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W. L. Glaisher"}],"component":[{"materials":[{"note":[{"value":"black, red, green, pink and flesh-pink"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-107563","uid":"adlib-term-107563","uuid":"38dcd825-1de1-3222-82c6-15a95729b5ff"},"summary_title":"enamels"}},{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-110416","uid":"adlib-term-110416","uuid":"7347190c-472e-3638-b3f2-acd96e09c0cf"},"summary_title":"underglaze cobalt-blue"}},{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-39593","uid":"adlib-term-39593","uuid":"e3e2a3f8-2433-3f63-9bcf-e776644d312d"},"summary_title":"gold"}}],"name":"Decoration"}],"content":{"motifs":[{"@link":{"type":"reference"},"admin":{"id":"term-98112","uid":"adlib-term-98112","uuid":"32d115a4-d3ac-33b0-b126-2a3da0fdf139"},"summary_title":"portrait"}]},"department":{"value":"Applied Arts"},"description":[{"value":"White earthenware moulded in three parts and pearlware glazed. Painted in underglaze cobalt blue and with black, red, green, pink and flesh-pink enamels, and gilt."},{"value":"The oval base is flattened to a half-hexagon at the front and lettered \u2018MD Lind\u2019 in gilt script, with three gilt strokes to either side. The figure is well coloured. Jenny Lind stands with her right hand raised to her green hat. She wears a blue jacket with a gilt-edged white collar. Her skirt has broad pink stripes, gold buttons down the front and additional decoration lines in black. She wears red boots and her green hat has a thin black band. The underside is concave and glazed, with a central vent hole (covered by a label). The back is moulded, but decorated only above the waist."}],"identifier":[{"accession_number":"C.1003-1928","primary":true,"type":"accession number","value":"C.1003-1928"},{"priref":"71123","type":"priref","value":"71123"},{"date":[{"earliest":1910,"latest":1910,"value":"1910"}],"source":"Glaisher M\/S catalogue, Volume 10","type":"old object number","value":"3140"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/71123","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/71123"}],"inscription":[{"description":[{"value":"gilt script, with three gilt strokes to either side"}],"location":"front of base","method":"painted in gilt script","transcription":[{"value":"MD LIND"}],"type":"name"},{"description":[{"value":"rectangular paper label, faded ink"}],"location":"underside of base","method":"handwritten in black ink","transcription":[{"value":"No. 3140 Staffordshire figure of Jenny Lind. b. in Philadelphia [date illegible] 1910"}],"type":"label"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"Dr J.W.L.Glaisher Bequest"},"lifecycle":{"acquisition":[{"agents":[{"@link":{"type":"reference"},"admin":{"id":"agent-152564","uid":"adlib-agent-152564","uuid":"c20df94d-f096-3e0b-a9b5-6ddd12161fb7"},"summary_title":"Glaisher, J. W. L., Dr"}],"date":[{"earliest":1928,"latest":1928,"value":"1928"}],"method":{"value":"bequeathed"},"note":[{"value":"Entry date: 1928-12-07"}]}],"creation":[{"date":[{"earliest":1847,"era":["CE"],"latest":1847,"precision":"circa","value":"1847"}],"note":[{"value":"Following Pugh (1970) and Balston (1958), it seems more likely that this figure was made by the \u2018Alpha Factory\u2019, an as yet unidentified producer whose figures share a number of common features. Here these include: well moulded in the round; underglaze cobalt blue; and the title in gilt script bracketed by three strokes of gilt. According to Pugh, certain \u2018Alpha factory\u2019 figures may be found with the title either in indented capitals or in gilt script. Pugh also lists another figure of Jenny Lind as \u2018Marie\u2019 (Plate E81, Fig.120) as \u2018Alpha factory\u2019."},{"value":"Jenny Lind (1820-1887), was a Swedish-born opera soprano. Mendelssohn  wrote the soprano part in Elijah for her, and she sang with Verdi. She is believed to have inspired several Hans Christian Andersen stories, including The Ugly Duckling and The Emperor\u2019s Nightingale. She performed the role of Marie in Donizetti\u2019s two-act opera La figlia del reggimento (the daughter of the regiment) in 1847. This was shortly after her London debut as Alice in Meyerbeer\u2019s  Roberto il diavolo  \u2013 when, it is said, Queen Victoria threw her a bouquet from the Royal Box."},{"value":"Rackham (1935) lists this figure as of a type made chiefly by Sampson Smith at Longton. Sampson Smith is listed in contemporary directories as a \u2018manufacturer of figures in great variety\u2019 in Longton and seems to have begun making figures around 1851, moving to Sutherland Works in 1859. The firm continued to make figures in quantity into the early part of the twentieth century, and again from 1948 when a number of original moulds were found on site (see Haggar (1955), pp.102-107, 148). But Sampson Smith figures were rarely marked, and there were many other, often smaller, manufacturers of figures working in Staffordshire at this time."},{"value":"The source for this figure is the illustration on a music cover by John Branard for Jullien\u2019s Celebrated Polkas No.16, inscribed \u2018Jenny Lind in the character of Maria [sic] in Donizetti\u2019s opera La Figlia del Reggimento\u2019"}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-109672","uid":"adlib-term-109672","uuid":"a788e98b-c8a4-313c-9617-1a812228e864"},"summary_title":"19th Century, Mid"},{"@link":{"type":"reference"},"admin":{"id":"term-120127","uid":"adlib-term-120127","uuid":"ee2ddbd4-503c-30f5-8cf9-3c2d121bd315"},"summary_title":"Victoria 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Pugh also shows: Fig.165: a spill vase with this and a male character beside a tree trunk; Fig.176: a similarly dressed figure, though without the raised arm and on a more ornate base, with a further John Branard music front depicting Jenny Lind as Maria; and a number of other figures of Jenny Lind (pp.452-456).","page":"454","type":"reference"},"admin":{"id":"publication-3585","uid":"adlib-publication-3585","uuid":"784308ef-9535-3132-970c-45af8a273a64"},"summary_title":"Staffordshire Portrait Figures and Allied Subjects of the Victorian Era"},{"@link":{"notes":"Cf. Figs. 1300-1303, 1330 and 1335: a range of figures of Jenny Lind in character, including a similarly dressed figure, though differently moulded and decorated, representing her role as Marie. Also, p.345, Fig. 1300 SO: the music cover by John Branard for Jullien\u2019s Celebrated Polkas No.16, which illustrates Jenny Lind as Maria.","page":"345","type":"reference"},"admin":{"id":"publication-7227","uid":"adlib-publication-7227","uuid":"6dc55e19-7dee-3713-a8a4-c81f86e35351"},"summary_title":"Victorian Staffordshire Figures 1835-1875, Book One: portraits, naval & military, theatrical & literary characters"},{"@link":{"notes":"Cf. Fig.75: the same figure, though with different enamels, without the underglaze blue and with title in capitals. Also Fig.76: another figure of Jenny Lind, in different dress, later in the same opera.","page":"59","type":"reference"},"admin":{"id":"publication-7214","uid":"adlib-publication-7214","uuid":"5837e427-2875-313b-a414-8210d452c972"},"summary_title":"The Victorian Staffordshire Figure"},{"@link":{"type":"reference"},"admin":{"id":"publication-7217","uid":"adlib-publication-7217","uuid":"c1860f2b-473e-3562-a129-4344ff68ed22"},"summary_title":"Staffordshire Portrait Figures"}],"school_or_style":[{"@link":{"type":"reference"},"admin":{"id":"term-15214","uid":"adlib-term-15214","uuid":"744af2c4-a2f2-37ad-bbf4-2cd00e91ed9b"},"summary_title":"Victorian"}],"subjects":[{"@link":{"type":"reference"},"admin":{"id":"term-106338","uid":"adlib-term-106338","uuid":"1bd59a2c-b62d-3e51-9d96-d7cf16e66bb1"},"summary_title":"opera"}],"summary":{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-107454","uid":"adlib-term-107454","uuid":"6ca0f2ab-c1f8-329d-8a45-8f1322f53a20"},"summary_title":"figure"}},"summary_title":"figure","techniques":[{"description":[{"value":"White earthenware moulded in three parts and pearlware glazed. Painted in underglaze cobalt blue and with black, red, green, pink and flesh-pink enamels, and gilt. The underside is concave and glazed, with a central vent hole (covered by a label). The back is moulded, but decorated only above the waist."}],"note":[{"value":"in three parts"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-130724","uid":"adlib-term-130724","uuid":"94dc0522-7bb7-3aa7-a884-0878f90b9d28"},"summary_title":"press moulding"}},{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-106226","uid":"adlib-term-106226","uuid":"194567f2-2bcd-3446-ae31-652386611815"},"summary_title":"painting"}},{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-120062","uid":"adlib-term-120062","uuid":"d05176fb-17b8-3888-bba1-6c5e6c77d206"},"summary_title":"lead-glazing"}},{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-28681","uid":"adlib-term-28681","uuid":"c1f659e2-1209-31cf-8ff4-154e11452559"},"summary_title":"gilding"}}],"title":[{"value":"Jenny Lind (as 'Marie')"}],"type":{"base":"object","type":"OBJECT"}},[[127,134,146],[19,20,27],[221,226,237],[127,50,71],[180,190,208],[89,98,114],[168,178,189],[185,205,221],[201,81,58],[155,82,118],[133,75,96]],{}]