1592999776000 1312637261000 Standard Record object-156452 1755194581649 1745931831000 1755194515997 adlib fitz-online adlib-object-156452 https://data.fitzmuseum.cam.ac.uk/id/object/156452 a4b81b7c-24e3-3ec9-9274-e9c54c138e2f 11 reference agent-153140 adlib-agent-153140 f5bf2584-5b68-39cb-ae7a-96c84bb52a36 de Pass, Alfred A. person reference agent-149992 adlib-agent-149992 2fc34d64-f566-35ce-9ad4-98939c8fb978 God person reference agent-410 adlib-agent-410 e4a0126f-5620-36a5-86f3-fc0eef3d6fd0 Adam reference term-107563 adlib-term-107563 38dcd825-1de1-3222-82c6-15a95729b5ff enamels reference term-125750 adlib-term-125750 2b10ac09-63c3-34ed-87d5-487058c1c344 Limoges painted enamels reference term-125340 adlib-term-125340 ac22192a-8b69-31e0-929a-4edbdf48a9e7 Alfred A. de Pass pink, white, black reference term-32638 adlib-term-32638 97b8d1a5-7b8f-3a2a-a275-7d001aeaae2b enamel reference term-39593 adlib-term-39593 e3e2a3f8-2433-3f63-9bcf-e776644d312d gold Decoration pink, white, black reference term-28662 adlib-term-28662 dd47e505-ccda-3f2b-b576-6104109430e8 enamelling reference term-115831 adlib-term-115831 6eb9297e-cdbe-300e-8a0a-37765a9807a2 enlevage reference term-28681 adlib-term-28681 c1f659e2-1209-31cf-8ff4-154e11452559 gilding Diameter cm 10.5 Foot Of Cup Diameter cm 17.5 Rim Of Cup Diameter cm 19.5 Rim Of Cover Height cm 15.5 Cup reference term-110523 adlib-term-110523 d1291b77-5525-36c4-9cec-9f651a7a76a9 bible Applied Arts Copper, enamelled en grisaille and gilded Copper, enamelled in grisaille with flesh pink on a black ground, appearing very dark manganese-brown at the edges. The hemispherical bowl of the cup is supported on a vase-shaped knop on top of a bell-shaped circular foot. The low domed cover has a flange round the edge, and a raised central area with a replacement finial in the form of a horizontal silver (?) male mask. This is held in position on the underside by a lump of red sealing wax. The interior of the cup is decorated with the Creation of Adam, surrounded by a broad border of gold arabesques on a black ground. God stands on the right. He is bearded and crowned and wears a voluminous long gown. He extends his left hand towards the nude figure of Adam lying on the ground to the left. In the landscape background there are hills and a lake with three sea monsters in it; trees on either side behind the figures; and between them, many animals, including oxen, a pelican, a lion, a camel, a goat, a rabbit, and a cat stalking a mouse, and, on the right of God, a stag and a hind. The underside of the bowl is decorated with a radiating design of four grotesque masks, curling strapwork, swags and beading. The initials '.I.C.' are painted below one mask on the strapwork. Round the rim there is an egg and tongue border. The vase-shaped knop is decorated with three female masks and serrated swags, with a white band above, and on the foot, is a battle scene al antica, with nude warriors on foot and on horseback. The outer edges of the foot and rim are white. The cover (a replacement) is decorated on the exterior with a central flowerhead surrounded by four leonine masks on curling strapwork, around which is a continuous procession of revelling putti wearing vine wreaths in their hair. One is seated in a chariot, the next holds a ewer, two walk together behind another accompanied by a goat, two skip along behind a trumpet player, the next holds a large jar above his head, the next sits holding a vine branch and the last carries a basket of grapes above his head. The scene is encircled by a border of bound laurel, and on the flange, remnants of a gilded border, no longer legible. The underside is decorated with a radiating design of four winged putto's heads linked by swags over strapwork surrounded by gilt arabesques, and remnants of a gilded guilloche border. M.31 & A-1933 1 accession number M.31 & A-1933 156452 priref 156452 uri https://data.fitzmuseum.cam.ac.uk/id/object/156452 https://data.fitzmuseum.cam.ac.uk/id/object/156452 on underside of bowl of cup on strapwork painted in black .I.C. initials narrow rectangular white paper label on underside of cover printed in black 1240 label probably an f crossed or af and further to the right, 8 on rim of cover scratched af joined or f 8 initial rectangular paper label with serrated ends and bottom edge, where there is a red printed line; the date is written sideways to the other words on underside of foot of cup hand-written in faded black ink Limoges/enamel/by Jean/Courtrey/signed I.C/16 cent label oval paper label printed with the words inside an oval black border line on underside of base of cup printed in black and hand-written in black ink FITZWILLIAM MUSEUM/GIVEN BY/ALFRED a. DE PASS/1933 printed and 31 hand-written label reference agent-149638 adlib-agent-149638 7376d833-d0a7-3be0-916e-9c892b7a24d8 The Fitzwilliam Museum Given by Alfred A. de Pass in memory of his son Crispin (d. 1918) reference agent-153140 adlib-agent-153140 f5bf2584-5b68-39cb-ae7a-96c84bb52a36 de Pass, Alfred A. 1933 1933 1933 given 1570 1570 CE 1570 circa 1570 1580 The cover is probably c. 1550-60 1 1580 CE 1580 before 1580 enameller reference agent-180599 adlib-agent-180599 01cc9b0b-f6a4-3faa-b356-ba4da3ba8987 Court dit Vigier, Jean I enameller reference agent-114217 adlib-agent-114217 d84e37de-af7e-3317-8a55-c97eb4e99bcc Reymond, Pierre possibly enameller reference agent-207580 adlib-agent-207580 17d0e298-cbf2-3343-a544-282d89f7cea3 Pénicaud, Jean III Standing cups with tall stems and wide shallow bowls were an Italian form of drinking vessel for wine which was being made in silver in north west Europe by the early 1530s. Known as tazze in Italy, the were described as coupes or coupes-tasses in France. Some of them were provided with covers, and the larger examples may have been used as stands for sweetmeats rather than for drinking. The earliest Limoges enamel examples, date from the mid 1530s. Substantial numbers were produced there after 1540 in the workshops of Léonard Limosin, Pierre Reymond, and Pierre Courteys. The earliest fully signed by Jean Court dit Vigier is dated 1555, and a year later he signed another bearing the arms of Mary Stuart, Queen of Scots, who was to marry the Dauphin in 1558. After this most of the marked cups from his workshop were initialled 'I.C.', and some scholars consider that not all of them were enamelled by the same hand. Most of the cups were decorated inside the bowl with a scene from classical mythology or the Old Testament, and the outside of the covers with processions of deities or putti, scenes from the story of Adam and Eve, or medallions enclosing profile heads. The scene on the interior of this example was based on Bernard Saloman’s woodcut illustration of the 'Creation of Adam' in Claude Paradin's 'Quadrins historique de la bible', Lyon 1553 or later editions of 1555 or 1560, but differs from it in several details. The introduction of hares in the background suggests that the enameller was also influenced by Etienne Delaune’s 'Creation of the World' and 'Creation of Adam' in which hares are depicted. These formed part of a series of prints of the story of Adam and Eve which were published in 1569, and also occur on the exterior of the covers of several tazze with the Creation of Adam or the Temptation in the bowl, indicating that they date from about 1570 or later. For example, a pair of cups in the Green Vaults at Dresden (Inv. III, 15 and 16), which are initialled I.C. and attributed to Jean Court. It therefore seems likely that the original cover of the Fitzwilliam's example was decorated in the same way, and that the cup was made after about 1570 rather than in the late 1550s. The stem and foot have been joined to the bowl, and appear to be by a different maker, possibly Jean III Pénicaud or Pierre Pénicaud. The present cover, probably enamelled a few years earlier by Pierre Reymond, bears an incised mark which indicates that it had been in the Fountaine Collection in Norfolk, and with a different cup, decorated inside with the Judgement of Solomon, formed lot 128 when that collection was sold by Christie's in 1884. It was bought by the Hon. W.F.B. Massey-Mainwaring, and in 1888 was among over 2,900 objects lent by him and his wife to the Bethnal Green Museum. At some point, possibly before the loan, the cup was paired with a different cover, and in 1904 when part of the collection was sold, the cover formed lot 81 and the cup with its different cover formed lot 82. The cover was bought by the London dealer, Litchfield, and at an unknown date was acquired by Alfred A. De Pass, who gave it to the Fitzwilliam in 1933. It is not known if he already possessed the present cup and bought the cover to go with it, or if he acquired both items together. reference term-119802 adlib-term-119802 9bb50ce2-9f14-381c-bfc9-251c675937d3 16th Century, second half reference term-15498 adlib-term-15498 61725bf5-360f-3837-8aab-3c90b956a537 literal France France country literal Haute Vienne Haute Vienne region . 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1529370636000 1 1 image jpeg portfolio/F25982D9_7CB9_CFFF_028E_8BBFC531887C/505/131/preview_M_31___A_1933_9_mas.jpg 1 height pixels 375 width pixels 250 1529370636000 1 image pyramid tiff portfolio/F25982D9_7CB9_CFFF_028E_8BBFC531887C/505/131/M_31___A_1933_9_mas.ptif 1 height pixels 4992 width pixels 3328 1529370636000 1 image 15 media image reference term-91975 adlib-term-91975 e8d9548e-5669-3144-8e7b-fe991f35933b standing cup reference term-107478 adlib-term-107478 81002e74-5083-37b8-a429-4a303fc40695 cover tazza coupe history note Cup: uncertain before Alfred Aaron de Pass (1861–1952), Cliffe House, near Falmouth. Cover, probably Andrew Fountaine IV (1808–73) but not in the Catalogue of the Fountaine sale of 1884. The Hon. W.F.B. Massey-Mainwaring, M.P. (1845–1907), and the Hon. Mrs Massey-Mainwaring; Robinson & Fisher, 6 June, 1904, lot 81; sold to Lichfield. reference agent-149638 adlib-agent-149638 7376d833-d0a7-3be0-916e-9c892b7a24d8 The Fitzwilliam Museum Ref. p. 317, for discussion of the identities of the master (s) signing ICDV, IC, and IDC. Cf. pp. 340-1, no. R 287 with the Temptation after Etienne Delaune inside the bowl with comparable treatment of the foliage on the trees, and further scenes from Genesis on the outside of the cover, attributed to Master IC 340-1 reference publication-6073 adlib-publication-6073 273632b3-da99-366e-9c3b-efd466467b8e Les émaux peints de Limoges. Musée du Louvre, Département des objets d'art Ref. pp. 378-9, for biographical information on no. 5 Court, Jehan dit Vigier . c. 1575, d. c. 1631-35, son of Jean Court dit Vigier d. c. 1592, whom she considers is the Master IC; no. 6 Court, Jehan de; no. 7 Court, Jehan, dit Vigier le Jeune, b. c. 1585-90, d. between 1627-31. 378-9 reference publication-6116 adlib-publication-6116 bbff1ced-945e-3b6f-8556-b6eedf278dea Le métier d’émailleur à Limoges, XVIe-XVIIe siècle Cf. p. 98-108, no. 11, a pair of cups, inv. nos. III 15 and III 16. See the interior of III, 15 shown on p. 100, and a reproduction of Bernard Salomon’s illustration on p. 101. See p. 105 pls 2-5 and p. 107, pls 6-8 for Delaune's Scenes from Genesis prints of which pl. 2 is the Creation of Adam. Notice the animals in the backgrounds. 98-108 reference publication-6638 adlib-publication-6638 7f731b17-d373-3a0c-832e-416428e965d4 Maleremail aus Limoges im Grünene Gewölbe reference term-10618 adlib-term-10618 9ebc0ae1-8cf8-312b-832c-9cf44da02136 Renaissance animal reference term-106384 adlib-term-106384 0dd99723-5767-331b-b702-a92791c0ad87 goat animal reference term-7450 adlib-term-7450 20a34376-a37c-32b7-86e6-ae1ffed3b8db camel animal reference term-106642 adlib-term-106642 147713b8-773e-3750-8dae-a2735db8913a rabbit animal reference term-106353 adlib-term-106353 94dbf2d1-80ce-352d-b3db-fd957b2fd428 lion animal reference term-106263 adlib-term-106263 26defd1a-3e3f-3c78-aeff-41fa6b29619d cat animal reference term-83722 adlib-term-83722 b244ed31-6e9d-31a2-b31a-b539c2874832 mouse animal reference term-107063 adlib-term-107063 e9594655-9253-3a81-97e2-16326125edce stag animal reference term-106970 adlib-term-106970 ffef75c8-bb55-3855-8bf5-fe4c8f75633f pelican people reference term-4741 adlib-term-4741 0dcd2c94-0071-3e36-8e0e-035e6ad9db1d putti place type reference term-106275 adlib-term-106275 a1bd9046-a422-36ac-a493-60fa7c7f7e91 landscape named event reference term-125919 adlib-term-125919 c2e2642c-b3e6-38c5-8893-77f9565dcb2c Creation of Adam event reference term-147475 adlib-term-147475 7d2dbd92-f9ff-3c57-821e-ac016d9d5054 infant bacchanale literal goat goat literal camel camel literal rabbit rabbit literal lion lion literal cat cat literal mouse mouse literal stag stag literal pelican pelican literal putti putti literal landscape landscape literal Creation of Adam Creation of Adam literal infant bacchanale infant bacchanale

reference term-91975 adlib-term-91975 e8d9548e-5669-3144-8e7b-fe991f35933b standing cup

standing cup copper, raised, and enamelled en grisaille with pale pink and salmon-pink wash on a black ground, appearing very dark manganese-brown at the edges reference term-28810 adlib-term-28810 c6a00cef-33f7-3107-8666-d791bd49707c raising (metal forming process) object OBJECT