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    <summary_title>print</summary_title>
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        <dimension>Height</dimension>
        <units>cm</units>
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    <summary_title>Sir Joshua Reynolds: The acquisition of genius</summary_title>
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    <summary_title>The Fitzwilliam Museum</summary_title>
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        <summary_title>Charrington, John</summary_title>
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      <date>
        <earliest>1933</earliest>
        <latest>1933</latest>
        <value>1933</value>
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        <value>given</value>
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    </acquisition>
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        <earliest>1761</earliest>
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        <summary_title>Basire, James I</summary_title>
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        <summary_title>Aikman, William</summary_title>
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        <value>Basire's two plates of Thomson seem to have been commissioned in 1761 specifically as frontispieces for Andrew Millar&#x2019;s 'Works of James Thomson, with his Last Corrections and Improvements, 4 volumes (London, 1762), see Goddard, 'Drawing on Copper': The Basire Family of Copper-Plate Engravers and their Works (Maastricht, 2017), p.118.</value>
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        <summary_title>18th Century</summary_title>
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    <value>From the Northwick collection, and Joshua Reynolds collection (1723-1792) [Lugt 2364]; bought by Charrington from P&amp;D Colnaghi, 1930.</value>
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    <value>James Thomson</value>
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    <base>object</base>
    <type>OBJECT</type>
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