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    <uid>adlib-object-209063</uid>
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    <version>16</version>
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      <uuid>51be11a9-39d7-378f-8312-59a74c14c91a</uuid>
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    <summary_title>Martigny, Charles de</summary_title>
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    <summary_title>Marlay, Charles Brinsley</summary_title>
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    <summary_title>illuminated manuscript</summary_title>
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      <type>reference</type>
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      <id>term-114522</id>
      <uid>adlib-term-114522</uid>
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    <summary_title>manuscript</summary_title>
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    <summary_title>Charles Brinsley Marlay</summary_title>
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        <summary_title>parchment</summary_title>
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    <name>Support</name>
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        <dimension>Height</dimension>
        <units>mm</units>
        <value>160</value>
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      <dimensions>
        <dimension>Width</dimension>
        <units>mm</units>
        <value>103</value>
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    <name>Page</name>
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        <dimension>Height</dimension>
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        <value>95</value>
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        <units>mm</units>
        <value>57</value>
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    <name>Text</name>
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    <value>Manuscripts and Printed Books</value>
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    <value>PHYSICAL DESCRIPTION: Parchment, 160 x 103 mm (95 x 57 mm), 3 long lines on recto and 21 long lines ruled in pale brown ink on verso

CONTENTS: Hours of the Holy Spirit (continued on the verso)

DECORATION: Miniature with arched top, framed in gold: Pentecost with the seated Virgin Mary surrounded by the apostles and a dove descending with a full-border of pink and blue acanthus sprays on a gold ground, incorporating floral motifs, strawberries, two birds, a butterfly and a seated dog for the Hours of the Holy Spirit (recto).

ORNAMENTATION: One-sided, vertical border in the outer margin of pink and blue acanthus and floral sprays on gold ground, incorporating floral motifs, strawberries and two birds (verso); grey and white initial [D, 3 ll.] on pink and gold ground, enclosing sprays of blue and white pansies (recto); foliate initials [1-2 ll.] in maroon and gold on blue grounds, blue and white on maroon grounds, and white and gold on maroon grounds, one with a fly and another with the head of a goat in the bowls; line fillers of white and gold foliate motifs on blue and maroon grounds, and one in brown and gold in the form of a branch (verso).</value>
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      <catalogue>23</catalogue>
      <type>reference</type>
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      <id>exhibition-2154</id>
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    <summary_title>Catalogue of a Series of Illuminations from Manuscripts principally of the Italian and French Schools</summary_title>
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  <exhibitions>
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      <catalogue>52</catalogue>
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      <uid>adlib-exhibition-2490</uid>
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    <summary_title>Colour: The Art and Science of Illuminated Manuscripts</summary_title>
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    <accession_number>Marlay cutting Fr. 5</accession_number>
    <primary>1</primary>
    <type>accession number</type>
    <value>Marlay cutting Fr. 5</value>
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    <priref>209063</priref>
    <type>priref</type>
    <value>209063</value>
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    <source>Cambridge Illuminated</source>
    <type>project ID</type>
    <value>1351</value>
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    <type>uri</type>
    <uri>https://data.fitzmuseum.cam.ac.uk/id/object/209063</uri>
    <value>https://data.fitzmuseum.cam.ac.uk/id/object/209063</value>
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    <summary_title>The Fitzwilliam Museum</summary_title>
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    <credit_line>Bequeathed by Charles Brinsley Marlay</credit_line>
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        <summary_title>Marlay, Charles Brinsley</summary_title>
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        <earliest>1912</earliest>
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          <earliest>1485</earliest>
          <latest>1485</latest>
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        <latest>1494</latest>
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          <latest>1494</latest>
          <value>1494</value>
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        <summary_title>Bourdichon, Jean</summary_title>
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        <summary_title>15th Century, Late</summary_title>
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