1592991090000 1312637261000 Standard Record object-162103 1755194560473 1711451551000 1755194515997 adlib fitz-online adlib-object-162103 https://data.fitzmuseum.cam.ac.uk/id/object/162103 e05e2619-0017-38f8-982d-23070d21e91d 8 reference agent-172414 adlib-agent-172414 73d94f64-8c0d-30c1-9764-25b005f3ce1d McClean, Frank person reference agent-154123 adlib-agent-154123 2fef3fa1-e550-35f4-b4de-2ced0eb2272a Virgin Mary person reference agent-149696 adlib-agent-149696 c1d7b5bf-63d4-3ba4-a080-9810b80bf16c Christ person reference agent-156777 adlib-agent-156777 8966210f-6104-3951-a8bc-afb0f577470e Magi person reference agent-149975 adlib-agent-149975 e6f5b711-54e0-351d-a83c-758cad4cba19 angel reference term-107563 adlib-term-107563 38dcd825-1de1-3222-82c6-15a95729b5ff enamels reference term-125750 adlib-term-125750 2b10ac09-63c3-34ed-87d5-487058c1c344 Limoges painted enamels reference term-120007 adlib-term-120007 00af7c97-d937-3d5c-a1af-d2a83fe2785b Frank McClean or gold paint reference term-39593 adlib-term-39593 e3e2a3f8-2433-3f63-9bcf-e776644d312d gold reference term-106692 adlib-term-106692 ed7baa11-5901-3307-81b6-77370e40ebb4 wood Height cm 63.5 Width cm 39 Frame probably silver foil for the paillons reference term-109906 adlib-term-109906 cbea03fb-f9ac-3c28-ab2d-d20a955a2b53 silver foil reference term-32638 adlib-term-32638 97b8d1a5-7b8f-3a2a-a275-7d001aeaae2b enamel reference term-39593 adlib-term-39593 e3e2a3f8-2433-3f63-9bcf-e776644d312d gold Decoration carved and gilt wood frame with scrolled edges set with fifteen (orginally seventeen) copper plaques, enamelled partly over silver foils in royal blue, pale and dark turquoise, pale green, greyish-green, bright pink, dark red, purple, buff, several shades of brown, black and white enamel, and profusely gilded. The counter enamel on the central plaque is thick and uneven dark brown; the reverses of the other plaques are not visible. reference term-28662 adlib-term-28662 dd47e505-ccda-3f2b-b576-6104109430e8 enamelling presumed silver reference term-132644 adlib-term-132644 f23112d2-b61b-3cfa-8afe-53677b3658a6 foiling reference term-28681 adlib-term-28681 c1f659e2-1209-31cf-8ff4-154e11452559 gilding reference term-39588 adlib-term-39588 b17ff981-06b2-30a2-b9a9-b514fe84a191 copper Plaques Height cm 30.5 Width cm 23.7 Central Plaque reference term-107707 adlib-term-107707 cbae1ed2-5069-35db-a029-700dc23ada11 Christian religion Applied Arts Carved and gilt wood frame enclosing fifteen copper plaques enamelled in polychrome enamels over foil paillons, and gilt, including God the Father amid clouds, the Adoration of the Kings, two standing angels, Instruments of the Passion, and the symbols of the four Evangelists Carved and gilt wood frame with scrolled edges set with fifteen (orginally seventeen) copper plaques, enamelled partly over foils in royal blue, pale and dark turquoise, pale green, greyish-green, bright pink, dark red, purple, buff, several shades of brown, black and white enamel, and profusely gilded. The counter enamel on the central plaque is thick and uneven dark brown; the reverses of the other plaques are not visible. The central oval plaque is enamelled with the Adoration of the Magi taking place outside a building of which the door and an external archway above a wall are visible. Joseph stands on the left bending towards the Virgin who sits on the ground holding the Christ Child on her lap. One of the kings kneels before her, and the other two approach from behind him, the first carrying a casket and the next a column-shaped vase. In the foreground there is a covered vase, and standing dish with flames in its bowl. The sky is scattered with gold stars and at the top of the plaque there is a comet. In the frame above there is a smaller horizontal convex oval plaque of God the Father surrounded by a gold background and pale purple cloud scrolls. He has outstretched arms and wears a red gown and a swirling blue drape. The details of his hair and beard are gold, and his garments and striated and dotted in gold. Above there are two small curved plaques decorated with gold stars on a black ground. On either side are circular plaques bearing the symbols of St Luke (angel) and St John (eagle) and below, attached to the top of the oval frame, on the right St Matthew (an ox). St Mark on the left (a lion) is missing. In the frame below the Adoration plaque there is a small oval horizontal oval plaque with a chalice and instruments of the Passion, flanked by five-sided plaques decorated with gold stars on a black ground. There are four smaller similarly-decorated four-sided plaques below. Signed and dated on the reverse of the central plaque painted in gold. M.45-1904 1 accession number M.45-1904 162103 priref 162103 uri https://data.fitzmuseum.cam.ac.uk/id/object/162103 https://data.fitzmuseum.cam.ac.uk/id/object/162103 on the reverse of the central plaque painted in gold I.R./L signature on the curved plaque painted in gold I.R. 15 signature on right plaque painted in gold I.R.1539 signature rectangular white paper lable on back printed in black BEQUEATHED BY/FRANK McCLEAN/M.A.: F.R.S.:/of Trinity College/November MDCCCCIV label reference agent-149638 adlib-agent-149638 7376d833-d0a7-3be0-916e-9c892b7a24d8 The Fitzwilliam Museum F. MacClean Bequest reference agent-172414 adlib-agent-172414 73d94f64-8c0d-30c1-9764-25b005f3ce1d McClean, Frank 1904 1904 1904 bequeathed Frank McClean died in Brussels on 8 November 1904 1850 1850 CE 1850 circa 1850 1880 The style of this work is not consistent with the date 1539 inscribed on the two of plaques of angels and on the back of the central plaque. This, the colouring, style of the figures, and initials IR, suggest that it probably dates from about 1850 to 1880, This was confirmed by ion beam analysis of the enamels in 2012. 1 1880 CE 1880 1880 probably enameller reference agent-180985 adlib-agent-180985 232e2811-c779-314c-9f39-2f6535fe1c82 Robillard, Julien frame maker reference agent-159102 adlib-agent-159102 eb63d021-f963-35f4-aae7-31c18b9036af Unidentified The visit of the three wise men or kings to adore the Infant Christ is described in St Matthew's Gospel, 2, 1-12. The figures are set in front of a ruined building, which was an indication of the break with the old covenant between God and the Children of Israel symbolized by the temple in Jerusalem, and the beginning of a new era initiated by the birth of the Messiah. The column was also a portent of Christ's future suffering before his Crucifixion. The angels standing on either side may have been inspired by the four angels bearing Instruments of the Passion, after drawings by Nicolo dell'Abate, which flank the central oval panels of the two retables made by Léonard Limosin for the Sainte Chapelle, and now in the Louvre. The date 1539 (or perhaps 1537) is inconsistent with the technique of enamelling in polychrome over paillons (silver foils) in a style which was fashionable in the late 16th and early 17th century. In that period, the initials I.R could have been those of either of two Jehan/Jean Reymonds, one who died in 1603 and another who died c. 1631-2. But the mismatched date, the very bright pink and turquoise enamels, and the treatment of the faces, suggest that the plaques were made in the mid to late 19th century. This was confirmed by ion beam analysis of the enamels in 2012. The frame is also likely to be a reproduction. Very few original gilded wood frames have survived from the sixteenth century, the most famous being for a portrait by Léonard Limosin of Anne de Montmorency, the Constable of France, now in the Louvre inv. no. N 1254). The initials IR coincide with those of Julien Robillard (1822-after 1886), who was born at Compiègne in 1822, and was recorded at the Manufacture Royale at Sèvres in 1845-6 as an aide-émailleur (assistant enameller), in the enamelling studio there established in 1845 and continuing until 1872. He sent up his own business in rue Montmorency, Paris, about 1850 and displayed enamels in Renaissance and other styles in exhibitions held in Dijon and Rouen in 1858, and in Paris during the 1860s. His address is given on an oval plaque decorated in polychrome with Mercury and Argus, signed ‘J.Robillard/rue Montmorency 44/PARIS’, now in the Hermitage, St Petersburg. He retired from business about 1875 and was succeeded by his son, Auguste Robillard. 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1 reference 1 term-107484 adlib-term-107484 935e21d3-0b7f-3ca6-9987-b79c82e054fd plaque

plaque 1 Also part of the same bequest to the Fitzwilliam same subject reference object-156425 adlib-object-156425 13892eaf-8b0c-3b73-8972-f70954a719f7

1 reference 1 term-107484 adlib-term-107484 935e21d3-0b7f-3ca6-9987-b79c82e054fd plaque

plaque reference agent-149638 adlib-agent-149638 7376d833-d0a7-3be0-916e-9c892b7a24d8 The Fitzwilliam Museum Cf. pp. 248-50, no. 86, a triptych of the Wedding of Marie de Medici and Henri IV, and inscribed I.R. LIMOGES on central plaque, and attributed tentatively to Julien Robillard 248-50 reference publication-6142 adlib-publication-6142 517e6c62-56b3-3ca3-8314-d7e94fafb6e2 La Rencontre des Héros, Regards croisées sur les émaux peints de la Renaissance appartenant aux collections du Petit Palais, Musée des Beaux-Arts de la ville de Paris et du Musée municipal de L'Évêché de Limoges Ref. p. 403 no. 444, Jehan Raymond (d. 1602/03) and p. 404-5, no. 46 for Jehan Reymond b. c. 1595, d. c. 1631-2, son of Martial Reymond, both of whom initialled their work IR 403-5 reference publication-6116 adlib-publication-6116 bbff1ced-945e-3b6f-8556-b6eedf278dea Le métier d’émailleur à Limoges, XVIe-XVIIe siècle Ref. For the address of Julien Robillard, see his signed plaque, p. 322-3, no. 145 322-3 reference publication-6919 adlib-publication-6919 8b4a9038-183f-3bc5-8ff1-5233cdf97dbc Limozhskie raspisnye ėmali v sobranii Ėrmitazha/Émaux peints de Limoges de la collection de l'Ermitage reference publication-6925 adlib-publication-6925 1bc1c024-b3f6-3a89-84b5-04cff79ee7f9 Tableaux Anciens, Mobilier et Objets d’Art reference publication-7321 adlib-publication-7321 92a70a6b-cdbc-3164-b40e-9a736a4bfe1d The Sèvres Porcelain Manufactory: Alexandre Brongniart and The Triumph of Art and Industry, 1800-1847 reference publication-200002826 adlib-publication-200002826 147799be-b191-3b79-8d8c-2b94bc73f0f2 Jacob Meyer-Heine (1805-1879) et l’atelier d’émaillage sur métaux à la manufacture de Sèvres reference publication-8521 adlib-publication-8521 fcb3cf6c-0320-3c2c-8db4-9ea942382b46 Old Master Sculpture & Works of Art reference publication-7670 adlib-publication-7670 b676e287-3907-3529-8b83-84fb610c83a1 Bel ameublement provenant de Châteaux du val de Loire provenant des châteaux de l'Aiglerie en Anjou, de Meslay en Vendômois et de diverses collections parisiennes, bourguignonne et du Val de Loire reference term-10679 adlib-term-10679 30c89029-7ace-3d30-9487-1e243ab1b791 Renaissance Revival object name reference term-90582 adlib-term-90582 a83a5db4-ab03-3813-a171-e0f62e4132c8 chalice object name reference term-78764 adlib-term-78764 cb14b3c1-360d-317c-ad36-bd959392adac ladder object name reference term-106352 adlib-term-106352 817f8d60-0e1f-39a6-b19b-304ef98a26af comet named event reference term-106789 adlib-term-106789 6395677b-069d-31d5-a14c-41fa44606f1b Adoration of the Magi literal chalice chalice literal ladder ladder literal comet comet literal Adoration of the Magi Adoration of the Magi

reference term-126653 adlib-term-126653 38ec5aff-ff75-3732-b28b-2cdc948738a2 plaques in frame

plaques in frame object OBJECT