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    <summary_title>earthenware</summary_title>
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      <uuid>68c2b295-0e5f-3e4e-ac86-2aebb8653b91</uuid>
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    <summary_title>Studio Ceramics</summary_title>
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      <note>
        <value>black</value>
      </note>
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        <link>
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        <summary_title>slip</summary_title>
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        <value>turquoise, 'volcanic'</value>
      </note>
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          <type>reference</type>
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        <summary_title>glaze</summary_title>
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    <name>Exterior</name>
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  <department>
    <value>Applied Arts</value>
  </department>
  <description>
    <value>Earthenware with blackened surface and turquoise-blue volcanic glaze. Oval with straight sides</value>
  </description>
  <identifier>
    <accession_number>C.5-2006</accession_number>
    <primary>1</primary>
    <type>accession number</type>
    <value>C.5-2006</value>
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    <priref>126057</priref>
    <type>priref</type>
    <value>126057</value>
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  <identifier>
    <date>
      <earliest>2006</earliest>
      <latest>2006</latest>
      <value>2006-01-19</value>
    </date>
    <source>The Fitzwilliam Museum</source>
    <type>entry form number</type>
    <value>805</value>
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    <type>uri</type>
    <uri>https://data.fitzmuseum.cam.ac.uk/id/object/126057</uri>
    <value>https://data.fitzmuseum.cam.ac.uk/id/object/126057</value>
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  <inscription>
    <location>in centre of base</location>
    <method>impressed</method>
    <transcription>
      <value>script E in circular seal</value>
    </transcription>
    <type>maker's mark</type>
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    <summary_title>The Fitzwilliam Museum</summary_title>
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  <legal>
    <credit_line>Gift of Nicholas and Judith Goodison through the National Art Collections Fund</credit_line>
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    <acquisition>
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        <summary_title>Goodison, Nicholas and Judith</summary_title>
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      <date>
        <earliest>2006</earliest>
        <latest>2006</latest>
        <value>2006-01-30</value>
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      <method>
        <value>given</value>
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      <date>
        <earliest>2005</earliest>
        <era>CE</era>
        <latest>2005</latest>
        <value>2005</value>
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        <summary_title>Cooper, Emmanuel</summary_title>
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        <value>Text from object entry in A. Game (2016) &#x2018;Contemporary British Crafts: The Goodison Gift to the Fitzwilliam Museum&#x2019;. London: Philip Wilson Publishers: Emmanuel Cooper always fired his work in an electric kiln, a method less commonly associated with experimental glaze work in ceramics owing to its more neutral and even heat source, compared to, say, a wood-fired or gas kiln. However, Cooper&#x2019;s study of the chemistry and artistry of glazed surface is legendary. He wrote four best-selling books on the subject and created a mature body of work in which layers of slip, glaze and oxides are worked through several firings to create rich, animated &#x2018;volcanic&#x2019; surfaces, as seen in this work. A life history interview with Emmanuel Cooper is available at http://sounds.bl.uk/Oral-history/Crafts</value>
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        <summary_title>21st Century, Early</summary_title>
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          <summary_title>England</summary_title>
          <type>country</type>
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        <summary_title>London</summary_title>
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      <summary_title>vase</summary_title>
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    <type>history note</type>
    <value>Contemporary Applied Arts, 2 Percy Street, London from which purchased by the donors</value>
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        <summary_title>bowl</summary_title>
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      <notes>Publ. p. 106 brief entry, no illustration</notes>
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      <notes>Ref. Obituary in the Daily Telegraph</notes>
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      <notes>Publ. pp. 170-1, no. 66, object description, illustration and information on maker's technique</notes>
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    <summary_title>Contemporary British Crafts: The Goodison Gift to The Fitzwilliam Museum</summary_title>
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      <value>earthenware with blackened surface and turquoise-blue volcanic glaze</value>
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    <type>OBJECT</type>
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