1592997144000 1435234685000 Standard Record object-201930 1747246489611 1714399846000 1747245849311 adlib fitz-online adlib-object-201930 https://data.fitzmuseum.cam.ac.uk/id/object/201930 b4c3a5ec-f893-3d73-a966-b9581d8ffc4c 9 reference term-98228 adlib-term-98228 3d747999-296f-3944-9a84-2936c3ae9f5c sculpture Height cm 28 Length cm 24.6 Width cm 17.9 Figure Height cm 3.9 Length cm 23.4 Width cm 17.9 Base Applied Arts Seated figure of a woman, sewing 34 reference exhibition-3296 adlib-exhibition-3296 22c63b63-3fa0-30d1-b048-52bda900eda7 Collecting & Giving M.21-2015 1 accession number M.21-2015 201930 priref 201930 Batchelor Collection old object number 10 uri https://data.fitzmuseum.cam.ac.uk/id/object/201930 https://data.fitzmuseum.cam.ac.uk/id/object/201930 Rear top of base "DALOU" 7/12 Back side of base "CIRE / G VALSUANI / PERDUE" reference agent-149638 adlib-agent-149638 7376d833-d0a7-3be0-916e-9c892b7a24d8 The Fitzwilliam Museum Sir Ivor and Lady Batchelor Bequest through The Art Fund reference agent-166527 adlib-agent-166527 3d240ab9-5cc0-3201-953a-01170d7e3328 Batchelor, Ivor, Sir and Lady 2015 2015 2015-04-27 bequeathed 1902 CE 1902 Original model: c.1870. This bronze cast after 1902. after 1902 sculptor reference agent-33349 adlib-agent-33349 72099268-6353-3ae4-a131-35e4f4a99111 Dalou, Aimé-Jules A protégé of the French sculptor, Jean-Baptiste Carpeaux (1827-75), Dalou was one of the great French sculptors of the nineteenth century. He trained at the Petite École (1852-4) and then at the École des Beaux-Arts, Paris. La Brodeuse was Dalou’s professional breakthrough work. In 1870 he submitted a life-sized plaster model to the Paris Salon for which he was awarded a third class medal: his first official honour. The depiction of an anonymous, casually-clothed woman absorbed in an everyday task was considered a radical, highly modern sculptural subject at the time - traditional Academic sculpture favoured the portrayal of women as idealised heroines from ancient history, mythology or Christianity. The French State bought the model for 3,000 francs with the expectation that Dalou would reproduce it in marble, but events set in train later that year by the Franco-Prussian War and the Paris Commune of 1871 meant that this never happened. Although Dalou destroyed the original plaster in 1870, a plaster cast of a small preliminary model survives (Petit Palais, Paris, no. PPS1271), as does a bronze reduction of the final model (Staatliche Kunsthalle, Karlsruhe, no. P 169). Dalou was greatly concerned to oversee every aspect of the production of his work, and this also applied to works cast in bronze. He disapproved of the industrial process of sand-casting and always stipulated that his work be cast using the lost-wax casting method, even for large-scale bronzes. In his will, Dalou left instructions that the contents of his studio be sold for the benefit of the Orphelinat des Arts, a school founded in 1880 by Marie Laurent and Sarah Bernhardt to educate the children of artists working in all fields of the arts. This was on condition that the school care for his intellectually-disabled daughter, Georgette, after his death. Dalou’s executors decided to produce limited editions of certain of his models, giving foundries such as Susse and Hébrard (who also worked for Rodin and Degas' heirs) permission to cast them, with the proceeds of the reproduction rights going to the Orphelinat. The posthumous casts of Dalou's models proved so popular that by the end of 1932, the profits came to 600,000 francs. The present bronze is number 7 of a series of 12 cast by the Valsuani foundry, Paris. reference term-107318 adlib-term-107318 d27559f3-e90c-35cd-b7e4-46eaeb9ac521 20th Century reference term-120306 adlib-term-120306 4c444129-3d8c-340f-bfbd-b4d82e5cbd17 literal France France country France reference term-39741 adlib-term-39741 47d44741-af05-37c3-b21e-0e278b114f3b copper alloy reference term-40365 adlib-term-40365 d79c75c2-da7b-3187-918e-f7a374e04005 bronze Weight kg 12.02 reference media-211316 adlib-media-211316 d440375f-048d-301b-b341-de55655a0694 jpeg aa/aa40/M_21_2015_1_201803_kly25_dc2.jpg 1 height pixels 992 width pixels 1024 1616279648450 1 image jpeg aa/aa40/mid_M_21_2015_1_201803_kly25_dc2.jpg 1 height pixels 484 width pixels 500 1616279648450 1 image jpeg aa/aa40/M_21_2015_1_201803_kly25_dc2.jpg 1 height pixels 992 width pixels 1024 1616279648450 1 image jpeg aa/aa40/preview_M_21_2015_1_201803_kly25_dc2.jpg 1 height pixels 242 width pixels 250 1616279648450 1 image 0 media 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Fitzwilliam Museum Publ. Illustrated p. 83 whole, discussed p. 72, descriptive text p. 83, no. 34 83 reference publication-8565 adlib-publication-8565 5a13015c-cd03-37e5-ab7c-a277c121551a Collecting & Giving: Highlights from the Sir Ivor and Lady Batchelor Bequest 345, no. 280 reference publication-8667 adlib-publication-8667 e25321d0-804a-33fa-9164-03aaa33fb9d3 Jules Dalou, le sculpteur de la République: catalogue des sculptures de Jules Dalou conservées au Petit Palais 185 reference publication-1161 adlib-publication-1161 3eea148d-a0d3-3108-8efb-d993545cebe1 The Romantics to Rodin See also pp. 98-107 for Dalou and bronze production 53-68 reference publication-8665 adlib-publication-8665 57fb4363-c116-3461-a301-25d4a0c34e4d The Sculptor Jules Dalou. Studies in his Style and Imagery reference term-8399 adlib-term-8399 6611ae15-9298-340e-8c20-9fc4c7a76bf8 French reference term-107454 adlib-term-107454 6ca0f2ab-c1f8-329d-8a45-8f1322f53a20 figure figure bronze, cast, patinated reference term-26699 adlib-term-26699 a385eebb-7834-3204-a17f-d9c3cd15d9b8 casting (process) reference term-116050 adlib-term-116050 b9d5e94b-6fe6-3ae7-a49d-d3df90ec8d02 patination <translation> <value>The Embroiderer</value> </translation> <value>La Brodeuse</value> <value>(The Embroiderer)</value> object OBJECT