1592995787000 1312637261000 Standard Record object-14046 1747160982539 1702908209000 1747159409017 adlib fitz-online adlib-object-14046 https://data.fitzmuseum.cam.ac.uk/id/object/14046 ce833b00-9256-3bf7-be06-50da2d0a3ff8 14 person reference agent-152170 adlib-agent-152170 3f19d216-3342-3b4b-bc58-8b7418ab616a Bacchus reference term-98228 adlib-term-98228 3d747999-296f-3944-9a84-2936c3ae9f5c sculpture reference term-107444 adlib-term-107444 571df7cf-e062-3968-ae5e-bec9d5a82f92 C. B. Marlay reference term-1111 adlib-term-1111 46c949dd-f376-3538-878f-397baee5be09 mythology Applied Arts Copper alloy, probably bronze, cast, chased, and polished. Bacchus stands with his left leg placed in front of the right. His left arm is raised and holds a bunch of grapes. His head is bent and turned to the left as he gazes down at his right hand, which once seems to have held a cup. His hair is entwined with vines. 42 reference exhibition-201 adlib-exhibition-201 14c86d72-5b3b-32f3-85f5-cf71b1bb9878 Treasures from the Fitzwilliam, "The Increase of Learning and other great Objects of that Noble Foundation" reference exhibition-1496 adlib-exhibition-1496 8dff5c56-4627-3983-8f14-e220d9c81f89 National Exhibition of Works of Art, at Leeds, 1868 99 reference exhibition-1141 adlib-exhibition-1141 4f631552-dfc3-3037-bf38-cb5781e98f40 Von Allen Seiten Schön, Bronzen der Renaissance und des Barock no. 34 reference exhibition-1675 adlib-exhibition-1675 10c2903c-a764-3da2-b2d5-7d3ba2352474 Renaissance and Baroque Bronzes from the Fitzwilliam Museum, Cambridge reference exhibition-1768 adlib-exhibition-1768 ac72090b-01cd-3390-abd6-d2933105241b Muscular Bronze. Sculptures by Willem van Tetrode (c. 1525-1580) reference exhibition-1887 adlib-exhibition-1887 ad7b6b61-9df3-34cb-9675-b711ea766ba9 Renaissance and Baroque Bronzes from the Fitzwilliam Museum, Cambridge (2005) MAR.M.204-1912 1 accession number MAR.M.204-1912 14046 priref 14046 Art UK external ID CAM_CCF_MAR_M_204_1912 uri https://data.fitzmuseum.cam.ac.uk/id/object/14046 https://data.fitzmuseum.cam.ac.uk/id/object/14046 reference agent-149638 adlib-agent-149638 7376d833-d0a7-3be0-916e-9c892b7a24d8 The Fitzwilliam Museum C.B. Marlay Bequest reference agent-149674 adlib-agent-149674 de1bf9dd-2091-39ca-85f6-41e736f6e32b Marlay, Charles Brinsley 1912 1912 1912 bequeathed C.B. Marlay died on June 18th 1912 1570 1570 CE 1570 circa 1570 1575 1 1575 CE 1575 1575 sculptor reference agent-153386 adlib-agent-153386 f8ac35dd-16e7-3fef-be3d-47d1159a7bce Tetrode, Willem Danielsz van Previously attributed by Anthony Radcliffe to Hubert Gerhard. The bronze has been attributed to Tetrode working in Rome or in Delft after his return there. reference term-125332 adlib-term-125332 76f10b5d-9bf4-36d4-b4e3-f4df05af8260 16th Century, third quarter reference term-106366 adlib-term-106366 b3c6d1ca-fe9f-38c0-bdd4-f8d83ac87a8f literal Italy Italy country possibly Rome Rome reference term-14204 adlib-term-14204 1ed4c21f-4b80-3e93-9893-96e83eabef87 literal Netherlands Netherlands country possibly Delft Delft probably bronze reference term-39741 adlib-term-39741 47d44741-af05-37c3-b21e-0e278b114f3b copper alloy reference term-40365 adlib-term-40365 d79c75c2-da7b-3187-918e-f7a374e04005 bronze Depth cm 17 Height cm 50.5 Width cm 15.5 reference media-200530 adlib-media-200530 45c0d91f-408b-351f-800b-bbe89869b9cc jpeg aa/aa35/MAR_M_204_1912_1_201501_jas244_dc2.jpg 1 height pixels 1024 width pixels 768 1702926739540 1 image jpeg aa/aa35/mid_MAR_M_204_1912_1_201501_jas244_dc2.jpg 1 height pixels 667 width pixels 500 1702926739540 1 image jpeg 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portfolio/F25982D9_7CB9_CFFF_028E_8BBFC531887C/641/922/mid_MAR_M_204_1912_2_201501_jas244_mas.jpg 1 height pixels 667 width pixels 500 1554768815000 1 image MAR.M.204-1912_2_201501_jas244_mas.tif 1554768815000 1 1 image jpeg portfolio/F25982D9_7CB9_CFFF_028E_8BBFC531887C/641/922/preview_MAR_M_204_1912_2_201501_jas244_mas.jpg 1 height pixels 333 width pixels 250 1554768815000 1 image pyramid tiff portfolio/F25982D9_7CB9_CFFF_028E_8BBFC531887C/641/922/MAR_M_204_1912_2_201501_jas244_mas.ptif 1 height pixels 6496 width pixels 4872 1554768815000 1 image 24 media image reference term-107454 adlib-term-107454 6ca0f2ab-c1f8-329d-8a45-8f1322f53a20 figure history note Charles Brinsely Marlay by 1868 reference agent-149638 adlib-agent-149638 7376d833-d0a7-3be0-916e-9c892b7a24d8 The Fitzwilliam Museum reference number literal name Sculpture UK Sculpture UK Publ. p. 213, no. 839 p. 213 reference publication-1264 adlib-publication-1264 f04bce52-febf-3461-8a02-41589e992e85 The National Exhibition of Works of Art reference publication-200001112 adlib-publication-200001112 707689cb-7be7-3778-bb26-6fc931b19b31 Eine Bronze von Giovanni Bologna Publ. p. 718 p. 718 reference publication-3291 adlib-publication-3291 e0ecf0d1-8717-3b46-afde-a8d8f1e9d0ea Storia dell'Arte Italiana. X: La Scultura del Cinquecento, part 3 Publ. I, p. 100 (under no. VII) (rough translation by C. van H. & RAB), vii: pp. 98-101, pl. 45 Bacchus of Latanzio Cortese 'Two small bronzes are being connected falsely with the Bacchus and are attibuted to Jean Bologne. One was formerly in the Bisschoffsheum Palace Collection (W. Gramberg 1936, pl. 11). The other is in the Fitzwilliam Museum at Cambridge (Ulrich Middledorf, 1933; A Venturi, Roman X, 3-1937, p. 718). I have not seen the first. Judging it from the photograph (reproduction) it is difficult to regard it as a work by Jean Bologne because it lacks buoyancy in the posture, the block-like base, and the apparent lack of careful finishing. The Bacchus at Cambridge is certainly not work by Jean Bologne. Composition, posture, and movement lack the firm, balanced contraposto of the master; the motifs of the movement of the arms and head converge in the same direction. The attitude is hesitant and lacks buoyancy and tension. It is impossible to recognise in it the qualities of Jean Bologne's execution. The face is sharp; the eyes are drawn in, and the head-dress is chiselled decoratively, but not modelled plastically. Details, like the nails, show uneven finish. As a whole the little bronze lacks that marvellous and natural life found in Jean Bologne's work. It could very well be ascribed to Caccini.' [The sense of the Flemish base is such that a definite attribution is being suggested, although it sounds hesitant in translation] p. 100 reference publication-1180 adlib-publication-1180 2cef542b-28b8-3f14-97b0-998f4b1ce7ce Jean Bologne-Giovanni Bologna Fiammingo Publ. 139 reference publication-382 adlib-publication-382 ee5148de-e3eb-3d38-88db-9a331edf70b6 Treasures of the Fitzwilliam Museum reference publication-15 adlib-publication-15 a688918a-bb81-3998-99cc-81244715767d The Fitzwilliam Museum, An Illustrated Survey Publ. p. 16 (under lot 61) p. 16 reference publication-2264 adlib-publication-2264 8ff1b543-9530-3fbf-9433-dd213642fdfc Sotheby's Sale Catalogue, 12th December 1958 Publ. pp. 62-65 (entry by C. Theuerkauff) pp. 62-65 reference publication-3292 adlib-publication-3292 4b2646be-bcf3-3b3b-8d69-4369c7772002 Stiftung zur Förderung der Hamburgischen Kunstsammlungen. Erwerbungen 1963 Publ. pp. 191-204 pp. 191-204 reference publication-200001113 adlib-publication-200001113 d1ee1be1-b131-3e9d-b5ca-65dbcc8ac24a Über die Florentinische Einwirkung auf die Kunst des Johann Gregor von der Schardt Publ. p. 194 (under entry on Hamburg Bacchus) p. 194 reference publication-3293 adlib-publication-3293 791b7358-efd9-3c3c-909a-ff9f74110628 Jahrbuch der Hamburger Kunstsammlungen, 10, 1965 Publ. p. 21 p. 21 reference publication-200001114 adlib-publication-200001114 8bc56c20-cfd1-3c6c-80b2-46cde86ed66f Aspetti della Scultura Fiorentina al Tempo della Formazione di Francesco Mochi Publ. pp. 99-100, 102-3, fig. 1 pp. 99-100 reference publication-200000840 adlib-publication-200000840 9d15d085-52a2-3a0c-98c5-8e176bb1eae4 Schardt, Tetrode and some possible sculptural sources for Goltzius Publ. p. 276, no. 30 p. 276 reference publication-200001115 adlib-publication-200001115 8eeab179-00b3-3f8f-8296-a9d2a6813f02 Willem Danielsz. van Tetrode Publ. Cat. no. 42, p. 39 (entry by R. Crighton) p. 39 reference publication-1119 adlib-publication-1119 8b3701d3-a6b9-3cdf-8f20-d50dda99c46c Treasures from the Fitzwilliam: ''The Increase of Learning and other great Objects of that Noble Foundation'' Publ. pp. 112-115 pp. 112-115 reference publication-3294 adlib-publication-3294 3afd6e2d-9e38-3b57-bd08-13737efe17e0 Johan Gregor van der Schardt. Bildhauer bei Kaiser Maximilian II, am dänischen Hofe und bei Tycho Brahe Publ. Cat. no. 99, pp. 328-29, repr. (entry by U. Berger) pp. 328-9 reference publication-1232 adlib-publication-1232 b82e6277-72ed-383a-a717-375529b3c494 Von Allen Seiten Schön, Bronzen der Renaissance und des Barock Publ. p. 531 p. 531 reference publication-200001116 adlib-publication-200001116 ddfee090-056d-36f3-94a8-6d3d4d27af15 Tetrode, Willem Danielsz. van Publ. p. 5 p. 5 reference publication-200001117 adlib-publication-200001117 52872929-a1e0-3fe9-93f9-3a6f57512128 Review of Berlin 1995 Publ. pp. 212-217, 295, no. 34. Attributed to Delft, c. 1570s pp. 212-217 reference publication-3259 adlib-publication-3259 a66336df-0598-3f93-8c6d-4d1fa070ea38 Renaissance and Baroque Bronzes from the Fitzwilliam Museum, Cambridge Publ. Illustrated, p. 30, no. 26, p. 29 and 32 discussion, - Catalogue by, Bieke van der Mark & Frits Scholten, p. 119, no. 13. The authors attribute the model to Rome or Florence pp. 29-30 reference publication-200001300 adlib-publication-200001300 5d9acc5d-c414-3453-86db-b399f73b9646 Willem van Tetrode, alter Praxiteles Publ. Illustrated, radiograph, p. 100, no. 109, with discussion on p. 101, and also mentioned on p. 104 pp. 100-1 reference publication-200001301 adlib-publication-200001301 674d5258-72dc-3638-a6c4-5dfc8be1ac8c Towards a History of Tetrode's Casting Technique Publ. p. 17, fig. 9, as an example of a bronze influenced by Sansovino's marble Bacchus, now in the Museo Nazionale del Bargello, Florence. The article is otherwise about stoneware and porcelain figures of Bacchus. 13-25 reference publication-200002964 adlib-publication-200002964 1c3998ab-95e0-3f64-9bcc-fbaca5536bae Bacchus in Cambridge: Models and Copies Cf. See a bronze attributed to Adrien de Vries, cat. no. 181, p. 150: pl. 181, p. 151.This was pointed out by Ian Robertson of the Ashmoleon, Oxford (H. 51.8 cm) pp. 150-1 reference publication-1265 adlib-publication-1265 dc55db52-9b6c-3bf1-93ba-46b7a5274a1c Die Bildwerke in Bronze und in Anderen Metallen Cf. pp. 410-12, lot 639 another paired with a Faun (attributed to Adriaen de Vries), described as probably German, 17th century. The Fitzwilliam's example is mentioned as 'beautifully cast' and another example in Hamburg. 410-12 reference publication-6431 adlib-publication-6431 33b5e1a9-43d8-3747-bc67-a541758ebd9e Collection Yves Saint Laurent et Pierre Bergé, Sculptures, Objets d'Art, Art d'Asie, Archéologie et Mobilier Publ. p. 99 in colour 99 reference publication-6368 adlib-publication-6368 9c344200-cd9c-3b07-ac5e-06c969ee810c I Turned It Into a Palace, Sydney Cockerell and the Fitzwilliam Museum reference term-10618 adlib-term-10618 9ebc0ae1-8cf8-312b-832c-9cf44da02136 Renaissance

reference term-107454 adlib-term-107454 6ca0f2ab-c1f8-329d-8a45-8f1322f53a20 figure

figure copper alloy, probably bronze, cast, and polished reference term-26699 adlib-term-26699 a385eebb-7834-3204-a17f-d9c3cd15d9b8 casting (process) light brown reference term-120073 adlib-term-120073 8f03d319-c397-37c8-a0e8-e23ef3cfdbbc patinating reference term-27662 adlib-term-27662 ef599247-8a54-3c72-b177-5ea918ef18dc polishing object OBJECT