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    <summary_title>Dolores</summary_title>
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    <summary_title>sculpture</summary_title>
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      <summary_title>portrait</summary_title>
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    <value>Bronze, cast. The head is supported on a slender neck. The chin is tilted up a little, the lips are parted, and a fringe of hair covers the forehead.</value>
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    <summary_title>Rebel Angel, Sculpture and Watercolours of Sir Jacob Epstein 1880-1959</summary_title>
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    <accession_number>M.2-1945</accession_number>
    <primary>1</primary>
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  <identifier>
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    <type>external ID</type>
    <value>CAM_CCF_M_2_1945</value>
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  <inscription>
    <description>
      <value>name with '3' after it</value>
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    <transcription>
      <value>Epstein</value>
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    <type>signature</type>
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    <summary_title>The Fitzwilliam Museum</summary_title>
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    <credit_line>Given by Mr J. Howard Bliss</credit_line>
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        <summary_title>Bliss, J. Howard</summary_title>
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      <date>
        <earliest>1945</earliest>
        <latest>1945</latest>
        <value>1945</value>
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      <note>
        <value>Entry date: 1945-01-25</value>
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        <latest>1923</latest>
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        <summary_title>Epstein, Jacob</summary_title>
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        <value>Epstein met 'the beautiful and fantastic' Dolores (Norine Fournier Lattimore n&#xE9;e Schofield, 1894-1934) in 1921, when she was a nightclub artiste. Having invited her to live with him and his wife, he made four portraits of her between 1922 and 1923, of which this is the first. However, the original plaster model was abandoned as a failure until c.1931, when Epstein reappraised it as 'a very vivid and spontaneous sketch of her', and had several bronzes cast of the whole bust and, as here, the head alone.</value>
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        <value>For a discussion of this and the other two studies of Dolores made by Epstein between 1922-3, see pp. 108-9 of 'Let there be Sculpture' by J. Epstein, where he regards this last study to be 'the best work I did from the beautiful and fantastic Dolores'.</value>
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        <summary_title>1920s</summary_title>
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        <summary_title>George V</summary_title>
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        <summary_title>Great Britain</summary_title>
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        <value>Dolores, by Jacob Epstein</value>
      </title>
    </source>
    <type>
      <base>media</base>
      <type>image</type>
    </type>
  </multimedia>
  <name>
    <reference>
      <link>
        <type>reference</type>
      </link>
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        <id>term-107683</id>
        <uid>adlib-term-107683</uid>
        <uuid>9cdf19fa-4af7-3ca3-b180-580dfffebdc0</uuid>
      </admin>
      <summary_title>head</summary_title>
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  </name>
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    <link>
      <type>reference</type>
    </link>
    <admin>
      <id>agent-149638</id>
      <uid>adlib-agent-149638</uid>
      <uuid>7376d833-d0a7-3be0-916e-9c892b7a24d8</uuid>
    </admin>
    <summary_title>The Fitzwilliam Museum</summary_title>
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    <link>
      <role>
        <value>reference number</value>
      </role>
      <type>literal</type>
    </link>
    <name>
      <type>name</type>
      <value>Sculpture UK</value>
    </name>
    <summary_title>Sculpture UK</summary_title>
  </project>
  <publications>
    <link>
      <notes>Publ. Epstein regards this last study to be ''the best work I did from the beautiful and fantastic Dolores''.</notes>
      <page>pp. 108-9</page>
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    </link>
    <admin>
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      <uuid>29ca2226-6b51-3af4-827b-de4c7c19b8e4</uuid>
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    <summary_title>Let there be Sculpture</summary_title>
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  <publications>
    <link>
      <notes>Publ. Illustrated, p. 16, no. 9</notes>
      <page>p. 16</page>
      <type>reference</type>
    </link>
    <admin>
      <id>publication-1078</id>
      <uid>adlib-publication-1078</uid>
      <uuid>f35f7886-e79f-3294-89a6-dd16ad77c6e2</uuid>
    </admin>
    <summary_title>Rebel Angel: Sculpture and Watercolours by Sir Jacob Epstein 1880-1959</summary_title>
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    <link>
      <type>reference</type>
    </link>
    <admin>
      <id>publication-1074</id>
      <uid>adlib-publication-1074</uid>
      <uuid>36f66685-50e6-321f-8e0c-af3c4b4d9ac9</uuid>
    </admin>
    <summary_title>Jacob Epstein Sculptor</summary_title>
  </publications>
  <publications>
    <link>
      <notes>Cf. Appendix 2, ''La Boh&#xE9;mienne (head and neck only, cast from bust, which is the first study of Dolores) Leicester Galleries, 1931. The Art Gallery Vancouver.'' Presumably comparable to the Fitzwilliam's head of Dolores</notes>
      <page>p. 180</page>
      <type>reference</type>
    </link>
    <admin>
      <id>publication-1080</id>
      <uid>adlib-publication-1080</uid>
      <uuid>d103409f-c807-3da1-a9c2-a4d8e3396ea5</uuid>
    </admin>
    <summary_title>Jacob Epstein To  Arnold L. Haskell, The Sculptor Speaks</summary_title>
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  <publications>
    <link>
      <type>reference</type>
    </link>
    <admin>
      <id>publication-1082</id>
      <uid>adlib-publication-1082</uid>
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    </admin>
    <summary_title>Epstein</summary_title>
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  <publications>
    <link>
      <notes>Cf. Four others listed, p. 151, no. 131, 5</notes>
      <page>p. 151</page>
      <type>reference</type>
    </link>
    <admin>
      <id>publication-1075</id>
      <uid>adlib-publication-1075</uid>
      <uuid>c4a1979f-065c-34c3-b3b2-3faeab400438</uuid>
    </admin>
    <summary_title>The Sculpture of Epstein: with a complete catalogue</summary_title>
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  <summary>
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        <type>reference</type>
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        <id>term-107683</id>
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        <uuid>9cdf19fa-4af7-3ca3-b180-580dfffebdc0</uuid>
      </admin>
      <summary_title>head</summary_title>
    </reference>
  </summary>
  <summary_title>head</summary_title>
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    <description>
      <value>bronze, cast</value>
    </description>
    <reference>
      <link>
        <type>reference</type>
      </link>
      <admin>
        <id>term-26699</id>
        <uid>adlib-term-26699</uid>
        <uuid>a385eebb-7834-3204-a17f-d9c3cd15d9b8</uuid>
      </admin>
      <summary_title>casting (process)</summary_title>
    </reference>
  </techniques>
  <title>
    <value>Dolores</value>
  </title>
  <title>
    <value>La Bohemienne</value>
  </title>
  <type>
    <base>object</base>
    <type>OBJECT</type>
  </type>
</root>
