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<root>
  <admin>
    <added>1592999559000</added>
    <created>1312637261000</created>
    <flag>Standard Record</flag>
    <id>object-71355</id>
    <indexed>1755021867818</indexed>
    <modified>1754996292000</modified>
    <processed>1755021865424</processed>
    <source>adlib</source>
    <stream>fitz-online</stream>
    <uid>adlib-object-71355</uid>
    <uri>https://data.fitzmuseum.cam.ac.uk/id/object/71355</uri>
    <uuid>84045478-a491-382b-a8da-ca9ebe04f817</uuid>
    <version>14</version>
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      <uid>adlib-agent-179350</uid>
      <uuid>00d2e445-64b3-37fe-b93e-78b2ae0c1444</uuid>
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    <summary_title>Foountaine, Andrew, IV</summary_title>
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  <agents>
    <link>
      <note>
        <value>Marmaduke Langdale Horn was born on 23 November 1889 at 'Holmwood' at Walkerville in South Australia, and was one of three brothers who served in the Royal Flying Corp during the First World War. He served in an administrative capacity and was awarded the Croix de Guerre with bronze star for his services. After the War he became a director of Horn Trust and Investments and Kuala Selanger Rubber Co. Ltd., and settled in England at Stoke Charity, where he had spent many of his younger years at Old Stoke. During the Second World War he acted as Chuchwarden for St Mary and St Michael, Stoke Charity, and later contributed to the restoration of the church. He became an art collector, and also built up an extensive collection of cigarette cards. He died at Stoke Charity on 18 August 1953. 
Information from biography by Chas Schaedel, History Group South Australian Aviation Museum, see https://www.saam.org.au/aviatorprofiles.html</value>
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      <type>reference</type>
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      <uid>adlib-agent-207524</uid>
      <uuid>08f9ec74-320f-3c60-aad1-c985ed27cc46</uuid>
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    <summary_title>Horn, Marmaduke Langdale (1889-1953)</summary_title>
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    <link>
      <relation>person</relation>
      <type>reference</type>
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      <uid>adlib-agent-160362</uid>
      <uuid>44ce5876-ae4f-3a12-adf7-bda70173856e</uuid>
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    <summary_title>Ulysses</summary_title>
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  <agents>
    <link>
      <relation>person</relation>
      <type>reference</type>
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      <id>agent-160360</id>
      <uid>adlib-agent-160360</uid>
      <uuid>f08ddf1e-3622-3c74-adf8-61c8a09dfc58</uuid>
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    <summary_title>Circe</summary_title>
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      <type>reference</type>
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      <id>term-108348</id>
      <uid>adlib-term-108348</uid>
      <uuid>667e7a19-db33-3d85-bd9b-c2dafd8e02ff</uuid>
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    <summary_title>tin-glazed earthenware</summary_title>
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      <type>reference</type>
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      <id>term-42865</id>
      <uid>adlib-term-42865</uid>
      <uuid>92be1d50-bb1c-3472-950f-b140ee6cdde9</uuid>
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    <summary_title>maiolica</summary_title>
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  <component>
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      <note>
        <value>blue, turquoise-green, yellowish-green, yellow, orange, beige, brown, manganese, black, and white</value>
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          <type>reference</type>
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          <uid>adlib-term-108364</uid>
          <uuid>115b8729-a560-35c1-b654-4b9d2fc5f68b</uuid>
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        <summary_title>high-temperature colours</summary_title>
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    </materials>
    <name>Decoration</name>
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        <link>
          <type>reference</type>
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          <id>term-106226</id>
          <uid>adlib-term-106226</uid>
          <uuid>194567f2-2bcd-3446-ae31-652386611815</uuid>
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        <summary_title>painting</summary_title>
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    <motifs>
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        <type>reference</type>
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      <admin>
        <id>term-1111</id>
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        <uuid>46c949dd-f376-3538-878f-397baee5be09</uuid>
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      <summary_title>mythology</summary_title>
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  <department>
    <value>Applied Arts</value>
  </department>
  <description>
    <value>Maiolica bowl with broad rim, painted in polychrome with Ulysses commanding Circe to restore his Companions to their Rightful Forms.</value>
  </description>
  <description>
    <value>Buff earthenware, tin-glazed overall; the reverse pale beige and tinged with green. Painted in blue, turquoise-green, yellowish-green, yellow, orange, beige, brown, manganese, black, and white. Shape 58. Circular with a wide, slightly sloping rim and small, deep well.
Ulysses commanding Circe to restore his Companions to their Rightful Forms. Ulysses stands on the left, his head turned towards Circe, and his left arm pointing to one of his companions with a swine's hind limbs and head, who reclines in the foreground. In the middle, two of his men with swine's hind legs bear vessels to Circe; the one on the left has a covered dish and the other a ewer and basin. Behind them is a doorway with the date `1532' inscribed in a panel above it. On the right, Circe sits on a throne, holding a sceptre or wand in her right hand. Above her, imposed on a draped curtain is a shield charged with the arms of Pucci of Florence: argent, a moor's head proper wearing a headband argent charged with three hammers sable, with behind, a papal ombrellino. The edge is yellow. The back is inscribed in the middle in dark blue: `.1532./Vlisse chiede a Circe/i suoi compagni/Nel .XIIII. Li d  Ouidio Met:/.fra: Xanto.A./da Rovi...i / Urbi . . .' (Ulysses asks Circe for his companions In the 14th Book of Ovid's Metamorphoses:.francesco Xanto.Avelli of Rovigo in Urbino).</value>
  </description>
  <exhibitions>
    <link>
      <catalogue>no catalogue</catalogue>
      <type>reference</type>
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    <admin>
      <id>exhibition-1605</id>
      <uid>adlib-exhibition-1605</uid>
      <uuid>04d3c358-0bef-3d8f-8df5-14f16987ac1b</uuid>
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    <summary_title>Italian Maiolica in the Fitzwilliam Museum</summary_title>
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  <identifier>
    <accession_number>C.11-1953</accession_number>
    <primary>1</primary>
    <type>accession number</type>
    <value>C.11-1953</value>
  </identifier>
  <identifier>
    <priref>71355</priref>
    <type>priref</type>
    <value>71355</value>
  </identifier>
  <identifier>
    <type>uri</type>
    <uri>https://data.fitzmuseum.cam.ac.uk/id/object/71355</uri>
    <value>https://data.fitzmuseum.cam.ac.uk/id/object/71355</value>
  </identifier>
  <inscription>
    <location>on the back</location>
    <method>incised</method>
    <transcription>
      <value>'af' and '83'</value>
    </transcription>
    <type>mark</type>
  </inscription>
  <inscription>
    <location>in the middle of the back</location>
    <method>painted in</method>
    <transcription>
      <value>1532./Vlisse chiede a Circe/i suoi compagni/Nel .XIIII. Li d  Ouidio Met:/.fra: Xanto.A./da Rovi...i / Urbi . . .'</value>
    </transcription>
    <type>inscription</type>
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  <institutions>
    <link>
      <type>reference</type>
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      <id>agent-149638</id>
      <uid>adlib-agent-149638</uid>
      <uuid>7376d833-d0a7-3be0-916e-9c892b7a24d8</uuid>
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    <summary_title>The Fitzwilliam Museum</summary_title>
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  <legal>
    <credit_line>M.L. Horn Bequest</credit_line>
  </legal>
  <lifecycle>
    <acquisition>
      <agents>
        <link>
          <type>reference</type>
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        <admin>
          <id>agent-153306</id>
          <uid>adlib-agent-153306</uid>
          <uuid>ffdbdb9b-fb52-37d0-befe-c60f946304c6</uuid>
        </admin>
        <summary_title>Horn, Marmaduke Langdale</summary_title>
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      <date>
        <earliest>1953</earliest>
        <latest>1953</latest>
        <value>1953-10-22</value>
      </date>
      <method>
        <value>bequeathed</value>
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    </acquisition>
    <creation>
      <date>
        <earliest>1532</earliest>
        <era>CE</era>
        <latest>1532</latest>
        <precision>dated</precision>
        <value>1532</value>
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            <value>painter</value>
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          <id>agent-5335</id>
          <uid>adlib-agent-5335</uid>
          <uuid>abbd62ad-dff5-32f6-8881-6cc828e21322</uuid>
        </admin>
        <summary_title>Avelli, Francesco Xanto</summary_title>
      </maker>
      <maker>
        <link>
          <qualifier>after</qualifier>
          <role>
            <value>printmaker</value>
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          <id>agent-112340</id>
          <uid>adlib-agent-112340</uid>
          <uuid>a9104dd3-daf9-32ba-b083-c074b588b652</uuid>
        </admin>
        <summary_title>Raimondi, Marcantonio</summary_title>
      </maker>
      <maker>
        <link>
          <qualifier>after</qualifier>
          <role>
            <value>printmaker</value>
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          <id>agent-182276</id>
          <uid>adlib-agent-182276</uid>
          <uuid>cb8a3144-a25c-3442-a37f-b502434af8e9</uuid>
        </admin>
        <summary_title>Monogrammist I. B.</summary_title>
      </maker>
      <maker>
        <link>
          <qualifier>after</qualifier>
          <role>
            <value>printmaker</value>
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          <type>reference</type>
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          <id>agent-35821</id>
          <uid>adlib-agent-35821</uid>
          <uuid>7864b6fe-8b62-333d-b6ff-dcc5decb8942</uuid>
        </admin>
        <summary_title>Dente, Marco (Marco da Ravenna)</summary_title>
      </maker>
      <note>
        <value>Francesco Xanto was a freelance maiolica painter and it is not known in which workshop this dish was made. Xanto frequently constructed the scenes on his dishes with figures taken from several different engraved sources. The scene from the story of Ulysses and Circe was constructed from four. Ulysses was derived from 'Jupiter', dated 1528, by the Monogrammist IB. The figure also resembles Perseus in the woodcut illustration of Perseus and Andromeda in 'Ouidio methamorphoseos vulgare', Venice (Lucantonio Giunta), 1497. Circe was taken from the Muse Euterpe in the engraving by Marcantonio Raimondi of Raphael's 'Parnassus'. The two servants were adapted and transposed from the servants at the banquet given in Aeneas' honour by Dido, in the lowest right panel of the 'Quos Ego' engraved by Marcantonio Raimondi. The man with a swine's head in the foreground was probably derived from a figure in the 'Battle of the Romans and Carthaginians' engraved by Marco Dente after Raphael or Giulio Romano.</value>
      </note>
      <note>
        <value>This plate belongs to a service made for a member of the Pucci family of Florence, which comprises a salt,  thirty-four dishes dated 1532, and two dishes dated 1533. The plate is decorated with the story of Ulysses and Circe which is told in Ovid's Metamorphoses, Book XIV, 248-307, the incident portrayed on the dish in lines 293-8.  Circe had transformed Ulysses' companions into swine after giving them poisoned wine at a feast in her palace. Only one, Eurylochus, refrained from drinking and escaped to tell Ulysses. When the latter arrived at the palace he refused the poisoned cup offered by Circe and threatened her with his sword. Then, having made a marriage pact with her, he demanded as a wedding gift that she return his companions to their rightful forms. This subject also occurs on a dish of 1533 in the Louvre, which has the same figures of Ulysses and Circe, but is otherwise rendered differently.</value>
      </note>
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          <id>term-120009</id>
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          <uuid>690a6332-cfc1-3411-a716-4dd4ec7d9a65</uuid>
        </admin>
        <summary_title>16th Century, second quarter</summary_title>
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          <id>term-10618</id>
          <uid>adlib-term-10618</uid>
          <uuid>9ebc0ae1-8cf8-312b-832c-9cf44da02136</uuid>
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        <summary_title>Renaissance</summary_title>
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          <id>term-110708</id>
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        <hierarchies>
          <link>
            <type>literal</type>
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          <name>
            <value>Italy</value>
          </name>
          <summary_title>Italy</summary_title>
          <type>country</type>
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        <summary_title>Urbino</summary_title>
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        <uuid>cdf6707a-1eeb-3622-a26b-6e54f1f8d4ab</uuid>
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      <summary_title>tin-glaze</summary_title>
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        <id>term-42861</id>
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      <summary_title>earthenware</summary_title>
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      <value>26</value>
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      <value>4.6</value>
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      <notes>Publ. p. 14, no. 49</notes>
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    <link>
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    <summary_title>Catalogue of the celebrated Fountaine collection of majolika, Henry II ware, Palissy ware, Nevers ware, Limoges enamels, carvings in ivory, hone stone and rock crystal, Greek and Roman coins, ancient armour &amp;c. &amp;c., removed from Narford Hall, Norfolk</summary_title>
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    <summary_title>Collection Bourgeois Fr&#xE8;res, Catalogue des objets d'art et e haute curiosit&#xE9; composant la collection Bourgeois Fr&#xE8;res et dont la vente aura lieu &#xE0; Cologne dans la grande salle du casino (Augustinerplatz 7) du mercredi 19 au jerdi 27 octobre 1904</summary_title>
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      <notes>Publ. pp. 105-19, mentioned p. 113</notes>
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      <id>publication-200001097</id>
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    <link>
      <notes>Publ. p. 21, no. 50, figs. 47, 251R</notes>
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    <admin>
      <id>publication-3247</id>
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    <summary_title>Catalogue of the renowned collection of Italian majolica, the property of Dr Alfred Pringsheim of Munich</summary_title>
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      <notes>Publ. p. 444</notes>
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    <admin>
      <id>publication-200001086</id>
      <uid>adlib-publication-200001086</uid>
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    <summary_title>The Fountaine collection of maiolica</summary_title>
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    <link>
      <notes>Publ. p. 267-9, no. 26 and pl. LIIa and b.</notes>
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    <admin>
      <id>publication-200001098</id>
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    <summary_title>Francesco Xanto Avelli's Pucci Service (1532-1533): Part Two</summary_title>
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      <notes>Ref.pp. 32-43 for information about the service</notes>
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    <summary_title>Francesco Xanto's Pucci Service (1532-1533): Part One</summary_title>
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    <link>
      <notes>Publ. p. 254, no. 80.13</notes>
      <page>p. 254</page>
      <type>reference</type>
    </link>
    <admin>
      <id>publication-200000984</id>
      <uid>adlib-publication-200000984</uid>
      <uuid>66e91566-e73d-3cc0-83a5-b0e3ce3bcb1c</uuid>
    </admin>
    <summary_title>Xanto and Ariosto</summary_title>
  </publications>
  <publications>
    <link>
      <notes>Publ. pp. 338-340, no. 391; for the printed sources see p. 318, fig. 19, p. 313, fig. 17, p. 328, fig. 24, and p. 339, fig. 31</notes>
      <page>pp. 338-340</page>
      <type>reference</type>
    </link>
    <admin>
      <id>publication-3010</id>
      <uid>adlib-publication-3010</uid>
      <uuid>e3e61863-a797-3051-8d0a-20288306ca36</uuid>
    </admin>
    <summary_title>Italian Maiolica and Incised Slipware in the Fitzwilliam Museum Cambridge</summary_title>
  </publications>
  <publications>
    <link>
      <notes>Ref. p. 10-18, for a discussion of whether or not Monogrammist IB can be identified with Georg Pencz. Landau's view is that they are not the same person.</notes>
      <page>10-18</page>
      <type>reference</type>
    </link>
    <admin>
      <id>publication-1466</id>
      <uid>adlib-publication-1466</uid>
      <uuid>c8db8cda-c826-3edb-912e-3bf5c48be1cc</uuid>
    </admin>
    <summary_title>Catalogo completo dell'opera grafica di Georg Pencz</summary_title>
  </publications>
  <publications>
    <link>
      <type>reference</type>
    </link>
    <admin>
      <id>publication-7213</id>
      <uid>adlib-publication-7213</uid>
      <uuid>b9763f84-28b0-37a4-9c6b-acae3494b9b2</uuid>
    </admin>
    <summary_title>The Art of the Italian Potter, Maiolica and Porcelain from a Private Collection</summary_title>
  </publications>
  <publications>
    <link>
      <notes>Cf. pp. 182-3, no. 57, a large dish from the Pucci service decorated with the Woman of Sestos.</notes>
      <page>182-3</page>
      <type>reference</type>
    </link>
    <admin>
      <id>publication-8274</id>
      <uid>adlib-publication-8274</uid>
      <uuid>7be4693f-9344-330a-8733-2ca7558ee846</uuid>
    </admin>
    <summary_title>Maiolica: Italian Renaissance Ceramics in the Metropolitan Museum of Art</summary_title>
  </publications>
  <publications>
    <link>
      <notes>Cf. pp. 188-9, a dish from the Pucci service in the McEwan Collection, Polesden Lacy, Surrey (National Trust). It is 26.1 cm in diameter and is decorated with Bacchus transforming the Thracian Maenads into oak trees, as a punishment for murdering Orpheus. The base is inscribed '1532/Le Baccanti Coverse i/verdi frasche./Nel XI libro d Ovidio Meth:/fra. Xanto A./da Rovigo I/Urbino'</notes>
      <page>188-9</page>
      <type>reference</type>
    </link>
    <admin>
      <id>publication-8407</id>
      <uid>adlib-publication-8407</uid>
      <uuid>c2ab7f09-de03-38d7-b05a-2d9deb284d12</uuid>
    </admin>
    <summary_title>Ceramics. 400 Years of British Collecting in 100 Masterpieces</summary_title>
  </publications>
  <publications>
    <link>
      <notes>Cf. pp. 242-4, no. 105, and 245, no. 106, two plates from the Pucci Service, both dated 1532, respectively 'Anchises, Ascanius, Aeneas, and Creusa', and 'Aesacus and Hesperia'</notes>
      <page>242-5</page>
      <type>reference</type>
    </link>
    <admin>
      <id>publication-8571</id>
      <uid>adlib-publication-8571</uid>
      <uuid>1c526257-c1d6-33b1-a279-b3248fce0bcc</uuid>
    </admin>
    <summary_title>The Golden Age of Maiolica-Painting. Catalogue of a Private Collection</summary_title>
  </publications>
  <publications>
    <link>
      <notes>Ref.  The author discusses Xanto's use of prints after Raphael, and illustrates several dishes and prints</notes>
      <page>21-35</page>
      <type>reference</type>
    </link>
    <admin>
      <id>publication-200003336</id>
      <uid>adlib-publication-200003336</uid>
      <uuid>b2a62799-cb4f-339b-875e-ded0ff83c2f4</uuid>
    </admin>
    <summary_title>Ancora sul ruolo di Raffaello nell'opera di Xanto Avelli</summary_title>
  </publications>
  <school_or_style>
    <link>
      <type>reference</type>
    </link>
    <admin>
      <id>term-10618</id>
      <uid>adlib-term-10618</uid>
      <uuid>9ebc0ae1-8cf8-312b-832c-9cf44da02136</uuid>
    </admin>
    <summary_title>Renaissance</summary_title>
  </school_or_style>
  <subjects>
    <link>
      <relation>object name</relation>
      <type>reference</type>
    </link>
    <admin>
      <id>term-90855</id>
      <uid>adlib-term-90855</uid>
      <uuid>b48207ec-774d-3e3e-8ab3-536996bc5dac</uuid>
    </admin>
    <summary_title>dish</summary_title>
  </subjects>
  <subjects>
    <link>
      <relation>object name</relation>
      <type>reference</type>
    </link>
    <admin>
      <id>term-88137</id>
      <uid>adlib-term-88137</uid>
      <uuid>eeab1777-4158-31f4-8f8a-0015cb1910f7</uuid>
    </admin>
    <summary_title>ewer</summary_title>
  </subjects>
  <subjects>
    <link>
      <relation>object name</relation>
      <type>reference</type>
    </link>
    <admin>
      <id>term-89303</id>
      <uid>adlib-term-89303</uid>
      <uuid>7012fd66-769f-33c8-bb38-d805db27c8c9</uuid>
    </admin>
    <summary_title>basin</summary_title>
  </subjects>
  <subjects>
    <link>
      <relation>object name</relation>
      <type>reference</type>
    </link>
    <admin>
      <id>term-69145</id>
      <uid>adlib-term-69145</uid>
      <uuid>784af795-5401-382f-b51a-79b0f2b2dab1</uuid>
    </admin>
    <summary_title>curtains</summary_title>
  </subjects>
  <subjects>
    <link>
      <relation>object name</relation>
      <type>reference</type>
    </link>
    <admin>
      <id>term-107516</id>
      <uid>adlib-term-107516</uid>
      <uuid>146a0bfc-a677-3f01-8f8a-18d01ec5f2f2</uuid>
    </admin>
    <summary_title>shield</summary_title>
  </subjects>
  <subjects>
    <link>
      <relation>object name</relation>
      <type>reference</type>
    </link>
    <admin>
      <id>term-110720</id>
      <uid>adlib-term-110720</uid>
      <uuid>a3c10876-e889-3e8d-a458-73e817c04520</uuid>
    </admin>
    <summary_title>coat-of-arms</summary_title>
  </subjects>
  <subjects>
    <link>
      <relation>animal</relation>
      <type>reference</type>
    </link>
    <admin>
      <id>term-108479</id>
      <uid>adlib-term-108479</uid>
      <uuid>f2ffb61a-dbec-3e42-b692-d0a04263041a</uuid>
    </admin>
    <summary_title>swine</summary_title>
  </subjects>
  <subjects>
    <link>
      <relation>place type</relation>
      <type>reference</type>
    </link>
    <admin>
      <id>term-3818</id>
      <uid>adlib-term-3818</uid>
      <uuid>e63ad2a0-36b3-3768-9da4-45eb7c2f7a61</uuid>
    </admin>
    <summary_title>interior</summary_title>
  </subjects>
  <subjects>
    <link>
      <type>literal</type>
    </link>
    <name>
      <value>dish</value>
    </name>
    <summary_title>dish</summary_title>
  </subjects>
  <subjects>
    <link>
      <type>literal</type>
    </link>
    <name>
      <value>ewer</value>
    </name>
    <summary_title>ewer</summary_title>
  </subjects>
  <subjects>
    <link>
      <type>literal</type>
    </link>
    <name>
      <value>basin</value>
    </name>
    <summary_title>basin</summary_title>
  </subjects>
  <subjects>
    <link>
      <type>literal</type>
    </link>
    <name>
      <value>curtains</value>
    </name>
    <summary_title>curtains</summary_title>
  </subjects>
  <subjects>
    <link>
      <type>literal</type>
    </link>
    <name>
      <value>shield</value>
    </name>
    <summary_title>shield</summary_title>
  </subjects>
  <subjects>
    <link>
      <type>literal</type>
    </link>
    <name>
      <value>coat-of-arms</value>
    </name>
    <summary_title>coat-of-arms</summary_title>
  </subjects>
  <subjects>
    <link>
      <type>literal</type>
    </link>
    <name>
      <value>swine</value>
    </name>
    <summary_title>swine</summary_title>
  </subjects>
  <subjects>
    <link>
      <type>literal</type>
    </link>
    <name>
      <value>interior</value>
    </name>
    <summary_title>interior</summary_title>
  </subjects>
  <summary>
    <reference>
      <link>
        <type>reference</type>
      </link>
      <admin>
        <id>term-125345</id>
        <uid>adlib-term-125345</uid>
        <uuid>044a81eb-350e-3229-9e5e-72ab4fb784aa</uuid>
      </admin>
      <summary_title>bowl with broad rim</summary_title>
    </reference>
  </summary>
  <summary_title>bowl with broad rim</summary_title>
  <techniques>
    <description>
      <value>buff earthenware, tin-glazed overall; the reverse pale beige and tinged with green. Painted in blue, turquoise-green, yellowish-green, yellow, orange, beige, brown, manganese, black, and white.</value>
    </description>
    <reference>
      <link>
        <type>reference</type>
      </link>
      <admin>
        <id>term-111179</id>
        <uid>adlib-term-111179</uid>
        <uuid>be5c887b-c0ed-3d89-82b2-c3a870e72a68</uuid>
      </admin>
      <summary_title>moulding</summary_title>
    </reference>
  </techniques>
  <techniques>
    <reference>
      <link>
        <type>reference</type>
      </link>
      <admin>
        <id>term-120059</id>
        <uid>adlib-term-120059</uid>
        <uuid>dfa315b5-819d-37ab-ab22-bddfdbb3cbe7</uuid>
      </admin>
      <summary_title>tin-glazing</summary_title>
    </reference>
  </techniques>
  <title>
    <value>Ulysses commanding Circe to restore his Companions to their Rightful Forms</value>
  </title>
  <type>
    <base>object</base>
    <type>OBJECT</type>
  </type>
</root>
