The Resurrection, initial from Antiphoner

An image of Illuminated manuscript. Initial from an Antiphoner. Production Place: Central Italy. Parchment, gold, 226 x 174 mm, four musical staves ruled in red ink, four lines of fragmentary text ruled in plummet, circa 1350.
CONTENTS: On reverse, the antiphons for the psalms of the first nocturn at Matins for Easter Sunday, [Postulavi patrem meum alleluia de]dit michi gentes [alleluia in here]ditatem alleluia … Evovae. A[ntiphona] Ego dor[mivi et somnu]m cepi et resurre[xi]; the initial introduced the responsory to the first lesson at Matins for Easter Sunday (Angelus domini descendit de celo), and would have been on the verso of the original leaf. DECORATION: Historiated initial, with staves formed of an elongated dragon and fish, and cross-bar formed of a stringed instrument, on a ground of solid gold with acanthus motifs extending to form border in margin: [A] The Resurrection, in the lower compartment, the angel appears to two Marys while the soldiers sleep, in the upper compartment, Christ stands triumphant in the empty tomb. ORNAMENTATION: on reverse, one red initial with brown pen flourishing, height of width between staves.

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Illuminated manuscript. Initial from an Antiphoner. Production Place: Central Italy. Parchment, gold, 226 x 174 mm, four musical staves ruled in red ink, four lines of fragmentary text ruled in plummet, circa 1350. CONTENTS: On reverse, the antiphons for the psalms of the first nocturn at Matins for Easter Sunday, [Postulavi patrem meum alleluia de]dit michi gentes [alleluia in here]ditatem alleluia … Evovae. A[ntiphona] Ego dor[mivi et somnu]m cepi et resurre[xi]; the initial introduced the responsory to the first lesson at Matins for Easter Sunday (Angelus domini descendit de celo), and would have been on the verso of the original leaf. DECORATION: Historiated initial, with staves formed of an elongated dragon and fish, and cross-bar formed of a stringed instrument, on a ground of solid gold with acanthus motifs extending to form border in margin: [A] The Resurrection, in the lower compartment, the angel appears to two Marys while the soldiers sleep, in the upper compartment, Christ stands triumphant in the empty tomb. ORNAMENTATION: on reverse, one red initial with brown pen flourishing, height of width between staves.

Image data

Accession Number: MS McClean 201.9d
Photograph copyright © The Fitzwilliam Museum, Cambridge.
Photographer name: Andrew Morris
Image height: 1302 pixels
Image width: 1024 pixels
Processed with: Adobe Photoshop CS3 Windows
Filesize: 275.43kB

Key words

14th Century _WF_AdOK _WF_KWD _WF_OPAC _WF_OPAC_pending acanthus angelic angels antiphonal antiphoner antiphons arisen asleep biblical blue border Christ Christianity cutting decorative initial Early Renaissance Easter Fitz_MSPB flags historiated initial illuminated illumination inhabited initial initial Italian Jesus manuscript margin Maries miniature music manuscript musical instruments New Testament parchment religion religious Renaissance resurrected resurrection risen Risen Christ Saviour sleeping soldiers The Risen Christ The Three Marys three Marys tombs Trecento winged wings

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            The Fitzwilliam Museum (2024)
            "The Resurrection, initial from Antiphoner"
            Web page available at: https://data.fitzmuseum.cam.ac.uk/id/image/media-2585371671 Accessed: 2024-04-16 19:20:30

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            {{cite web|url=https://data.fitzmuseum.cam.ac.uk/id/image/media-2585371671
            |title=The Resurrection, initial from Antiphoner
            |author=The Fitzwilliam Museum|accessdate=2024-04-16 19:20:30|publisher=The
            University of Cambridge}}

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