<?xml version="1.0"?>
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    <processed>1760552518106</processed>
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    <version>27</version>
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    <summary_title>The Virgin Mary</summary_title>
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    <summary_title>The Archangel Gabriel</summary_title>
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    <summary_title>painting</summary_title>
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        <summary_title>panel (wood)</summary_title>
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    <name>Support</name>
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        <dimension>Width</dimension>
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    <value>Paintings, Drawings and Prints</value>
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  <description>
    <value>this and no. 1107 come from the predella of a signed altarpiece</value>
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    <summary_title>Treasures of Cambridge</summary_title>
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      <id>exhibition-33</id>
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      <id>exhibition-34</id>
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    <summary_title>Painting in Florence and Siena</summary_title>
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      <id>exhibition-2351</id>
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    <summary_title>The Angel and the Virgin: A Brief History of the Annunciation</summary_title>
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      <id>exhibition-3503</id>
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    <summary_title>Hockney&#x2019;s Eye. The Art and Technology of Depiction</summary_title>
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    <value>265</value>
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    <summary_title>The Fitzwilliam Museum</summary_title>
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    <credit_line>Bequeathed by Professor Frederick Fuller, 1909, received 1923</credit_line>
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        <summary_title>Fuller, Frederick</summary_title>
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        <summary_title>Domenico Veneziano (Domenico di Bartolomeo da Venezia)</summary_title>
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        <summary_title>1440s</summary_title>
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        <summary_title>egg tempera</summary_title>
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    <value>Church of Sta. Lucia dei Magnoli, Florence; Joseph Fuller of Chelsea, perhaps bought in Florence with other Italian pictures, 1815, (?) by Professor Fuller's Father</value>
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    <summary_title>The Fitzwilliam Museum</summary_title>
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    <summary_title>Treasures of the Fitzwilliam Museum</summary_title>
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    <summary_title>Studi dal Vero</summary_title>
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    <summary_title>The Principal Pictures in the Fitzwilliam Museum, Cambridge (1929)</summary_title>
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    <summary_title>Commemorative Catalogue</summary_title>
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    <summary_title>Dismembered Masterpieces</summary_title>
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