1593000214000 1496152061000 Standard Record object-215986 1747159877169 1702893319000 1747159409017 adlib fitz-online adlib-object-215986 https://data.fitzmuseum.cam.ac.uk/id/object/215986 d1c0b373-80ac-39b0-9bef-84c604825e90 12 reference term-42825 adlib-term-42825 858e5d17-b554-33d6-936f-25b16f72f39d stoneware reference term-42692 adlib-term-42692 68c2b295-0e5f-3e4e-ac86-2aebb8653b91 Studio Ceramics Decoration reference term-98865 adlib-term-98865 aeb90103-2708-3cdf-abc1-219c45a070e9 carving Applied Arts Stoneware, hand carved, unglazed. White stoneware bowl cut from a hemisphere, the outside deeply carved with shapes that suggest organic forms. On the inside, carved shapes lead down to eight sharp points which meet in the centre of the base. The underside has sharp edges which come together to act as a near-stable base. C.1106-2016 1 accession number C.1106-2016 215986 priref 215986 2016 2016 2016-07-27 The Fitzwilliam Museum, Department of Applied Arts entry form number 1320 uri https://data.fitzmuseum.cam.ac.uk/id/object/215986 https://data.fitzmuseum.cam.ac.uk/id/object/215986 reference agent-149638 adlib-agent-149638 7376d833-d0a7-3be0-916e-9c892b7a24d8 The Fitzwilliam Museum Gift of Nicholas and Judith Goodison through The Art Fund reference agent-156032 adlib-agent-156032 3aded83c-6f5c-39b8-a50c-07f712e01b2c Goodison, Nicholas and Judith 2016 2016 2016-11-21 given Donors ask for their names to be recorded without titles 2015 2015 CE 2015 circa 2015 2016 1 2016 CE 2016 2016 ceramicist reference agent-196894 adlib-agent-196894 296c9453-65f8-32cd-bed0-d3b9caf073ac Cassell, Halima Halima Cassell, was born in 1975 in Pakistan, brought up in Manchester and studied at the University of Central Lancashire and Manchester City College. She lived for a time in Blackburn but is now based in rural Shropshire. Fusing her Asian roots with a fascination for African pattern, her intricate carved stoneware vessels are reminiscent of Middle Eastern architectural and decorative design. This vessel is an example of her recent work, in which she cuts dramatically into the form to distort it. The result is an essay in white and shade. The title ‘Scarabeo’, meaning beetle, suggests a further influence for this form. Halima’s pieces take 100-250 hours to complete. 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