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Brooch with Four Eyes, II, by Adam Paxon

Image attached to M.11 & A-2011

An image of Jewellery. Brooch with Four Eyes, II. Adam Paxon (British, b.1972). Thermo-formed and hand-carved acrylic, lacquer and enamel, height 7.5 cm, diameter 8.5 cm, 2010. Gift of Nicholas and Judith Goodison through The Art Fund.

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About this image

Jewellery. Brooch with Four Eyes, II. Adam Paxon (British, b.1972). Thermo-formed and hand-carved acrylic, lacquer and enamel, height 7.5 cm, diameter 8.5 cm, 2010. Gift of Nicholas and Judith Goodison through The Art Fund.

Image data

  • Accession Number: M.11 & A-2011
  • © Adam Paxon. Photograph copyright © The Fitzwilliam Museum, Cambridge.
  • Aperture: f/32.0
  • Focal length: 120
  • Camera: Hasselblad H3DII-31
  • Photographer name: Andrew Norman
  • Image height: 768 pixels
  • Image width: 1024 pixels
  • Processed with: Adobe Photoshop Lightroom 5.4 (Windows)
  • Filesize: 94.74kB
  • Exposure time: 1/180
  • ISO Speed: 200
  • Fnumber: 32/1
  • Captured: 2012:03:07 13:50:12

Colours in this image

rgb(156,123,89), rgb(60,75,51), rgb(149,65,61), rgb(150,142,131), rgb(247,246,245), rgb(192,144,138), rgb(199,187,157), rgb(197,194,190), rgb(225,195,191), rgb(76,164,100), rgb(252,84,124)

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The Fitzwilliam Museum (2024) "Brooch with Four Eyes, II, by Adam Paxon" Web page available at: https://data.fitzmuseum.cam.ac.uk/id/image/media-197010 Accessed: 2024-11-22 11:38:47

Citation for Wikipedia

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{{cite web|url=https://data.fitzmuseum.cam.ac.uk/id/image/media-197010 |title=Brooch with Four Eyes, II, by Adam Paxon |author=The Fitzwilliam Museum|accessdate=2024-11-22 11:38:47|publisher=The University of Cambridge}}

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https://data.fitzmuseum.cam.ac.uk/api/v1/images/media-196748

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<div class="text-center">
    <figure class="figure">
        <img src="https://data.fitzmuseum.cam.ac.uk/imagestore/aa/aa33/large_M_11_20_26_20A_2011_1_201203_adn21_dc2.jpg"
        alt="Brooch with Four Eyes II"
        class="img-fluid" />
        <figcaption class="figure-caption text-info">Brooch with Four Eyes, II, by Adam Paxon</figcaption>
    </figure>
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