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Convolvulus and Tree-frog. Ukiyo-e. Hokusai, Katsushika, (Japanese, 1760-1849). Colour print from woodblocks, from the untitled series of ten prints published by Nichimuraya Yohachi (Eijûdo). Signed: zen Hokusai Iitsu hitsu, publisher’s mark Eijûdo, censor’s seal: kiwame. Woodcut, colour printing, circa 1832. Notes: From the rare untitled series of flower prints published by Nishimuraya Yohachi (c.1833-34) known as the ‘Large flowers’. Each print in the series features a flower and an insect (frogs and other amphibians were classified as insects). Hokusai was probably influenced and inspired by Utamaro’s great trio of natural history books on the themes of insects, birds and shells. Utamaro’s books, with their playful comic verse, may also have prompted the humour evident in this print, where the eye has to search before finding the frog. The series is very rare: only two complete sets are known to survive, and only around a handful of impressions of each individual print. The Fitzwilliam’s impression of Convolvulus and Tree-frog is outstanding in condition; other surviving impressions are typically faded, with the flowers that are purple in this impression faded to red, and those that are pale blue faded to grey. This indicates that both these colours contain the pigment dayflower blue (tsuyugasa), probably the most fugitive of all pigments used for prints in the Edo period: very few prints survive with this pigment intact.
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"Convolvulus and Tree-Frog, by Hokusai"
Web page available at: https://data.fitzmuseum.cam.ac.uk/id/image/media-2146271380 Accessed: 2024-11-05 03:49:16
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<div class="text-center"> <figure class="figure"> <img src="https://data.fitzmuseum.cam.ac.uk/imagestore/pdp/pdp76/P_10_2006_201702_adn21_dc2.jpg" alt="Convolvulus and Tree-frog" class="img-fluid" /> <figcaption class="figure-caption text-info">Convolvulus and Tree-Frog, by Hokusai</figcaption> </figure> </div>
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