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Surimono pentaptych. A female musician playing a koto (zither) at a cherry blossom viewing party. Gakutei, Yashima (Japanese printmaker, 1786(?)-1868). Colour print from woodblocks, with metallic pigment and blind embossing, circa 1827-circa 1829. Poetry by Ikkokutei Senkin, Hisakataya, Kamenoya Osamaru, Gachoan Michitane, Suihotei Komatsu, Seikaitei Kamendo and Hanamitei Tokiwa. Ukiyo-e. Notes: This pentaptych, which is very rare as a complete set, was commissioned by the Hisakataya poetry group. The five musicians, dressed in virtually identical kimono and obi (sash) are playing (from the right) a drum, koto (zither), biwa (lute), sho (chinese pipes) and flute. In the background is stretched a decorative curtain to protect the blossom-viewers’s privacy. Blossom is falling onto the red carpet on which the musicians kneel. The poems read: ‘Poem slips dance in the wind with the music beneath the cherry trees in the hills of Yoshino.’ (Gachoan Michitane); ‘Spring wind sweeps away two or three cherry blossoms from the carpet as the lute plays.’ (Hisakataya); ‘In a cloud of flowers on a spring field: a flute, a drum, a zither, dandelions and horsetails.’ (Kamenoya Osamaru); ‘The cold strains of the jewelled zither turn into a storm and drive the snow of fallen flowers into the hands beneath the tree.’ (Hisakataya); ‘The drumsticks see the cherry blossoms: one piece of their music takes away the drunkenness of the flower-viewing wine.’ (Ikkokutei Senkin); ‘Two butterflies, awakened from their sleep by the music of the flowers play on a spring day.’ (Hisakataya).
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