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    <summary_title>Marlay, Charles Brinsley</summary_title>
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    <summary_title>Didot, Pierre-Henri G&#xE9;lis</summary_title>
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    <summary_title>illuminated manuscript</summary_title>
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    <summary_title>Charles Brinsley Marlay</summary_title>
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        <summary_title>parchment</summary_title>
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    <name>Support</name>
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    <value>PHYSICAL DESCRIPTION: Parchment, 210 x 180 mm, two lines of fragmentary text and two fragmentary four-line musical staves ruled in red on reverse.

CONTENTS: The initial introduced the second responsory of the first nocturne for Pentecost, Dum complerentur dies Pentecostes erant omnes pariter; on reverse, part of the antiphon for Vespers on Whit Sunday, [Non vos relinquam orp]hanos alleluia [vado et] venio ad vos.

DECORATION: Historiated initial formed of stylized architectural motifs in blue with foliate extensions, wreaths, putti and simulated metal ornament: [D, 2 text lines and 3 musical staves] Pentecost.</value>
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    <summary_title>Splendours of Italian Illumination: Romanesque - Gothic - Renaissance</summary_title>
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    <summary_title>Early Italian Paintings from the Museum's Collection including Drawings and Illuminated Manuscripts</summary_title>
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    <accession_number>MS Marlay 18.iv</accession_number>
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    <summary_title>The Fitzwilliam Museum</summary_title>
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        <summary_title>Marlay, Charles Brinsley</summary_title>
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      <notes>repr. Alexander 2002, II</notes>
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    <summary_title>A descriptive catalogue of the additional illuminated manuscripts in the Fitzwilliam Museum</summary_title>
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      <summary_title>illumination</summary_title>
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