tudor House, 16 Cheyne Walk, Chelsea, to which he moved in 1862, after the death of his wife, artist Elizabeth Siddal (1829-62). Increasingly reclusive, his earlier interest in interiors intensified and the house became a canvas for experimentation in colour, texture, and stylistic eclecticism. 
This Regency revival style sofa stood in his bedroom, alongside matching green velvet curtains, and a four-poster bed hung with seventeenth century crewelwork. It was described by Rossetti's assistant, painter H. Treffry Dunn, as:
'an old-fashioned sofa, with three little panels let into the back, whereon Rossetti had painted the figures of Amor, Amans, and Amata... With its rich, dark green velvet seats and luxurious pillows, this sofa looked very pretty and formed the only comfortable piece of furniture visible&#x2019;. 
Rossetti chose to decorate this sofa with three medallions showing a love-struck young man (&#x2018;the Loving&#x2019;), a figure of Cupid with his bow and arrow (&#x2018;Love&#x2019;) and a sleeping young woman (&#x2018;the Beloved&#x2019;), who may resemble his late wife. 
Although the sofa is in an 'old-fashioned' style, it is now thought to possibly have been made for Rossetti in 1862 by decorative arts firm, Morris, Marshall, Faulkner &amp; Company (a precursor of Morris &amp; Company), of which Rossetti was a founding partner, in 1861. 
The sofa was given to the Museum by Charles Fairfax Murray, an artist, collector and dealer associated with both Rossetti and Morris, who also donated Titian&#x2019;s 'Tarquin and Lucretia' to the Fitzwilliam.</value>
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        <summary_title>19th Century, third quarter</summary_title>
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        <summary_title>Victorian</summary_title>
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          <name>
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          <summary_title>England</summary_title>
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        </hierarchies>
        <summary_title>London</summary_title>
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  <measurements>
    <dimensions>
      <dimension>Depth</dimension>
      <units>cm</units>
      <value>66</value>
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      <dimension>Height</dimension>
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    <value>Dante Gabriel Rossetti, 16 Cheyne Walk, London; Charles Fairfax Murray</value>
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    <summary_title>The Fitzwilliam Museum</summary_title>
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      <notes>Publ. p. 85, and p. 156, no. 174 'Amor, Amans, Amata'.</notes>
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    <summary_title>Dante Gabriel Rossetti. An illustrated memorial of his art and life</summary_title>
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  <publications>
    <link>
      <notes>Publ. pp. 567-570, as possibly originally intended for Rossetti's rooms at Chatham Place</notes>
      <page>567-570</page>
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    </link>
    <admin>
      <id>publication-8597</id>
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    <summary_title>The best years of Rossetti's art, 1846 to 1862</summary_title>
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  <publications>
    <link>
      <notes>Mentioned on p. 722</notes>
      <page>722</page>
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    <summary_title>Pre-Raphaelite Painted Furniture</summary_title>
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  <publications>
    <link>
      <notes>Publ. p. 42, no. I 8 (capital I not 1)</notes>
      <page>42</page>
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    <admin>
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    <summary_title>Exhibition of Victorian and Edwardian Decorative Arts</summary_title>
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  <publications>
    <link>
      <notes>Publ. p. 69, no. 85, illustrated pl. 45.</notes>
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    <summary_title>Morris &amp; Company in Cambridge</summary_title>
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      <notes>Publ. p. 241, illustrated as an example of Regency Revival furniture</notes>
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    <admin>
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      <uid>adlib-publication-5243</uid>
      <uuid>84f20e35-5359-3a65-8f60-c98584bccede</uuid>
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    <summary_title>Regency Furniture</summary_title>
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  <publications>
    <link>
      <notes>Publ. Mentioned in a description of Rossetti's bedroom.</notes>
      <page>36</page>
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    </link>
    <admin>
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      <uid>adlib-publication-6123</uid>
      <uuid>1fb4802b-a390-35c2-b37d-a41f90569cdb</uuid>
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    <summary_title>Recollections of Dante Gabriel Rossetti and his Circle</summary_title>
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  <publications>
    <link>
      <notes>Ill. p. 264. Described on p. 260 as 'by Morris &amp; Company'</notes>
      <page>260, 264</page>
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    </link>
    <admin>
      <id>publication-400002374</id>
      <uid>adlib-publication-400002374</uid>
      <uuid>265a2021-922a-330e-a4b4-72d7298be957</uuid>
    </admin>
    <summary_title>British Furniture 1820 to 1920: The Luxury Market</summary_title>
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    <admin>
      <id>term-14230</id>
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    <summary_title>Regency Revival</summary_title>
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      <id>term-115937</id>
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    <summary_title>No. 16, Cheyne Walk, London</summary_title>
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