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    <created>1312637261000</created>
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    <id>object-119126</id>
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    <modified>1711450703000</modified>
    <processed>1755194515997</processed>
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    <summary_title>jewellery</summary_title>
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        <value>cabochon</value>
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        <summary_title>pearls</summary_title>
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        <value>red</value>
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        <summary_title>leather</summary_title>
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        <summary_title>glass</summary_title>
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    <name>Compartment Cover</name>
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    <value>Applied Arts</value>
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    <value>Gold openwork set with a large cabochon sapphire in the centre, surrounded by four pearls, and with smaller back-painted sapphires on the arms, the reverse with a small empty compartment under glass. With beaded loop for suspension. In original red leather leather case. (A)</value>
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    <summary_title>Designers and Jewellery 1850-1940: Jewellery and Metalwork from The Fitzwilliam Museum</summary_title>
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    <accession_number>M.48 &amp; A-1984</accession_number>
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    <location>ring loop at the top</location>
    <transcription>
      <value>E.R.</value>
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  <inscription>
    <location>ring loop at the top</location>
    <transcription>
      <value>3</value>
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    <credit_line>Given by Mrs J. Hull Grundy</credit_line>
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        <summary_title>Hull Grundy, J., Mrs</summary_title>
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        <earliest>1984</earliest>
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        <summary_title>Rinzi, Ernesto</summary_title>
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        <value>Having trained under the Italian jewellers Castellani in Rome, Rinzi emigrated to England in 1859. He specialised in producing jewellery in the Renaissance Revival style. This intricate pendant cross is copied from a painting of Christ, by the workshop of Quinten Massys, c. 1510&#x2013;25, which had entered the collection of the National Gallery, London a few years earlier, in 1857.</value>
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        <summary_title>19th Century, third quarter</summary_title>
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        <summary_title>Victoria I</summary_title>
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      <summary_title>gold</summary_title>
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      <summary_title>pendant</summary_title>
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    <value>Purchased by Mrs J. Hull Grundy from Wartski, 14 Grafton Street, London, W1</value>
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      <notes>Publ.  Discussed  p. 34, illustrated p. 35, no. 12, and descriptive text, p. 146, no. 12. The painting of Christ holding a Cross by Quinten Massys which since 1857 has been in the National Gallery, London, is illustrated on p. 34, fig. 8.</notes>
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    <summary_title>Designers &amp; Jewellery 1850-1940. Jewellery and Metalwork from the Fitzwilliam Museum</summary_title>
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      <notes>Cf. For Ernesto Rinzi, see pp. 176-177.</notes>
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      <type>reference</type>
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    <admin>
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      <uid>adlib-publication-5364</uid>
      <uuid>57e71f57-7026-3c8f-9435-08bb3085e626</uuid>
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    <summary_title>Fitzwilliam Museum. The Annual Reports of the Syndacate and of the friends of the Fitzwilliam for the year ending 31 December 1994</summary_title>
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    <link>
      <notes>Ref. For the design, see pl. 37, p. 101.</notes>
      <page>101</page>
      <type>reference</type>
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    <admin>
      <id>publication-3896</id>
      <uid>adlib-publication-3896</uid>
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    <summary_title>Victorian Jewellery Design</summary_title>
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    <summary_title>The Art of beauty</summary_title>
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    <link>
      <notes>Cf. For a similar example, see cat. no. 1002, pp. 165-166; illustrated, pl. 50, vol. II.</notes>
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    <summary_title>The Art of the Jeweller: a catalogue of the Hull Grundy Gift to the British Museum</summary_title>
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    <summary_title>Catalogue of Fine jewels</summary_title>
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    <link>
      <notes>Cf. For a similar example, see lot 136, p. 31, illustrated p. 30.</notes>
      <page>30-1</page>
      <type>reference</type>
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      <uid>adlib-publication-5416</uid>
      <uuid>c9359c30-e579-3fd9-b778-beaee1aba692</uuid>
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    <summary_title>Jewels for the Collector</summary_title>
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      <uid>adlib-term-10679</uid>
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    <summary_title>Renaissance Revival</summary_title>
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        <id>term-110841</id>
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      <summary_title>pendant</summary_title>
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  <summary_title>pendant</summary_title>
  <title>
    <value>Pendant Cross</value>
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  <type>
    <base>object</base>
    <type>OBJECT</type>
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</root>
