<?xml version="1.0"?>
<root>
  <admin>
    <added>1592984186000</added>
    <created>1312637261000</created>
    <flag>Standard Record</flag>
    <id>object-48026</id>
    <indexed>1747160979187</indexed>
    <modified>1690966688000</modified>
    <processed>1747159409017</processed>
    <source>adlib</source>
    <stream>fitz-online</stream>
    <uid>adlib-object-48026</uid>
    <uri>https://data.fitzmuseum.cam.ac.uk/id/object/48026</uri>
    <uuid>d07fce05-6458-3833-8e29-f59d7baec497</uuid>
    <version>12</version>
  </admin>
  <agents>
    <link>
      <relation>person</relation>
      <type>reference</type>
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      <id>agent-124417</id>
      <uid>adlib-agent-124417</uid>
      <uuid>56a6e409-8c6c-34d7-b35f-79dac9df0aee</uuid>
    </admin>
    <summary_title>Hercules</summary_title>
  </agents>
  <agents>
    <link>
      <relation>person</relation>
      <type>reference</type>
    </link>
    <admin>
      <id>agent-159194</id>
      <uid>adlib-agent-159194</uid>
      <uuid>8bfec71a-2667-310c-b9ed-e3f1f11b2170</uuid>
    </admin>
    <summary_title>Omphale</summary_title>
  </agents>
  <categories>
    <link>
      <type>reference</type>
    </link>
    <admin>
      <id>term-37637</id>
      <uid>adlib-term-37637</uid>
      <uuid>89b09133-dc0a-3a88-bd40-5aef1ad30ecb</uuid>
    </admin>
    <summary_title>soft-paste porcelain</summary_title>
  </categories>
  <content>
    <motifs>
      <link>
        <type>reference</type>
      </link>
      <admin>
        <id>term-107486</id>
        <uid>adlib-term-107486</uid>
        <uuid>234fe16e-17e4-3db8-881a-443636aac5ca</uuid>
      </admin>
      <summary_title>classical mythology</summary_title>
    </motifs>
  </content>
  <department>
    <value>Applied Arts</value>
  </department>
  <description>
    <value>Soft-paste porcelain figure group of Hercules and Omphale.</value>
  </description>
  <description>
    <value>Soft-paste porcelain figure group of Hercules and Omphale. The figures are placed on a low, uneven square base, angled with one corner towards the viewer. Hercules is seated on a rock, his right leg forward with the foot on the front corner of the base, and his left leg back with the foot on the proper right corner of the base. His right arm rests across his thighs.Omphale stands on his left. Her right foot is crossed in front of her left, and she leans on his club, and bends towards him, her right arm round his neck and shoulders.</value>
  </description>
  <exhibitions>
    <link>
      <catalogue>F9</catalogue>
      <type>reference</type>
    </link>
    <admin>
      <id>exhibition-1070</id>
      <uid>adlib-exhibition-1070</uid>
      <uuid>2cb713dc-899f-35df-9c15-515a05f38d48</uuid>
    </admin>
    <summary_title>Plagiarism Personified? European Pottery and Porcelain Figures</summary_title>
  </exhibitions>
  <exhibitions>
    <link>
      <catalogue>31</catalogue>
      <type>reference</type>
    </link>
    <admin>
      <id>exhibition-2460</id>
      <uid>adlib-exhibition-2460</uid>
      <uuid>3dbbc629-08fa-327d-bde0-8ad66a210ea9</uuid>
    </admin>
    <summary_title>Following Hercules: The Story of Classical Art</summary_title>
  </exhibitions>
  <exhibitions>
    <link>
      <type>reference</type>
    </link>
    <admin>
      <id>exhibition-3815</id>
      <uid>adlib-exhibition-3815</uid>
      <uuid>8e5244e3-f18e-3d6b-9c58-5238f666b36e</uuid>
    </admin>
    <summary_title>Refugee Silver: Huguenots in Britain</summary_title>
  </exhibitions>
  <identifier>
    <accession_number>EC.22-1941</accession_number>
    <primary>1</primary>
    <type>accession number</type>
    <value>EC.22-1941</value>
  </identifier>
  <identifier>
    <priref>48026</priref>
    <type>priref</type>
    <value>48026</value>
  </identifier>
  <identifier>
    <type>uri</type>
    <uri>https://data.fitzmuseum.cam.ac.uk/id/object/48026</uri>
    <value>https://data.fitzmuseum.cam.ac.uk/id/object/48026</value>
  </identifier>
  <institutions>
    <link>
      <type>reference</type>
    </link>
    <admin>
      <id>agent-149638</id>
      <uid>adlib-agent-149638</uid>
      <uuid>7376d833-d0a7-3be0-916e-9c892b7a24d8</uuid>
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    <summary_title>The Fitzwilliam Museum</summary_title>
  </institutions>
  <legal>
    <credit_line>Given by the National Art Collections Fund as trustee of the R. S. Cochrane Fund.</credit_line>
  </legal>
  <lifecycle>
    <acquisition>
      <agents>
        <link>
          <type>reference</type>
        </link>
        <admin>
          <id>agent-149857</id>
          <uid>adlib-agent-149857</uid>
          <uuid>470046d4-9799-31c0-81c7-49c04a9f9bb1</uuid>
        </admin>
        <summary_title>National Art Collections Fund</summary_title>
      </agents>
      <date>
        <earliest>1941</earliest>
        <latest>1941</latest>
        <value>1941-06-12</value>
      </date>
      <method>
        <value>given</value>
      </method>
    </acquisition>
    <creation>
      <date>
        <earliest>1749</earliest>
        <from>
          <earliest>1749</earliest>
          <era>CE</era>
          <latest>1749</latest>
          <precision>circa</precision>
          <value>1749</value>
        </from>
        <latest>1759</latest>
        <note>
          <value>The earliest date at which this model could have been produced depends on whether it was derived from the print by Laurent Cars or from an imported Vincennes model.</value>
        </note>
        <range>1</range>
        <to>
          <earliest>1759</earliest>
          <era>CE</era>
          <latest>1759</latest>
          <value>1759</value>
        </to>
      </date>
      <maker>
        <link>
          <qualifier>probably</qualifier>
          <role>
            <value>factory</value>
          </role>
          <type>reference</type>
        </link>
        <admin>
          <id>agent-188685</id>
          <uid>adlib-agent-188685</uid>
          <uuid>a6412264-4900-32cd-9f1b-17154af5acf3</uuid>
        </admin>
        <summary_title>St James's Workshop</summary_title>
      </maker>
      <maker>
        <link>
          <qualifier>probably</qualifier>
          <role>
            <value>maker</value>
          </role>
          <type>reference</type>
        </link>
        <admin>
          <id>agent-159192</id>
          <uid>adlib-agent-159192</uid>
          <uuid>67481f21-67fa-32c1-9737-ee1f91521803</uuid>
        </admin>
        <summary_title>Gouyn, Charles</summary_title>
      </maker>
      <note>
        <value>Hercules and Omphale belong to a group of about thirty soft-paste porcelain figures described as 'Girl-in-a-Swing' after the subject of one of the models. Girl-in-the-Swing figures were formerly attributed to Chelsea. Documentary evidence found in France (see Documentation, Dragesco, 1993), suggests strongly that they were made by Charles Gouyn, whose address was at the Turk's Head, Bennet Street, St James's, London, from 1735 to 1783. It is not known conclusively that this was where the figure's were made, nor who the modeller or modellers were.</value>
      </note>
      <note>
        <value>The figures of Hercules and Omphale were taken from an engraving by Laurent Cars (1699-1771) of 1728, after the painting of 1724 by Fran&#xE7;ois Lemoyene, now in the Louvre. A model with this title was listed in the Vincennes porcelain factory's inventory of October 1752, and two different versions of it have been recorded, one closely related to the painting which could have been the inspiration for the English group. The other is a different composition in which Omphale sits beside Hercules with Cupid beside her.</value>
      </note>
      <periods>
        <link>
          <type>reference</type>
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        <admin>
          <id>term-106451</id>
          <uid>adlib-term-106451</uid>
          <uuid>9cdfd62c-ee07-3884-ae08-c797aad08631</uuid>
        </admin>
        <summary_title>18th Century, Mid</summary_title>
      </periods>
      <periods>
        <link>
          <type>reference</type>
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        <admin>
          <id>term-107736</id>
          <uid>adlib-term-107736</uid>
          <uuid>e93a8dd1-d76d-320b-be9b-afa352e322a1</uuid>
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        <summary_title>George II</summary_title>
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      <places>
        <link>
          <type>reference</type>
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        <admin>
          <id>term-106216</id>
          <uid>adlib-term-106216</uid>
          <uuid>825b8379-ec94-388e-9a59-624e40c090d0</uuid>
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        <hierarchies>
          <link>
            <type>literal</type>
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          <name>
            <value>England</value>
          </name>
          <summary_title>England</summary_title>
          <type>country</type>
        </hierarchies>
        <summary_title>London</summary_title>
      </places>
    </creation>
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    <note>
      <value>probably lead</value>
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    <reference>
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        <id>term-107733</id>
        <uid>adlib-term-107733</uid>
        <uuid>00160189-e3ce-3796-a88b-5aa8d6c808c4</uuid>
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      <summary_title>lead-glaze</summary_title>
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      <link>
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      <admin>
        <id>term-37637</id>
        <uid>adlib-term-37637</uid>
        <uuid>89b09133-dc0a-3a88-bd40-5aef1ad30ecb</uuid>
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      <summary_title>soft-paste porcelain</summary_title>
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    <dimensions>
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      <units>cm</units>
      <value>23.8</value>
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        <value>Hercules and Omphale, by Charles Gouyn, Chelsea Porcelain Factory</value>
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      <summary_title>figure group</summary_title>
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    <value>Dr Bellamy Gardner; sold Sotheby's, 12 June 1941, Catalogue of the Celebrated Collection of Chelsea Porcelain, English Ceramics and Enamels, the property of Dr and Mrs Bellamy Gardner, p. 6, lot 10; given by the National Art Collections Fund as trustee of the R.S. Cochrane Fund.</value>
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      <id>agent-149638</id>
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    <summary_title>The Fitzwilliam Museum</summary_title>
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      <notes>Publ. Mentioned on p. 139, and illustrated pl. 128A</notes>
      <page>139</page>
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    <summary_title>Girl in the Swing Porcelain and Chelsea</summary_title>
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      <notes>Publ. Mentioned p. 156, pl. 249</notes>
      <page>156</page>
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      <uuid>b00b4b20-9281-3cc4-a9f5-21a2be192a4c</uuid>
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    <summary_title>European Porcelain of the 18th Century</summary_title>
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  <publications>
    <link>
      <notes>Ref. F9, illustrated pl. 26. See also the engraved source, F10, an example in the Victoria and Albert Museum (E.215-1889).</notes>
      <page>40</page>
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    <summary_title>Plagiarism Personified? European Pottery and Porcelain Figures</summary_title>
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      <notes>Publ. pl. 33</notes>
      <page>46</page>
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    <summary_title>Chelsea Porcelain</summary_title>
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      <notes>Publ. p. 220, pl. 31, attributed to the St James's factory</notes>
      <page>209-24</page>
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    <summary_title>Influence of the Baroque on English Porcelain</summary_title>
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  <publications>
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      <notes>Publ. p. 43, no. 31</notes>
      <page>43</page>
      <type>reference</type>
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    <admin>
      <id>publication-7966</id>
      <uid>adlib-publication-7966</uid>
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    <summary_title>Following Hercules, The story ofclassical art</summary_title>
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      <notes>Ref. Cf. An example then in the collection of Mr and Mrs T.D. Barclay, no. 254, illustrated pl. 54</notes>
      <page>46</page>
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    <summary_title>The English Ceramic Circle, 1927-1948: English Pottery and Porcelain. Commemorative Catalogue of an Exhibition held at the Victoria and Albert Museum</summary_title>
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    <summary_title>English Porcelain Figures of the Eighteenth Century</summary_title>
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  <publications>
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      <notes>Ref. For the Vincennes group of Hercules and Omphale, see p. 168, no. 486.</notes>
      <page>168</page>
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    <summary_title>Porcelaines de Vincennes, Les Origines de S&#xE8;vres</summary_title>
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      <notes>Ref. For information concerning Charles Gouyn and 'Girl-in-a-Swing' figures</notes>
      <page>14-21</page>
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    <summary_title>English Ceramics in French Archives, the writings of Jean Hellot, the adventures of Jacques Louis Brolliet, and the identification of the 'Girl-in-a-Swing' Factory</summary_title>
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  <publications>
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      <notes>Ref. For the engraving by Laurent Cars (1699-1771), see p. 463, no. 12.</notes>
      <page>463</page>
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      <uid>adlib-publication-3135</uid>
      <uuid>ff56a6e5-3391-39ee-a54c-4dbab6591f55</uuid>
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    <summary_title>Biblioth&#xE8;que Nationale, Inventaire des fonds fran&#xE7;ais graveurs du XVIIIe si&#xE8;cle, III</summary_title>
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    <summary_title>Rococo</summary_title>
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      <relation>people</relation>
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    <name>
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    <summary_title>goddess</summary_title>
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      <value>in parts</value>
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      <summary_title>glazing (coating)</summary_title>
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    <base>object</base>
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</root>
