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    <uri>https://data.fitzmuseum.cam.ac.uk/id/object/176544</uri>
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    <version>22</version>
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    <summary_title>Marlay, Charles Brinsley</summary_title>
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      <uuid>104c51d2-d0b0-3b69-9f90-d7bfddca3633</uuid>
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    <summary_title>Whitehead, Thomas Miller</summary_title>
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      <uuid>91c6be71-bfc2-3abe-8410-db6a791a3f7e</uuid>
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    <summary_title>Ottley, William Young</summary_title>
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      <id>term-110558</id>
      <uid>adlib-term-110558</uid>
      <uuid>ee824bc5-8d70-3060-824d-9ed6f392557b</uuid>
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    <summary_title>illuminated manuscript</summary_title>
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      <type>reference</type>
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      <id>term-114522</id>
      <uid>adlib-term-114522</uid>
      <uuid>76be19ae-554e-3b73-af2d-112e09263aaf</uuid>
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    <summary_title>manuscript</summary_title>
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      <id>term-130282</id>
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      <uuid>7c727b47-7c5f-347c-b1e7-06a3998a6218</uuid>
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    <summary_title>Charles Brinsley Marlay</summary_title>
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          <id>term-118780</id>
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          <uuid>c5f3b968-f763-357a-b740-9f216e114859</uuid>
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        <summary_title>parchment</summary_title>
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    <name>Support</name>
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  <department>
    <value>Manuscripts and Printed Books</value>
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  <description>
    <value>PHYSICAL DESCRIPTION: Parchment, trimmed initial 230 x 165 mm, three lines of fragmentary text ruled in plummet and three four-line musical staves ruled in red ink on reverse.

CONTENTS: The initial introduced the Introit to the Mass on Palm Sunday, D[omine ne longe facias auxilium tuum a me]; fragmentary text on reverse, Sis pius ac&#x2026; / &#x2026;tu et nos fi&#x2026; /&#x2026;llus. V[ersiculum] Te.

DECORATION: Historiated initial in blue with delicate white floral pattern and fleshy acanthus on burnished gold background: [D] Entry into Jerusalem.

ORNAMENTATION: Two one-line pen-flourished initials on reverse, S in blue with red pen-flourishing and T in red with blue pen-flourishing.</value>
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      <uid>adlib-exhibition-2154</uid>
      <uuid>0fbf8320-0359-3282-ac35-0ad1beeb0f7f</uuid>
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    <summary_title>Catalogue of a Series of Illuminations from Manuscripts principally of the Italian and French Schools</summary_title>
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    <link>
      <catalogue>46</catalogue>
      <type>reference</type>
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      <uid>adlib-exhibition-184</uid>
      <uuid>01cf4a69-a350-33c8-90b7-8b927b8aca41</uuid>
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    <summary_title>Early Italian Paintings and Works of Art 1300-1480</summary_title>
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  <exhibitions>
    <link>
      <catalogue>47</catalogue>
      <type>reference</type>
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    <admin>
      <id>exhibition-2188</id>
      <uid>adlib-exhibition-2188</uid>
      <uuid>9a850e5f-3233-32c7-af19-629d05ff52d0</uuid>
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    <summary_title>Splendours of Italian Illumination: Romanesque - Gothic - Renaissance</summary_title>
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  <exhibitions>
    <link>
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    <admin>
      <id>exhibition-2180</id>
      <uid>adlib-exhibition-2180</uid>
      <uuid>770d7892-890a-3e95-be91-381a6a37b700</uuid>
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    <summary_title>Cambridge 1991</summary_title>
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  <identifier>
    <accession_number>Marlay cutting It. 20</accession_number>
    <primary>1</primary>
    <type>accession number</type>
    <value>Marlay cutting It. 20</value>
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    <type>project ID</type>
    <value>1371</value>
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    <type>uri</type>
    <uri>https://data.fitzmuseum.cam.ac.uk/id/object/176544</uri>
    <value>https://data.fitzmuseum.cam.ac.uk/id/object/176544</value>
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    <summary_title>The Fitzwilliam Museum</summary_title>
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          <id>agent-149674</id>
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        <summary_title>Marlay, Charles Brinsley</summary_title>
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      <date>
        <earliest>1912</earliest>
        <latest>1912</latest>
        <value>1912</value>
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        <earliest>1410</earliest>
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          <earliest>1410</earliest>
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          <latest>1410</latest>
          <precision>circa</precision>
          <value>1410</value>
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        <latest>1420</latest>
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          <earliest>1420</earliest>
          <era>CE</era>
          <latest>1420</latest>
          <precision>circa</precision>
          <value>1420</value>
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        <summary_title>Cortese, Cristoforo</summary_title>
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        <summary_title>15th Century, Early</summary_title>
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        <summary_title>Venice</summary_title>
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        <summary_title>gold</summary_title>
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