15929996140001312637261000Standard Recordobject-73335170482687848717029085550001704826875766fitz-onlineadlib-object-73335https://data.fitzmuseum.cam.ac.uk/id/object/7333524b87d45-add6-33b3-8524-7c4600a108ca6personreferenceagent-152235adlib-agent-152235abbfd154-1b29-395b-915a-fc47cace0fadMary Magdalenepersonreferenceagent-154123adlib-agent-1541232fef3fa1-e550-35f4-b4de-2ced0eb2272aVirgin Marypersonreferenceagent-160327adlib-agent-16032775a35321-4b64-3679-afc3-9010efe3a6f7Joseph of Arimatheapersonreferenceagent-153247adlib-agent-153247363ad1b4-deb4-39c5-b401-49f5079f98bbSt Johnpersonreferenceagent-153715adlib-agent-1537158b8facef-bbf3-3362-accf-80549de1f9damanreferenceterm-108348adlib-term-108348667e7a19-db33-3d85-bd9b-c2dafd8e02fftin-glazed earthenwarereferenceterm-42865adlib-term-4286592be1d50-bb1c-3472-950f-b140ee6cdde9maiolicareferenceterm-113302adlib-term-1133022747e058-f9ff-3d49-9bc9-c69e97b18c26H.S. Reitlingerblue, yellowish-green, yellow, orange, manganese-purple, and brownreferenceterm-108364adlib-term-108364115b8729-a560-35c1-b654-4b9d2fc5f68bhigh-temperature coloursDecorationreferenceterm-106226adlib-term-106226194567f2-2bcd-3446-ae31-652386611815paintingreferenceterm-23385adlib-term-233854c17df77-7d4e-32bf-8ec9-921b71d218a2religionApplied ArtsMaiolica dish on low foot, painted in polychrome with The Entombment of Christ.Earthenware, tin-glazed overall; the reverse yellowish-cream, thinly and unevenly applied with trickles running across the surface. There is a fault on the front near the lower edge. Painted in blue, yellowish-green, yellow, orange, manganese-purple, and brown.
Shape approximately 77. Circular with shallow curved sides, standing on a low foot.
The Entombment of Christ. Mary Magdalene, the Virgin, Joseph of Arimathea and St John (?) are lowering the body of Christ into the tomb. Behind them a man holds up a lantern, and in the background are a tree, a hill and sky. The centre of the back is inscribed in brownish-orange with the cursive monogram HR.264referenceexhibition-1665adlib-exhibition-166563658816-1634-3848-a45b-3eee31f953acCeramic Art of the Italian Renaissanceno cataloguereferenceexhibition-1605adlib-exhibition-160504d3c358-0bef-3d8f-8df5-14f16987ac1bItalian Maiolica in the Fitzwilliam Museumreferenceexhibition-1658adlib-exhibition-16584889ef48-e773-3b77-8070-657c87a2145eLight of the World; Christ's story told through ArtC.231-19911accession numberC.231-199173335priref73335urihttps://data.fitzmuseum.cam.ac.uk/id/object/73335https://data.fitzmuseum.cam.ac.uk/id/object/73335HR in cursive monogramon the basepainted in brownish-orangeHRmarkreferenceagent-149638adlib-agent-1496387376d833-d0a7-3be0-916e-9c892b7a24d8The Fitzwilliam MuseumH.S. Reitlinger Bequestreferenceagent-150552adlib-agent-150552566a6fcb-b8cd-3926-9bbf-78d0c4a5cc81Reitlinger, Henry Scipio195019501950bequeathedEntry date: 1991-04-2916701670CE1670circa1670167911679CE16791679painterreferenceagent-160326adlib-agent-1603264bd82f2a-b4d2-3bad-8c13-1216b09e421eRombaldoni, IppolitoThe painter Ippolito Rombaldoni (1619-79) of Urbania, previously known as Castel Durante, signed his name Hippolito or Hipolito Romabladoni, and signed HR or IR. His dated works were made between 1670 and 1678.referenceterm-106453adlib-term-10645360056370-7375-3dac-996c-6cc9d5db35a917th Century, Latereferenceterm-113258adlib-term-113258d68870a9-d70a-3da4-aaee-d9d81a827dcaliteralItalyItalycountryliteralThe MarchesThe MarchesregionUrbaniareferenceterm-39575adlib-term-39575cdf6707a-1eeb-3622-a26b-6e54f1f8d4abtin-glazereferenceterm-42861adlib-term-428615b368285-f1a8-3dcf-a5b2-637fd3c3956cearthenwareDiametercm28.6Heightcm6.2referencemedia-39737adlib-media-39737fec0f062-756a-3c07-a696-654729d1ffefjpegaa/aa8/C_231_1991_281_29.jpg1heightpixels740widthpixels57017029266557851imagejpegaa/aa8/mid_C_231_1991_281_29.jpg1heightpixels649widthpixels50017029266557851imagejpegaa/aa8/C_231_1991_281_29.jpg1heightpixels740widthpixels57017029266557851imagejpegaa/aa8/preview_C_231_1991_281_29.jpg1heightpixels325widthpixels25017029266557851image0media
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imagereferenceterm-90855adlib-term-90855b48207ec-774d-3e3e-8ab3-536996bc5dacdishobject namereferenceterm-42865adlib-term-4286592be1d50-bb1c-3472-950f-b140ee6cdde9maiolicacategorydish on low foothistory noteSir Archibald Buchan-Hepburn, Bt; Christie's, 24 April 1934, Catalogue of Italian majolica, Chinese porcelain French furniture, tapestry and Eastern carpets, the property of Sir Archibald Buchan-Hepburn, Bt deceased, late of Smeaton Hepburn, East Lothian, N.B., lot 7; H.S. Reitlinger (d.1950); the Reitlinger Trust, Maidenhead, from which transferred in 1991.referenceagent-149638adlib-agent-1496387376d833-d0a7-3be0-916e-9c892b7a24d8The Fitzwilliam Museumreferencepublication-3228adlib-publication-322880c32962-9577-3ee3-a428-7d6e80840696Catalogue of Italian majolica, Chinese porcelain French furniture, tapestry and Eastern carpets, the property of Sir Archibald Buchan-Hepburn, Bt deceased, late of Smeaton Hepburn, East Lothian, N.B.Publ. pp. 169-170, no. 264pp. 169-70referencepublication-3227adlib-publication-322793afae36-69d1-3a32-bcca-d2487b5e0af7Ceramic Art of the Italian RenaissancePubl. pp. 303-4, no. 375pp. 303-4referencepublication-3010adlib-publication-3010e3e61863-a797-3051-8d0a-20288306ca36Italian Maiolica and Incised Slipware in the Fitzwilliam Museum CambridgePubl. pp. 116-17. no. 53pp. 116-17referencepublication-3378adlib-publication-3378e4a41d6d-c98c-3959-bcb4-041c12eeb88cFitzwilliam Museum Handbooks, Italian MaiolicaRef. pp. 589-92, no. 366, a plaque of the Madonna and Child derived from an engraving by Francesco Brizio after Agostino Caracci, signed and dated HIPPOLITO ROMBALDONI PINSE 1670. British Museum 1993,10-3,1.589-92referencepublication-6434adlib-publication-64344524f0a3-0484-3e51-8720-80332f8ac8a2Italian Renaissance Ceramics: A Catalogue of the British Museum Collection, Volume I and Volume IICf. p. 25, fig. 1a and 1b, a dish decorated with a different Deposition and its design source, a print by J.F. Greuter, 1640, attributed to circle of Ippolito Rombaldoni, c. 1670-80, in a private collection. The Fitzwilliam's dish is mentioned on p. 29, as one of the pieces signed with variants of the initials HR or IR23-33referencepublication-200002942adlib-publication-200002942f1867840-5d4d-3389-b88d-0cb37640c29aPer Ippolito RombaldoniCf. pp. 156-61, nos. 108-13, plates decorated with mythological subjects from Ovid's Metamorphoses, by Ippolito Rombaldoni. These are painted in a typical compendiario style palette of pale yellow, orange, green and greyish-blue.156-61referencepublication-8915adlib-publication-891553de1acc-24ac-39fd-8418-d4ffc3f13e3bTin-glaze and Image Culture: the MAK Maiolica Collection in its Wider Contextreferenceterm-10624adlib-term-10624c882b99a-0b49-320e-8d8a-fd72a34d8848Baroqueobject namereferenceterm-109599adlib-term-10959927b98f6a-6d5a-318a-8cb1-397330f1f120lanternplantreferenceterm-58471adlib-term-58471ce00216e-da4e-37b3-974c-c2b6377d6c19treeplace typereferenceterm-51145adlib-term-51145cf80b002-2b6e-398f-92e0-39120f319800tombplace typereferenceterm-58406adlib-term-584068cc87e47-03f6-359e-a4d1-5891258cf8e6hillnamed eventreferenceterm-110076adlib-term-110076cf514570-32d1-3537-8d0f-d1c872798906The EntombmentliterallanternlanternliteraltreetreeliteraltombtombliteralhillhillliteralThe EntombmentThe Entombmentreferenceterm-90855adlib-term-90855b48207ec-774d-3e3e-8ab3-536996bc5dacdishdishEarthenware, tin-glazed overall; the reverse yellowish-cream, thinly and unevenly applied with trickles running across the surface. There is a fault on the front near the lower edge. Painted in blue, yellowish-green, yellow, orange, manganese-purple, and brown.referenceterm-120059adlib-term-120059dfa315b5-819d-37ab-ab22-bddfdbb3cbe7tin-glazingThe Entombment of Christobject
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