<?xml version="1.0"?>
<root>
  <admin>
    <added>1592999475000</added>
    <created>1312637261000</created>
    <flag>Standard Record</flag>
    <id>object-48202</id>
    <indexed>1752602702991</indexed>
    <modified>1735648567000</modified>
    <processed>1752602690710</processed>
    <source>adlib</source>
    <stream>fitz-online</stream>
    <uid>adlib-object-48202</uid>
    <uri>https://data.fitzmuseum.cam.ac.uk/id/object/48202</uri>
    <uuid>e73969f3-1f0d-3a1d-a6e3-bed88c8917c6</uuid>
    <version>7</version>
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  <agents>
    <link>
      <relation>person</relation>
      <type>reference</type>
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      <id>agent-149975</id>
      <uid>adlib-agent-149975</uid>
      <uuid>e6f5b711-54e0-351d-a83c-758cad4cba19</uuid>
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    <summary_title>angel</summary_title>
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  <categories>
    <link>
      <type>reference</type>
    </link>
    <admin>
      <id>term-98228</id>
      <uid>adlib-term-98228</uid>
      <uuid>3d747999-296f-3944-9a84-2936c3ae9f5c</uuid>
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    <summary_title>sculpture</summary_title>
  </categories>
  <categories>
    <link>
      <type>reference</type>
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    <admin>
      <id>term-113354</id>
      <uid>adlib-term-113354</uid>
      <uuid>934184d4-1286-3f29-8b17-dce2bde310b3</uuid>
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    <summary_title>tin-glazed terracotta</summary_title>
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  <collection>
    <link>
      <type>reference</type>
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    <admin>
      <id>term-113184</id>
      <uid>adlib-term-113184</uid>
      <uuid>25fc548d-d02f-39a6-a34f-d609393a0043</uuid>
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    <summary_title>J. W. L. Glaisher</summary_title>
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  <component>
    <materials>
      <note>
        <value>producing lavender-blue, green, yellow, manganese-purple and white</value>
      </note>
      <reference>
        <link>
          <type>reference</type>
        </link>
        <admin>
          <id>term-109907</id>
          <uid>adlib-term-109907</uid>
          <uuid>a881f27f-ee88-3a17-9f6b-e4f2864825a3</uuid>
        </admin>
        <summary_title>metallic oxides</summary_title>
      </reference>
    </materials>
    <name>Decoration</name>
    <techniques>
      <note>
        <value>with coloured tin-glaze</value>
      </note>
      <reference>
        <link>
          <type>reference</type>
        </link>
        <admin>
          <id>term-106226</id>
          <uid>adlib-term-106226</uid>
          <uuid>194567f2-2bcd-3446-ae31-652386611815</uuid>
        </admin>
        <summary_title>painting</summary_title>
      </reference>
    </techniques>
  </component>
  <department>
    <value>Applied Arts</value>
  </department>
  <description>
    <value>terracotta painted in coloured tin-glazes</value>
  </description>
  <description>
    <value>Greyish-buff terracotta, decorated with lavender-blue, green, yellow, manganese-purple and white tin-glazes. The angel kneels on its right knee with its left knee forward, the upper part of its body and head turned to the viewer. It holds a pedestal and vase with a pricket for a candle balanced on its left knee. It has shoulder-length wavy hair with a lock falling over its forehead. Its wings project behind it, from either side of a circular hole in its back. It wears a gown with a collar and cross bands; over its left shoulder it has a cloak, draped across in front and looped up below its right hip; over its right shoulder there is a narrow drape which falls down in front and is held up to the pedestal in its right hand. The base is narrow and irregularly shaped. The face, hands and feet are pinkish-buff; the gown is blue with a white collar and yellow cross-bands; the right sleeve is white at the bottom and has a green lining; the cloak is yellow with a purple lining. The hair, wings, pedestal and vase are white. The base is purple.</value>
  </description>
  <exhibitions>
    <link>
      <catalogue>no catalogue</catalogue>
      <type>reference</type>
    </link>
    <admin>
      <id>exhibition-1605</id>
      <uid>adlib-exhibition-1605</uid>
      <uuid>04d3c358-0bef-3d8f-8df5-14f16987ac1b</uuid>
    </admin>
    <summary_title>Italian Maiolica in the Fitzwilliam Museum</summary_title>
  </exhibitions>
  <exhibitions>
    <link>
      <type>reference</type>
    </link>
    <admin>
      <id>exhibition-2736</id>
      <uid>adlib-exhibition-2736</uid>
      <uuid>c069afe0-10a3-38ef-8a32-9d5a5c0d5df1</uuid>
    </admin>
    <summary_title>Colour</summary_title>
  </exhibitions>
  <exhibitions>
    <link>
      <type>reference</type>
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    <admin>
      <id>exhibition-2806</id>
      <uid>adlib-exhibition-2806</uid>
      <uuid>6e1b65bf-b6bc-3f65-8be7-5ea2aab18496</uuid>
    </admin>
    <summary_title>Madonnas and Miracles. The Holy Home in Renaissance Italy</summary_title>
  </exhibitions>
  <identifier>
    <accession_number>C.2169-1928</accession_number>
    <primary>1</primary>
    <type>accession number</type>
    <value>C.2169-1928</value>
  </identifier>
  <identifier>
    <priref>48202</priref>
    <type>priref</type>
    <value>48202</value>
  </identifier>
  <identifier>
    <source>Art UK</source>
    <type>external ID</type>
    <value>CAM_CCF_C_2169_1928</value>
  </identifier>
  <identifier>
    <date>
      <earliest>2020</earliest>
      <latest>2020</latest>
      <value>2020-02-06</value>
    </date>
    <source>Sketchfab</source>
    <type>Online 3D model</type>
    <value>b69b7066fc8c456288b21a9540ed5f8d</value>
  </identifier>
  <identifier>
    <type>uri</type>
    <uri>https://data.fitzmuseum.cam.ac.uk/id/object/48202</uri>
    <value>https://data.fitzmuseum.cam.ac.uk/id/object/48202</value>
  </identifier>
  <institutions>
    <link>
      <type>reference</type>
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    <admin>
      <id>agent-149638</id>
      <uid>adlib-agent-149638</uid>
      <uuid>7376d833-d0a7-3be0-916e-9c892b7a24d8</uuid>
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    <summary_title>The Fitzwilliam Museum</summary_title>
  </institutions>
  <legal>
    <credit_line>Dr J.W.L. Glaisher Bequest</credit_line>
  </legal>
  <lifecycle>
    <acquisition>
      <agents>
        <link>
          <type>reference</type>
        </link>
        <admin>
          <id>agent-152564</id>
          <uid>adlib-agent-152564</uid>
          <uuid>c20df94d-f096-3e0b-a9b5-6ddd12161fb7</uuid>
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        <summary_title>Glaisher, J. W. L., Dr</summary_title>
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      <date>
        <earliest>1928</earliest>
        <latest>1928</latest>
        <value>1928</value>
      </date>
      <method>
        <value>bequeathed</value>
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      <note>
        <value>Entry date: 1928</value>
      </note>
    </acquisition>
    <creation>
      <date>
        <earliest>1500</earliest>
        <from>
          <earliest>1500</earliest>
          <era>CE</era>
          <latest>1500</latest>
          <precision>circa</precision>
          <value>1500</value>
        </from>
        <latest>1550</latest>
        <note>
          <value>Thermoluminescence analysis by the Research Laboratory for Archaeology and the History of Art, Oxford (sample 581m30 taken 14 February 1994, Report dated 18 March 1994) estimated that the sample was last fired between 320 and 480 years ago.</value>
        </note>
        <range>1</range>
        <to>
          <earliest>1550</earliest>
          <era>CE</era>
          <latest>1550</latest>
          <value>1550</value>
        </to>
      </date>
      <maker>
        <link>
          <qualifier>probably</qualifier>
          <role>
            <value>workshop</value>
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          <type>reference</type>
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          <id>agent-35506</id>
          <uid>adlib-agent-35506</uid>
          <uuid>96e5f49c-1ec6-3f34-b799-3b11533c41b7</uuid>
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        <summary_title>Della Robbia, Giovanni</summary_title>
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      <note>
        <value>Terracotta sculpture decorated with white and coloured tin-glazes was introduced by Luca della Robbia (1400-80), and was continued by his nephew Andrew (1435-1525), and his sons Giovanni (1469-1529/30) and Girolamo (1488-1566).</value>
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          <id>term-106602</id>
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          <uuid>bbb4c00f-eefa-3d64-9441-7a75aa07736e</uuid>
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        <summary_title>16th Century</summary_title>
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        <link>
          <type>reference</type>
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        <admin>
          <id>term-10618</id>
          <uid>adlib-term-10618</uid>
          <uuid>9ebc0ae1-8cf8-312b-832c-9cf44da02136</uuid>
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        <summary_title>Renaissance</summary_title>
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      <places>
        <link>
          <type>reference</type>
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          <id>term-106508</id>
          <uid>adlib-term-106508</uid>
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        <hierarchies>
          <link>
            <type>literal</type>
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          <name>
            <value>Italy</value>
          </name>
          <summary_title>Italy</summary_title>
          <type>country</type>
        </hierarchies>
        <summary_title>Florence</summary_title>
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    <reference>
      <link>
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      <admin>
        <id>term-33162</id>
        <uid>adlib-term-33162</uid>
        <uuid>6f1730c6-1049-36b9-80ae-d22bc9d2254c</uuid>
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      <summary_title>terracotta</summary_title>
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    <reference>
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      <admin>
        <id>term-39575</id>
        <uid>adlib-term-39575</uid>
        <uuid>cdf6707a-1eeb-3622-a26b-6e54f1f8d4ab</uuid>
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      <summary_title>tin-glaze</summary_title>
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    <dimensions>
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      <units>cm</units>
      <value>76</value>
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    <value>Christie's, 21 November 1902, lot 66; purchased by Dr J.W.L. Glaisher at Eastbourne in 1904.</value>
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      <notes>Publ. I, p. 282, no. 2169, II, pl. 161</notes>
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      <notes>Publ. p. 11, A1</notes>
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    <summary_title>Giovanni della Robbia</summary_title>
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      <notes>Cf. Vol. I, pp. 231-2, nos. 299-30; III figs. 236, 235, attributed to Giovanni della Robbia. The quality of these angels is superior to the Fitzwilliam's.</notes>
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      <notes>Cf. p. 179, no. 445, a pair of kneeling angels in the Museo Internazionale delle Ceramiche in Faenza, attributed to the della Robbia workshop, late 15th century. H. 54 and 53 cm. L. 36 and 39 cm. They hold vase-shaped candleholders and are fairly close to the Fitzwilliam's pair in style, but have different hair styles.</notes>
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      <notes>Cf. pp. 63-5, no. II 4a and b, two coloured angels holding candlesticks; p. 66, no. II 3a and b, two white angels holding candlesticks; p. 67, II 6 a and b two coloured angels holding the flat base for a candlestick; p. 68, two blue and white angels holding vase-shaped candlestick bases.  The Fitzwilliam's angel is closest to the first pair, but is not similar.</notes>
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      <notes>Cf. p. 41, lot 70, a pair of angels 'in the style of Benedetto Buglioni (1459/60-1520). Estimate &#xA3;4-6,000. These do not hold a candlestick but have respectively arms crossed and hands together in prayer.  Their hands and faces do not appear to be glazed.</notes>
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      <notes>Cf. p. 48, lot 43, a pair of angels, described as 'Florentine in the style of Benedetto Buglioni (1459/60-1520). H. 48 cm. Estimate &#xA3;4-6.000.</notes>
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      <notes>Ref. For the production techniques of Della Robbia sculpture, see pp. 97-116, Maria Grazia Vaccari, 'Tecniche e metodi di lavorazione'.</notes>
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      <notes>Ref. For the production techniques of Della Robbia sculpture, see pp. 83-95, Charlotte Hubbard and Peta Motture, 'The Making of Terrcotta Sculpture: Techniques and Observations'.</notes>
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      <notes>Cf. p. 34, lot 158, a kneeling angel attributed to the workshop of Benedetto Buglioni.</notes>
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    <summary_title>Renaissance</summary_title>
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