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<root>
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    <added>1592970406000</added>
    <created>1312637261000</created>
    <flag>Standard Record</flag>
    <id>object-71447</id>
    <indexed>1752602707116</indexed>
    <modified>1714466048000</modified>
    <processed>1752602690710</processed>
    <source>adlib</source>
    <stream>fitz-online</stream>
    <uid>adlib-object-71447</uid>
    <uri>https://data.fitzmuseum.cam.ac.uk/id/object/71447</uri>
    <uuid>eb014fd9-7d77-3e70-a465-b3a5935e10b3</uuid>
    <version>6</version>
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      <type>reference</type>
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      <uid>adlib-term-42861</uid>
      <uuid>5b368285-f1a8-3dcf-a5b2-637fd3c3956c</uuid>
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    <summary_title>earthenware</summary_title>
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  <categories>
    <link>
      <type>reference</type>
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    <admin>
      <id>term-108657</id>
      <uid>adlib-term-108657</uid>
      <uuid>c170cd8e-fc63-3446-81a4-6682b5979808</uuid>
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    <summary_title>lead-glazed earthenware</summary_title>
  </categories>
  <categories>
    <link>
      <type>reference</type>
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      <id>term-110727</id>
      <uid>adlib-term-110727</uid>
      <uuid>ebeafa07-8aa4-35ee-93de-94d5a21e0274</uuid>
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    <summary_title>lustreware</summary_title>
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  <collection>
    <link>
      <type>reference</type>
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    <admin>
      <id>term-113184</id>
      <uid>adlib-term-113184</uid>
      <uuid>25fc548d-d02f-39a6-a34f-d609393a0043</uuid>
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    <summary_title>J. W. L. Glaisher</summary_title>
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  <component>
    <materials>
      <note>
        <value>silver (platinum) lustre</value>
      </note>
      <reference>
        <link>
          <type>reference</type>
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          <id>term-107831</id>
          <uid>adlib-term-107831</uid>
          <uuid>6da005f1-0bd3-3597-bf45-b3dc0027c837</uuid>
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        <summary_title>lustre</summary_title>
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    </materials>
    <name>Decoration</name>
    <techniques>
      <reference>
        <link>
          <type>reference</type>
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        <summary_title>lustring</summary_title>
      </reference>
    </techniques>
  </component>
  <department>
    <value>Applied Arts</value>
  </department>
  <description>
    <value>Dark red-grey earthenware, moulded and dipped in silver (platinum) lustre.</value>
  </description>
  <description>
    <value>Vase moulded in four sections, being three stacking base parts of diminishing size and a tall, inverted cone lid with central finial, the whole resembling a Chinese pagoda. All parts entirely covered in silver lustre. The base parts are rectangular in plan and each has plain sides and bevelled corners, from which project sockets for the insertion of flowers. The bottom tier stands on four corner legs on a stepped base and has sockets moulded as crowned human masks. On the other two tiers the sockets are fluted. , those on the next two tiers are fluted. The cover is in the form of an inverted cone with a finial. The underside is flat, within a deep foot-ring formed by the steps.</value>
  </description>
  <identifier>
    <accession_number>C.1169A-D-1928</accession_number>
    <primary>1</primary>
    <type>accession number</type>
    <value>C.1169A-D-1928</value>
  </identifier>
  <identifier>
    <priref>71447</priref>
    <type>priref</type>
    <value>71447</value>
  </identifier>
  <identifier>
    <date>
      <earliest>1912</earliest>
      <latest>1912</latest>
      <value>1912</value>
    </date>
    <source>Glaisher MS Catalogue, vol.15</source>
    <type>old object number</type>
    <value>3494</value>
  </identifier>
  <identifier>
    <type>uri</type>
    <uri>https://data.fitzmuseum.cam.ac.uk/id/object/71447</uri>
    <value>https://data.fitzmuseum.cam.ac.uk/id/object/71447</value>
  </identifier>
  <inscription>
    <location>underside of lowest  base section</location>
    <method>incised</method>
    <transcription>
      <value>P</value>
    </transcription>
    <type>mark</type>
  </inscription>
  <inscription>
    <location>underside of middle base section</location>
    <method>incised</method>
    <transcription>
      <value>S</value>
    </transcription>
    <type>mark</type>
  </inscription>
  <inscription>
    <location>underside of base</location>
    <method>rectangular paper label handwritten in black ink</method>
    <transcription>
      <value>No.3494. Silver lustre square pagoda flower holder, in 3 stages. b. in London Feb.14, 1912.</value>
    </transcription>
    <type>label</type>
  </inscription>
  <institutions>
    <link>
      <type>reference</type>
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      <id>agent-149638</id>
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    <summary_title>The Fitzwilliam Museum</summary_title>
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  <legal>
    <credit_line>Dr J.W.L. Glaisher Bequest, 1928</credit_line>
  </legal>
  <lifecycle>
    <acquisition>
      <agents>
        <link>
          <type>reference</type>
        </link>
        <admin>
          <id>agent-152564</id>
          <uid>adlib-agent-152564</uid>
          <uuid>c20df94d-f096-3e0b-a9b5-6ddd12161fb7</uuid>
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        <summary_title>Glaisher, J. W. L., Dr</summary_title>
      </agents>
      <date>
        <earliest>1928</earliest>
        <latest>1928</latest>
        <value>1928</value>
      </date>
      <method>
        <value>bequeathed</value>
      </method>
      <note>
        <value>Entry date: 1928-12-07</value>
      </note>
    </acquisition>
    <creation>
      <date>
        <earliest>1810</earliest>
        <from>
          <earliest>1810</earliest>
          <era>CE</era>
          <latest>1810</latest>
          <value>1810</value>
        </from>
        <latest>1840</latest>
        <range>1</range>
        <to>
          <earliest>1840</earliest>
          <era>CE</era>
          <latest>1840</latest>
          <value>1840</value>
        </to>
      </date>
      <note>
        <value>All over lustring was widely used to imitate Georgian silver, enabling the less well-off to enjoy &#x2018;silver&#x2019; tea services, salt &amp; pepper pots, candlesticks and similar items. From c1840, however, production dwindled with the introduction of relatively cheap electro-plating. Copper lustre coating was also popular in the 1830s, though was more often combined with other decorating techniques.</value>
      </note>
      <note>
        <value>English lustreware was commercially produced from c.1805 and popular throughout the first half of the 19th Century. Staffordshire potters were the first and largest producers, though similar wares were also made in other regions and pink lustreware is often particularly associated with Sunderland. Minute amounts of gold were used to produce copper, gold, pink or purple lustre, depending on the type of clay, lustre formula, number of layers and firing temperature; platinum was used to mimic silver. Silver lustre was produced by dissolving platinum in aqua regia  (nitric and hydrochloric acids) suspended in a resinous medium such as spirits of tar. Pots were dipped in the lustre solution to produce an even all-over coating and then fired at a low temperature, which burned the medium away to leave a &#x2018;silver&#x2019; surface. Most lustreware was made for everyday use, and factory markings are rare.</value>
      </note>
      <note>
        <value>This vase shape is also found in early 19th century designs for other ceramic materials, including creamware and blue and white sprigged stoneware. Dr Glaisher wrote in his notebook: &#x2018;It struck me as being as regards execution and general style the best piece of silver lustre I have seen&#x2026; Silver lustre (like silver) to my mind shows best on a perfectly plain surface&#x2019;. But he also notes that he previously declined to buy the piece for 15/- ( 15 shillings).</value>
      </note>
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        <summary_title>19th Century, Early</summary_title>
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          <id>term-107567</id>
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        <hierarchies>
          <link>
            <type>literal</type>
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          <name>
            <value>England</value>
          </name>
          <summary_title>England</summary_title>
          <type>country</type>
        </hierarchies>
        <summary_title>Leeds (Yorks.)</summary_title>
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        <id>term-121303</id>
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        <uuid>ec91b069-9e11-397d-92ad-6ab224992074</uuid>
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      <summary_title>red earthenware</summary_title>
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  <measurements>
    <dimensions>
      <dimension>Depth</dimension>
      <units>cm</units>
      <value>12.5</value>
    </dimensions>
    <dimensions>
      <dimension>Height</dimension>
      <units>cm</units>
      <value>34.7</value>
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      <summary_title>vase</summary_title>
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  <name>
    <value>flower vase and cover</value>
  </name>
  <note>
    <type>history note</type>
    <value>Bought at Gill and Reigate, Oxford Street, W. on 14 February, 1912 for &#xA3;9.10 (nine pounds ten shillings), by Dr J.W.L. Glaisher, Trinity College, Cambridge.</value>
  </note>
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        <value>similar style of decoration</value>
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      <id>object-71450</id>
      <uid>adlib-object-71450</uid>
      <uuid>fad5cd70-1ca5-396b-aab5-9f7ff0fb5373</uuid>
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          <impact>1</impact>
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          <id>term-134325</id>
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        <summary_title>tea kettle and cover</summary_title>
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    <summary_title>tea kettle and cover</summary_title>
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      <id>object-71457</id>
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          <uuid>cc280b8e-503c-300a-839a-94455a5953a0</uuid>
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        <summary_title>Jar and cover</summary_title>
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    <summary_title>Jar and cover</summary_title>
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    <summary_title>The Fitzwilliam Museum</summary_title>
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    <link>
      <notes>Publ. Vol. I, p. 151, no. 1169</notes>
      <page>151</page>
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      <uuid>a5cc6cb3-2b6f-390a-af51-7e9d123e55ed</uuid>
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    <summary_title>Catalogue of the Glaisher Collection of Pottery and Porcelain in the Fitzwilliam Museum Cambridge</summary_title>
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    <link>
      <notes>Cf. p.89 design for a comparable object shown in an early 19th century catalogue of &#x2018;Articles of Queens or Cream-Coloured Earthenware&#x2019;, and plate 247, the base section of a similar vase in an orange body with printed designs. These examples, however, have only two flower sockets on each level and the lid design has different finial.</notes>
      <page>89, 171</page>
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    <summary_title>The Don Pottery 1801-1893</summary_title>
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      <notes>Cf. a similarly moulded four-part vase which forms the centrepiece of a garniture of five covered vases, in white stoneware decorated with blue slip, made by Richard Woolley at Longton, c.1810-1820. See also p.102 for a different pagoda shape vase, in stone china.</notes>
      <page>94</page>
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    <admin>
      <id>publication-1030</id>
      <uid>adlib-publication-1030</uid>
      <uuid>9cf77d50-a614-3947-8d0e-919f695fe7b0</uuid>
    </admin>
    <summary_title>Fitzwilliam Museum Handbooks, English Pottery</summary_title>
  </publications>
  <publications>
    <link>
      <notes>Cf. plates 328 and 329 for a mug and a cream jug coated in silver lustre.</notes>
      <page>226</page>
      <type>reference</type>
    </link>
    <admin>
      <id>publication-5609</id>
      <uid>adlib-publication-5609</uid>
      <uuid>0936f799-ddd0-3463-9119-f9ad6e131ed1</uuid>
    </admin>
    <summary_title>The Leeds Pottery 1770-1881</summary_title>
  </publications>
  <publications>
    <link>
      <notes>Cf. Examples of silver and other types of lustreware. Lustre, resist lustre and transfer processes explained, see p.28 re all-over-lustring.</notes>
      <page>25-32</page>
      <type>reference</type>
    </link>
    <admin>
      <id>publication-3570</id>
      <uid>adlib-publication-3570</uid>
      <uuid>80862fb5-f40b-3068-9bf9-8104e1a21a32</uuid>
    </admin>
    <summary_title>19th Century Lustreware</summary_title>
  </publications>
  <publications>
    <link>
      <notes>Cf. Examples of silver, copper and other lustreware, and information about manufacture.</notes>
      <page>185-187</page>
      <type>reference</type>
    </link>
    <admin>
      <id>publication-7733</id>
      <uid>adlib-publication-7733</uid>
      <uuid>081a9ae5-2994-3649-bb78-c748f5c8a2c9</uuid>
    </admin>
    <summary_title>Illustrated Guide to British Jugs : from mediaeval times to the twentieth century</summary_title>
  </publications>
  <publications>
    <link>
      <notes>Ref. for lustring, including recipes, and other techniques.</notes>
      <page>174-76</page>
      <type>reference</type>
    </link>
    <admin>
      <id>publication-400001969</id>
      <uid>adlib-publication-400001969</uid>
      <uuid>19c55534-da06-32e2-808b-5dba40b2787d</uuid>
    </admin>
    <summary_title>Manufacturing Processes of Tableware during the Eighteenth and Nineteenth Centuries</summary_title>
  </publications>
  <summary>
    <reference>
      <link>
        <type>reference</type>
      </link>
      <admin>
        <id>term-89480</id>
        <uid>adlib-term-89480</uid>
        <uuid>f1ea518e-351c-3f42-b2a7-db0f8559fa2c</uuid>
      </admin>
      <summary_title>vase</summary_title>
    </reference>
  </summary>
  <summary_title>vase</summary_title>
  <techniques>
    <description>
      <value>earthenware, moulded in sections, and covered with silver (platinum) lustre</value>
    </description>
    <note>
      <value>in sections</value>
    </note>
    <reference>
      <link>
        <type>reference</type>
      </link>
      <admin>
        <id>term-111179</id>
        <uid>adlib-term-111179</uid>
        <uuid>be5c887b-c0ed-3d89-82b2-c3a870e72a68</uuid>
      </admin>
      <summary_title>moulding</summary_title>
    </reference>
  </techniques>
  <title>
    <value>Silver lustre pagoda vase</value>
  </title>
  <type>
    <base>object</base>
    <type>OBJECT</type>
  </type>
</root>
