15929967820001312637261000Standard Recordobject-93547170249419239216681677040001702494118070fitz-onlineadlib-object-93547https://data.fitzmuseum.cam.ac.uk/id/object/935479b79e541-b76a-3979-95e1-c147f03c8e0c10referenceterm-109541adlib-term-109541d25b4add-748d-3b6f-9789-d3969289ade7jewellerytranslucent greenreferenceterm-32638adlib-term-3263897b8d1a5-7b8f-3a2a-a275-7d001aeaae2benamelreferenceterm-39593adlib-term-39593e3e2a3f8-2433-3f63-9bcf-e776644d312dgoldMountreferenceterm-129140adlib-term-1291400176c4f5-220f-3772-ab7f-e098aa5f1c76green turquoiseCabochonreferenceterm-32074adlib-term-320749c7668ae-7275-3930-bbac-2415b2084af6amethystDropreferenceterm-32157adlib-term-32157cd46867b-7687-3053-8cee-2946e9239a6cpearlSide ProjectionsGold Mounttranslucent greenreferenceterm-28662adlib-term-28662dd47e505-ccda-3f2b-b576-6104109430e8enamellingStonesreferenceterm-126274adlib-term-12627403005d0f-a4c1-354e-bef8-0530111aa85bgem settingApplied ArtsGold, decorated with translucent green enamel, and set with a central cabochon green turquoise, with a pearl on each side, and an amethyst drop below, having at the top a triangular loop to take a chain177referenceexhibition-1765adlib-exhibition-1765d285df83-004f-3539-8363-23c016e76792The Welsh Arts Council Jewellery ExhibitionA 13referenceexhibition-1063adlib-exhibition-10631a541998-d08e-3c65-bb7a-ca795691d998All for Art: The Ricketts & Shannon Collection174referenceexhibition-1764adlib-exhibition-176488f20d48-f257-386f-845c-1fd2b0a078cdCastellani and Giuliano Revivalist Jewellers of the Nineteenth Century158referenceexhibition-1762adlib-exhibition-17626d405010-c15e-3ce0-9e87-aa01559b0202Artists' Jewellery, Pre-Raphaelite to Arts and Craftsreferenceexhibition-3309adlib-exhibition-330955ea0a0c-be78-3c66-80a7-f68e5b657e06Queer British Art49referenceexhibition-3287adlib-exhibition-3287c4b6d853-3af1-3cdf-a094-3732a4a70ee2Designers and Jewellery 1850-1940: Jewellery and Metalwork from The Fitzwilliam MuseumM.5-19721accession numberM.5-197293547priref93547urihttps://data.fitzmuseum.cam.ac.uk/id/object/93547https://data.fitzmuseum.cam.ac.uk/id/object/93547on goldappliedC&AG [in oval reserve]maker's markreferenceagent-149638adlib-agent-1496387376d833-d0a7-3be0-916e-9c892b7a24d8The Fitzwilliam MuseumBought with the Leverton Harris Fundreferenceagent-162392adlib-agent-16239202aa28c9-cde6-3a94-85d7-2089a546231fSturge-Moore, Riette, Miss and Sturge-Moore, Daniel197219721972boughtEntry date: 197218991899Completed before 5 December 1899 and given to Katherine Bradley (1846-1914) on 8 December 1899.1899makerreferenceagent-162382adlib-agent-1623826fe9587b-d2a8-35a6-b3d4-335e89d466c6Carlo & Arthur Giulianodesignerreferenceagent-114940adlib-agent-114940cf1c4c08-e186-3160-a1ff-7e2cbb3d7527Ricketts, Charles de SousyRicketts' design for the pendant is in an album in the Department of Prints and Drawings of the British Museum, 198 a 43, 1962-8-9-2 (36). According to Diana Scarisbrick (Documentation 1982), the pendant was 'Designed to hang on the breast of Icarus in a painting, and was then given to Michael [Katherine Bradley 1846-1914)], who wore it on a thin gold chain.' It was completed before 5 December 1899 and was given to Miss Bradley on 8 December 1899.referenceterm-108070adlib-term-1080707e278258-23e3-3d5b-a4ff-ab5ecacb4bf319th Century, Late#referenceterm-15214adlib-term-15214744af2c4-a2f2-37ad-bbf4-2cd00e91ed9bVictorianreferenceterm-106216adlib-term-106216825b8379-ec94-388e-9a59-624e40c090d0literalEnglandEnglandcountryLondonHeightcm8.3referencemedia-206571adlib-media-206571e684a999-3434-302c-883b-9502ad88624ejpegaa/aa37/M_5_1972_1_201702_amt49_dc2.jpg1heightpixels1025widthpixels53416681896450991imagejpegaa/aa37/mid_M_5_1972_1_201702_amt49_dc2.jpg1heightpixels960widthpixels50016681896450991imagejpegaa/aa37/M_5_1972_1_201702_amt49_dc2.jpg1heightpixels1025widthpixels53416681896450991imagejpegaa/aa37/preview_M_5_1972_1_201702_amt49_dc2.jpg1heightpixels480widthpixels25016681896450991image0media
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imagereferenceterm-110841adlib-term-1108412676d64f-a0e1-32b9-b0ab-fe6062d27b38pendanthistory noteGiven to Katherine Bradley (1846-1914) by Charles Ricketts (1866-1931) on 8 December 1899; Mrs Sturge-Moore; by descent to the children of Mrs Sturge-Moore: Miss Riette Sturge-Moore and Daniel Sturge More1referenceobject-18189adlib-object-18189c0e6c00e-92e5-3c3b-894c-59cff4a0bcb71reference1term-110841adlib-term-1108412676d64f-a0e1-32b9-b0ab-fe6062d27b38pendantpendant1referenceobject-93546adlib-object-935469ca8e1aa-d96b-3792-9737-f73b53df08b01reference1term-110841adlib-term-1108412676d64f-a0e1-32b9-b0ab-fe6062d27b38pendantpendantreferenceagent-149638adlib-agent-1496387376d833-d0a7-3be0-916e-9c892b7a24d8The Fitzwilliam MuseumPubl. p. 218, pl. 220218referencepublication-3903adlib-publication-39034aff3816-72d1-35fc-99ed-cfd8835b624fEuropean and American Jewellery 1830-1914Publ. p. 165, colour pl. IX. Discussed on p. 166.165referencepublication-200001980adlib-publication-200001980cb275128-5adb-37f8-8e67-5725b37a77ffCharles Ricketts and his designs for jewelleryPubl. Mentioned briefly68referencepublication-3897adlib-publication-3897b0bc8790-a926-3f37-872e-d62be2354a19Castellani and Giuliano, Revivalist Jewellers of the Nineteenth CenturyPubl. p. 179, cited in the list of exhibited works179referencepublication-8736adlib-publication-87363a6688ba-b237-3849-ae92-7e500a3852d7Queer British Artreferencepublication-8550adlib-publication-85509adcd106-6c02-3203-a2c9-35069d63e396Designers & Jewellery 1850-1940. Jewellery and Metalwork from the Fitzwilliam MuseumPubl. fig. 3 (p. 6).6referencepublication-400002294adlib-publication-400002294ef340889-57f4-3e24-ba01-0f1ed4defe13The Portrait Jewels of Charles Ricketts (1866–1931)referenceterm-10679adlib-term-1067930c89029-7ace-3d30-9487-1e243ab1b791Renaissance Revivalreferenceterm-110841adlib-term-1108412676d64f-a0e1-32b9-b0ab-fe6062d27b38pendantpendantobject
OBJECT