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The cylindrical tankard has two bands of redding above the base, and a strap handle with a central vertical depression and a pushed in kick on its lower end. The upper part of the sides is decorated with a large rectangular Punch Party with  two columns at left and right, and a scrolled border across the top. On each side of it are a tree and bushes, a group of buildings (different) and a tree and bushes. Round the lower part there is an anti-clockwise hunt:  a mounted huntsmen, a couple of hounds, three hounds, another couple of hounds and a stag. The date '1744' is incised above the Punch Party, and the name 'Toms: Osminton' on the left below the trees and buildings."}],"identifier":[{"accession_number":"C.1203-1928","primary":true,"type":"accession number","value":"C.1203-1928"},{"priref":"71551","type":"priref","value":"71551"},{"source":"Glaisher MS Catalogue, vol. 8","type":"old object number","value":"3049"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/71551","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/71551"}],"inscription":[{"location":"on exterior to left on punch party relief","method":"incised","transcription":[{"value":"Toms: Osminton"}],"type":"inscription"},{"location":"above punch part relief at centre front","method":"incised","transcription":[{"value":"1744"}],"type":"date"},{"description":[{"value":"rectangular white paper stick on label with blue line edging and trefoils in top corners"}],"location":"on base","method":"hand-written in black ink","transcription":[{"value":"No 3649\/Large Fulham\/stoneware\/mug inscribed\/Toms Osminton\/and with date\/1744\/b. in London\/December 9.1908"}],"type":"label"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"Dr J. 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It has been suggested that they could have been made at the Norfolk House pottery at Lambeth."},{"value":"The Punch Part scene was probably inspired by Hogarth's print of A  Midnight Modern Conversation, of 1733, but does not replicate 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