<?xml version="1.0"?>
<root>
  <admin>
    <added>1592999700000</added>
    <created>1312637261000</created>
    <flag>Standard Record</flag>
    <id>object-77384</id>
    <indexed>1758045644991</indexed>
    <modified>1758030480000</modified>
    <processed>1758045642794</processed>
    <source>adlib</source>
    <stream>fitz-online</stream>
    <uid>adlib-object-77384</uid>
    <uri>https://data.fitzmuseum.cam.ac.uk/id/object/77384</uri>
    <uuid>5c4427dc-4583-3990-ba88-69421e10e6b3</uuid>
    <version>16</version>
  </admin>
  <agents>
    <link>
      <relation>person</relation>
      <type>reference</type>
    </link>
    <admin>
      <id>agent-160752</id>
      <uid>adlib-agent-160752</uid>
      <uuid>8aa6316a-4aea-37a0-94f1-af69f4610c71</uuid>
    </admin>
    <summary_title>Christ Child</summary_title>
  </agents>
  <agents>
    <link>
      <relation>person</relation>
      <type>reference</type>
    </link>
    <admin>
      <id>agent-154123</id>
      <uid>adlib-agent-154123</uid>
      <uuid>2fef3fa1-e550-35f4-b4de-2ced0eb2272a</uuid>
    </admin>
    <summary_title>Virgin Mary</summary_title>
  </agents>
  <agents>
    <link>
      <relation>person</relation>
      <type>reference</type>
    </link>
    <admin>
      <id>agent-149649</id>
      <uid>adlib-agent-149649</uid>
      <uuid>94539a8b-dbbb-3f21-8501-c4bf2d8b0190</uuid>
    </admin>
    <summary_title>St Joseph</summary_title>
  </agents>
  <agents>
    <link>
      <relation>person</relation>
      <type>reference</type>
    </link>
    <admin>
      <id>agent-156435</id>
      <uid>adlib-agent-156435</uid>
      <uuid>178d07f2-1335-3d55-a064-7b3bdb752d1d</uuid>
    </admin>
    <summary_title>St Anne</summary_title>
  </agents>
  <agents>
    <link>
      <relation>person</relation>
      <type>reference</type>
    </link>
    <admin>
      <id>agent-152774</id>
      <uid>adlib-agent-152774</uid>
      <uuid>de99f35f-cc87-3d6f-95a7-70a6d0601039</uuid>
    </admin>
    <summary_title>putti</summary_title>
  </agents>
  <categories>
    <link>
      <type>reference</type>
    </link>
    <admin>
      <id>term-108348</id>
      <uid>adlib-term-108348</uid>
      <uuid>667e7a19-db33-3d85-bd9b-c2dafd8e02ff</uuid>
    </admin>
    <summary_title>tin-glazed earthenware</summary_title>
  </categories>
  <categories>
    <link>
      <type>reference</type>
    </link>
    <admin>
      <id>term-42865</id>
      <uid>adlib-term-42865</uid>
      <uuid>92be1d50-bb1c-3472-950f-b140ee6cdde9</uuid>
    </admin>
    <summary_title>maiolica</summary_title>
  </categories>
  <collection>
    <link>
      <type>reference</type>
    </link>
    <admin>
      <id>term-107444</id>
      <uid>adlib-term-107444</uid>
      <uuid>571df7cf-e062-3968-ae5e-bec9d5a82f92</uuid>
    </admin>
    <summary_title>C. B. Marlay</summary_title>
  </collection>
  <component>
    <materials>
      <note>
        <value>blue, turquoise-green, yellow, orange, black, grey, and white</value>
      </note>
      <reference>
        <link>
          <type>reference</type>
        </link>
        <admin>
          <id>term-108364</id>
          <uid>adlib-term-108364</uid>
          <uuid>115b8729-a560-35c1-b654-4b9d2fc5f68b</uuid>
        </admin>
        <summary_title>high-temperature colours</summary_title>
      </reference>
    </materials>
    <name>Decoration</name>
    <techniques>
      <reference>
        <link>
          <type>reference</type>
        </link>
        <admin>
          <id>term-106226</id>
          <uid>adlib-term-106226</uid>
          <uuid>194567f2-2bcd-3446-ae31-652386611815</uuid>
        </admin>
        <summary_title>painting</summary_title>
      </reference>
    </techniques>
  </component>
  <content>
    <motifs>
      <link>
        <type>reference</type>
      </link>
      <admin>
        <id>term-23385</id>
        <uid>adlib-term-23385</uid>
        <uuid>4c17df77-7d4e-32bf-8ec9-921b71d218a2</uuid>
      </admin>
      <summary_title>religion</summary_title>
    </motifs>
  </content>
  <department>
    <value>Applied Arts</value>
  </department>
  <description>
    <value>Maiolica cover from an accouchement set bowl, painted in polychrome with the Holy Family.</value>
  </description>
  <description>
    <value>Pale buff earthenware, tin-glazed overall. Painted in blue, turquoise-green, yellow, orange, black, grey, and white. Circular with a flange on the underside; the upper surface flat with a convex rim.
The Holy Family in an architectural setting; on the rim, bound leaves and berries between concentric yellow bands. On the back, two putti standing on clouds support a shield bearing the arms sable, a fess or, a chief party per pale gules and argent two rosettes counterchanged flanked by the letters `ELI' and `PYA'; below, a winged putto's head. The background is blue above the arms and brown below. The flange and rim are yellow.</value>
  </description>
  <exhibitions>
    <link>
      <catalogue>245</catalogue>
      <type>reference</type>
    </link>
    <admin>
      <id>exhibition-3305</id>
      <uid>adlib-exhibition-3305</uid>
      <uuid>534a3247-91a9-398f-abe9-7b419586f568</uuid>
    </admin>
    <summary_title>Feast and Fast: The Art of Food in Europe (1500-1800)</summary_title>
  </exhibitions>
  <exhibitions>
    <link>
      <catalogue>340</catalogue>
      <type>reference</type>
    </link>
    <admin>
      <id>exhibition-1610</id>
      <uid>adlib-exhibition-1610</uid>
      <uuid>ce06b5fd-cb8c-31a1-8be4-bebc8b56e19d</uuid>
    </admin>
    <summary_title>Specimens of Hispano-Moresque and Majolica Pottery exhibited in 1887</summary_title>
  </exhibitions>
  <exhibitions>
    <link>
      <catalogue>no catalogue</catalogue>
      <type>reference</type>
    </link>
    <admin>
      <id>exhibition-1605</id>
      <uid>adlib-exhibition-1605</uid>
      <uuid>04d3c358-0bef-3d8f-8df5-14f16987ac1b</uuid>
    </admin>
    <summary_title>Italian Maiolica in the Fitzwilliam Museum</summary_title>
  </exhibitions>
  <exhibitions>
    <link>
      <type>reference</type>
    </link>
    <admin>
      <id>exhibition-1848</id>
      <uid>adlib-exhibition-1848</uid>
      <uuid>6fcd371a-ed21-39fa-8912-93a6a46066c8</uuid>
    </admin>
    <summary_title>The Times of our Lives: Rites of Passage</summary_title>
  </exhibitions>
  <exhibitions>
    <link>
      <catalogue>plate 33</catalogue>
      <type>reference</type>
    </link>
    <admin>
      <id>exhibition-2806</id>
      <uid>adlib-exhibition-2806</uid>
      <uuid>6e1b65bf-b6bc-3f65-8be7-5ea2aab18496</uuid>
    </admin>
    <summary_title>Madonnas and Miracles. The Holy Home in Renaissance Italy</summary_title>
  </exhibitions>
  <identifier>
    <accession_number>MAR.C.60-1912</accession_number>
    <primary>1</primary>
    <type>accession number</type>
    <value>MAR.C.60-1912</value>
  </identifier>
  <identifier>
    <priref>77384</priref>
    <type>priref</type>
    <value>77384</value>
  </identifier>
  <identifier>
    <type>uri</type>
    <uri>https://data.fitzmuseum.cam.ac.uk/id/object/77384</uri>
    <value>https://data.fitzmuseum.cam.ac.uk/id/object/77384</value>
  </identifier>
  <inscription>
    <description>
      <value>I smaller than L and Y and A joined</value>
    </description>
    <location>on back flanking arms</location>
    <transcription>
      <value>ELI PYA</value>
    </transcription>
    <type>inscription</type>
  </inscription>
  <institutions>
    <link>
      <type>reference</type>
    </link>
    <admin>
      <id>agent-149638</id>
      <uid>adlib-agent-149638</uid>
      <uuid>7376d833-d0a7-3be0-916e-9c892b7a24d8</uuid>
    </admin>
    <summary_title>The Fitzwilliam Museum</summary_title>
  </institutions>
  <legal>
    <credit_line>C.B. Marlay Bequest</credit_line>
  </legal>
  <lifecycle>
    <acquisition>
      <agents>
        <link>
          <type>reference</type>
        </link>
        <admin>
          <id>agent-149674</id>
          <uid>adlib-agent-149674</uid>
          <uuid>de1bf9dd-2091-39ca-85f6-41e736f6e32b</uuid>
        </admin>
        <summary_title>Marlay, Charles Brinsley</summary_title>
      </agents>
      <date>
        <earliest>1912</earliest>
        <latest>1912</latest>
        <value>1912</value>
      </date>
      <method>
        <value>bequeathed</value>
      </method>
      <note>
        <value>For its possession by Signora Beni and Giuseppe Ranaldi, see Documentation,  Poole, 2003, p. 93.</value>
      </note>
    </acquisition>
    <creation>
      <date>
        <earliest>1531</earliest>
        <era>CE</era>
        <latest>1531</latest>
        <precision>circa</precision>
        <value>1531</value>
      </date>
      <maker>
        <link>
          <qualifier>possibly</qualifier>
          <role>
            <value>painter</value>
          </role>
          <type>reference</type>
        </link>
        <admin>
          <id>agent-160384</id>
          <uid>adlib-agent-160384</uid>
          <uuid>5c6d6814-9356-3ed2-aa15-769c66acb5b6</uuid>
        </admin>
        <summary_title>Milan Marsyas Painter</summary_title>
      </maker>
      <maker>
        <link>
          <qualifier>possibly</qualifier>
          <role>
            <value>painter</value>
          </role>
          <type>reference</type>
        </link>
        <admin>
          <id>agent-189937</id>
          <uid>adlib-agent-189937</uid>
          <uuid>ba703f61-f3e2-3e9b-b254-4d098d09e339</uuid>
        </admin>
        <summary_title>Xanto, Francesco</summary_title>
      </maker>
      <maker>
        <link>
          <qualifier>after</qualifier>
          <role>
            <value>printmaker</value>
          </role>
          <type>reference</type>
        </link>
        <admin>
          <id>agent-159002</id>
          <uid>adlib-agent-159002</uid>
          <uuid>93c9a327-1a2c-3628-ab1d-6a7c039660b0</uuid>
        </admin>
        <summary_title>Caraglio, Giovanni Giacomo</summary_title>
      </maker>
      <maker>
        <link>
          <qualifier>after</qualifier>
          <role>
            <value>painter</value>
          </role>
          <type>reference</type>
        </link>
        <admin>
          <id>agent-104194</id>
          <uid>adlib-agent-104194</uid>
          <uuid>c673ad7d-c2a2-35a4-a7d0-1c7f30185198</uuid>
        </admin>
        <summary_title>Parmigianino (Francesco Mazzola)</summary_title>
      </maker>
      <note>
        <value>From at least the fifteenth century it was customary for a new mother to be given a little maiolica service to use for meals during her recovery after childbirth, sometimes as a gift from her husband. Childbirth, the most dangerous experience in most women&#x2019;s lives, required nourishing food, like sweetmeats or broths. In Romagna and the Marches these became known as 'un servizio da impagliata' because the word 'impagliata' was used to describe a woman during her lying-in. According to Cipriano Piccolpasso (c. 1523/4-79) in I tre libri del Arte del Vasaio, written about 1557, the services usually had five pieces arranged on top of each other: a standing bowl covered by a plate, a drinking bowl on a foot, and a salt and its cover.
These sets are mentioned in many fifteenth and sixteenth century inventories but apart from a salt in the Victoria and Albert Museum, only bowls and covers appear to have survived. Most of them are decorated with scenes of childbirth, the washing of babies, or women with small children. Others have childbirth scenes from the Bible or classical mythology, or subjects connected with qualities, such as valour, which it was hoped the child would acquire. 
The Holy Family on the top of this cover was derived from the 'Adoration of the Shepherds', engraved by Giovanni Giacomo  Caraglio after Parmigianino (1503-40).  It shows the Virgin Mary, Joseph and a female saint, around the new-born baby Jesus, who is cradled in the arms of a woman who has no halo, and was perhaps a midwife. The scene was intended to inspire the new mother, who would have looked to the Virgin and St Anne as models of motherhood. The reverse is painted with two putti, the family&#x2019;s coat-of- arms, and the initials, &#x2018;ELI&#x2019; and &#x2018;PYA&#x2019;, said to be for the name of the father, &#x2018;Elisio Piani&#x2019;, an official of the Monte Piet&#xE0; in Urbino in early sixteenth-century Urbino. A dish painted with the 'Judgement of Paris' by Francesco Xanto in 1531 bears the same coat-of-arms (Fitzwilliam Museum, C.86-1961).</value>
      </note>
      <note>
        <value>If not painted by the 'Milan Marsyas Painter' this cover was probably painted by Francesco Xanto Avelli da Rovigo</value>
      </note>
      <periods>
        <link>
          <type>reference</type>
        </link>
        <admin>
          <id>term-120009</id>
          <uid>adlib-term-120009</uid>
          <uuid>690a6332-cfc1-3411-a716-4dd4ec7d9a65</uuid>
        </admin>
        <summary_title>16th Century, second quarter</summary_title>
      </periods>
      <periods>
        <link>
          <type>reference</type>
        </link>
        <admin>
          <id>term-10618</id>
          <uid>adlib-term-10618</uid>
          <uuid>9ebc0ae1-8cf8-312b-832c-9cf44da02136</uuid>
        </admin>
        <summary_title>Renaissance</summary_title>
      </periods>
      <places>
        <link>
          <type>reference</type>
        </link>
        <admin>
          <id>term-110708</id>
          <uid>adlib-term-110708</uid>
          <uuid>ef038505-1555-3c61-b6e2-cadcedf6c42a</uuid>
        </admin>
        <hierarchies>
          <link>
            <type>literal</type>
          </link>
          <name>
            <value>Italy</value>
          </name>
          <summary_title>Italy</summary_title>
          <type>country</type>
        </hierarchies>
        <hierarchies>
          <link>
            <type>literal</type>
          </link>
          <name>
            <value>the Marche</value>
          </name>
          <summary_title>the Marche</summary_title>
          <type>region</type>
        </hierarchies>
        <summary_title>Urbino</summary_title>
      </places>
    </creation>
  </lifecycle>
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      <admin>
        <id>term-39575</id>
        <uid>adlib-term-39575</uid>
        <uuid>cdf6707a-1eeb-3622-a26b-6e54f1f8d4ab</uuid>
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      <summary_title>tin-glaze</summary_title>
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      <admin>
        <id>term-42861</id>
        <uid>adlib-term-42861</uid>
        <uuid>5b368285-f1a8-3dcf-a5b2-637fd3c3956c</uuid>
      </admin>
      <summary_title>earthenware</summary_title>
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  <measurements>
    <dimensions>
      <dimension>Diameter</dimension>
      <units>cm</units>
      <value>19.2</value>
    </dimensions>
    <dimensions>
      <dimension>Height</dimension>
      <units>cm</units>
      <value>1.9</value>
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      <notes>Publ. p. 49, no. 340</notes>
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      <uid>adlib-publication-3222</uid>
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    <summary_title>Catalogue of Specimens of Hispano-Moresque and Majolica Pottery Exhibited in 1887</summary_title>
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      <notes>Publ. pp. 333-5, no. 389; for the printed source, see p. 335, fig. 28</notes>
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    <admin>
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    <summary_title>Italian Maiolica and Incised Slipware in the Fitzwilliam Museum Cambridge</summary_title>
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      <notes>Publ. pp. 64-5, no. 27</notes>
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      <id>publication-3378</id>
      <uid>adlib-publication-3378</uid>
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    <summary_title>Fitzwilliam Museum Handbooks, Italian Maiolica</summary_title>
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      <notes>Publ. p. 147 illustrated.  Ref. See especially Chapter 4, Maiolica Wares for Childbirth, but there are many illustrations of comparable objects throughout the book.</notes>
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      <uid>adlib-publication-3396</uid>
      <uuid>1f086d4f-3635-34a1-9650-449561193ba3</uuid>
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    <summary_title>The Art and Ritual of Childbirth in Renaissance Italy</summary_title>
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      <notes>Publ. p. 93, and pl. I a.</notes>
      <page>93</page>
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      <id>publication-200001832</id>
      <uid>adlib-publication-200001832</uid>
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    <summary_title>The Identification of Maiolica from Sanseverino</summary_title>
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      <notes>Publ. pp. 32-3, plate 33; front illustrated on p. 33 and back on p. 32. Fig. 12 reproduces the accouchement set cup in Cipriano Piccolpasso, 'Li tre libri dell'arte del vasaio'.</notes>
      <page>32-33</page>
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    <admin>
      <id>publication-8422</id>
      <uid>adlib-publication-8422</uid>
      <uuid>849d6b11-70f3-3a5b-9261-5930e598885c</uuid>
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    <summary_title>Madonnas and Miracles. The Holy Home in Renaissance Italy</summary_title>
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  <publications>
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      <notes>Publ. p. 213, fig. 7.18, and p. 253, cat. 245</notes>
      <page>p. 213, 253</page>
      <type>reference</type>
    </link>
    <admin>
      <id>publication-8743</id>
      <uid>adlib-publication-8743</uid>
      <uuid>a86a8f73-aae5-372c-930d-aa215bd02c9b</uuid>
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    <summary_title>Feast &amp; Fast. The Art of Food in Europe 1500-1800</summary_title>
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      <notes>Ref. For the social background for accouchement sets.  The Fitzwilliam's accouchement bowl cover is mentioned on p. 90. Cf. p. 91, fig. 41, a cover decorated with the Holy Family after Parmigianino in the Museo Correr, Venice.</notes>
      <page>59-109</page>
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    <admin>
      <id>publication-200001160</id>
      <uid>adlib-publication-200001160</uid>
      <uuid>31b6bd04-cece-3a33-9cb9-82b67774b1d7</uuid>
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    <summary_title>"Delle Impagliate" ossia annotazioni intorno alle maioliche da puerpera cinquecentesche</summary_title>
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    <link>
      <notes>Cf. p. 151, pl. 178, colour, a trencher from accouchement set with birth of Hercules. D. 28 cm. (V. &amp; A. inv. no. C.755-1925) and p. 151, pl. 179 colour, a broth bowl and cover with birthing scene, astrologer on right, attributed to Nicola da Urbino, c. 1533-8. H. 9.8 D. 17.9 cm. (V. &amp; A. inv. no. C.2258-1910)</notes>
      <page>151</page>
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      <id>publication-7526</id>
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      <uuid>ceb92dd4-7854-3192-82d7-ddfa5f0f3dd4</uuid>
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    <summary_title>Italian Renaissance Maiolica</summary_title>
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  <publications>
    <link>
      <notes>Cf. pp. 62-4, no. 23, three pieces from a later birth set with grotesque decoration surrounding the scenes, attributed to the Fontana or Patanazzi family, c. 1560-80, in the Detroit Institute of Arts, inv. no. 59.124a-c.</notes>
      <page>62-4</page>
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      <uuid>61fcf129-2716-3e72-a188-e9dc442fea54</uuid>
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    <summary_title>Italian Renaissance and Later Ceramics, Entries</summary_title>
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  <publications>
    <link>
      <notes>Cf. pp. 196-7, no. 62, a bowl from an accouchement set decorated with a birth scene and Diana and Actaeon</notes>
      <page>196-7</page>
      <type>reference</type>
    </link>
    <admin>
      <id>publication-8274</id>
      <uid>adlib-publication-8274</uid>
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    <summary_title>Maiolica: Italian Renaissance Ceramics in the Metropolitan Museum of Art</summary_title>
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  <publications>
    <link>
      <notes>Cf. pp. 230-33, nos. 192-4, childbirth bowls , and covers, no. 195, with different types of decoration. See p. 230 for an illustration of three pieces from a set with childbirth scenes surrounded by borders of grotesques in the Detroit Institute of Arts, (59.124).</notes>
      <page>230-33</page>
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    <summary_title>Tin-glaze and Image Culture: the MAK Maiolica Collection in its Wider Context</summary_title>
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    <summary_title>Una "schudella" e un portauovo di Xanto</summary_title>
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    <summary_title>Renaissance</summary_title>
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  <type>
    <base>object</base>
    <type>OBJECT</type>
  </type>
</root>
