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The Trinity, flanked by kneeling friar and nun, initial from an Antiphoner

Image attached to MS McClean 201.9i

An image of Illuminated manuscript. Cutting. Initial from an Antiphoner. Production Place: Central Italy. Parchment, gold. 140 x 129 mm, one musical stave ruled in red ink, two lines of fragmentary text ruled in plummet, circa 1350.
CONTENTS: On reverse, fragmentary text of the end of the antiphon in the Dominican rite for Benedictus on the Saturday in the Octave of Pentecost which precedes Trinity Sunday [.... singulis manus imponens curabat] eos alleluia, and rubric Sabbato ad Benedictus antiphon; the initial introduced the antiphon for the psalms at first Vespers of Trinity Sunday in the Dominican rite, O beata et benedicta et gloriosa Trinitas, and would have been on the verso of the original leaf. DECORATION: Historiated initial in graded pink on a solid blue ground: [O] The Trinity, flanked by kneeling friar (left) and nun (right) in Dominican habits.

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About this image

Illuminated manuscript. Cutting. Initial from an Antiphoner. Production Place: Central Italy. Parchment, gold. 140 x 129 mm, one musical stave ruled in red ink, two lines of fragmentary text ruled in plummet, circa 1350. CONTENTS: On reverse, fragmentary text of the end of the antiphon in the Dominican rite for Benedictus on the Saturday in the Octave of Pentecost which precedes Trinity Sunday [.... singulis manus imponens curabat] eos alleluia, and rubric Sabbato ad Benedictus antiphon; the initial introduced the antiphon for the psalms at first Vespers of Trinity Sunday in the Dominican rite, O beata et benedicta et gloriosa Trinitas, and would have been on the verso of the original leaf. DECORATION: Historiated initial in graded pink on a solid blue ground: [O] The Trinity, flanked by kneeling friar (left) and nun (right) in Dominican habits.

Image data

  • Accession Number: MS McClean 201.9i
  • Photograph copyright © The Fitzwilliam Museum, Cambridge.
  • Photographer name: Andrew Morris
  • Image height: 1140 pixels
  • Image width: 1024 pixels
  • Processed with: Adobe Photoshop CS3 Windows
  • Filesize: 251.29kB

Key words

14th Century _WF_AdOK _WF_KWD _WF_OPAC _WF_OPAC_pending antiphonal antiphoner antiphons birds blue Christ Christianity cross crucified crucifix crucifixion cutting decorative initial Dominican doves Early Renaissance Easter Fitz_MSPB friar God God the Father heaven heavenly heavens historiated initial holy ghost Holy Spirit Holy Trinity illuminated illumination inhabited initial initial Italian Jesus kneeling manuscript monastic monks music manuscript New Testament nuns parchment religion religious religious order Renaissance The Lord Trecento trinity white dove

Colours in this image

rgb(202,175,133), rgb(102,112,115), rgb(48,62,80), rgb(136,62,39), rgb(152,88,45), rgb(249,242,226), rgb(153,108,80), rgb(144,139,125), rgb(237,220,179), rgb(66,89,124), rgb(68,100,116)

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The Fitzwilliam Museum (2024) "The Trinity, flanked by kneeling friar and nun, initial from an Antiphoner" Web page available at: https://data.fitzmuseum.cam.ac.uk/id/image/media-1984095719 Accessed: 2024-11-14 09:35:38

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{{cite web|url=https://data.fitzmuseum.cam.ac.uk/id/image/media-1984095719 |title=The Trinity, flanked by kneeling friar and nun, initial from an Antiphoner |author=The Fitzwilliam Museum|accessdate=2024-11-14 09:35:38|publisher=The University of Cambridge}}

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