<?xml version="1.0"?>
<root>
  <admin>
    <added>1592999663000</added>
    <created>1312637261000</created>
    <flag>Standard Record</flag>
    <id>object-75771</id>
    <indexed>1755194530737</indexed>
    <modified>1702901129000</modified>
    <processed>1755194515997</processed>
    <source>adlib</source>
    <stream>fitz-online</stream>
    <uid>adlib-object-75771</uid>
    <uri>https://data.fitzmuseum.cam.ac.uk/id/object/75771</uri>
    <uuid>b2471562-d9eb-3f4a-94f5-00d3595beb57</uuid>
    <version>8</version>
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  <categories>
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      <type>reference</type>
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      <id>term-37637</id>
      <uid>adlib-term-37637</uid>
      <uuid>89b09133-dc0a-3a88-bd40-5aef1ad30ecb</uuid>
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    <summary_title>soft-paste porcelain</summary_title>
  </categories>
  <collection>
    <link>
      <type>reference</type>
    </link>
    <admin>
      <id>term-117089</id>
      <uid>adlib-term-117089</uid>
      <uuid>70d59fbc-64f7-304e-a336-bf6d65a433a8</uuid>
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    <summary_title>Louis C. G. Clarke</summary_title>
  </collection>
  <component>
    <materials>
      <note>
        <value>blue, green, dark pink, purple, and grey</value>
      </note>
      <reference>
        <link>
          <type>reference</type>
        </link>
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          <id>term-107563</id>
          <uid>adlib-term-107563</uid>
          <uuid>38dcd825-1de1-3222-82c6-15a95729b5ff</uuid>
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        <summary_title>enamels</summary_title>
      </reference>
    </materials>
    <materials>
      <reference>
        <link>
          <type>reference</type>
        </link>
        <admin>
          <id>term-39593</id>
          <uid>adlib-term-39593</uid>
          <uuid>e3e2a3f8-2433-3f63-9bcf-e776644d312d</uuid>
        </admin>
        <summary_title>gold</summary_title>
      </reference>
    </materials>
    <name>Decoration</name>
    <techniques>
      <note>
        <value>in blue, green, dark pink, purple, and grey enamels</value>
      </note>
      <reference>
        <link>
          <type>reference</type>
        </link>
        <admin>
          <id>term-106226</id>
          <uid>adlib-term-106226</uid>
          <uuid>194567f2-2bcd-3446-ae31-652386611815</uuid>
        </admin>
        <summary_title>painting</summary_title>
      </reference>
    </techniques>
    <techniques>
      <reference>
        <link>
          <type>reference</type>
        </link>
        <admin>
          <id>term-28681</id>
          <uid>adlib-term-28681</uid>
          <uuid>c1f659e2-1209-31cf-8ff4-154e11452559</uuid>
        </admin>
        <summary_title>gilding</summary_title>
      </reference>
    </techniques>
  </component>
  <component>
    <measurements>
      <dimensions>
        <dimension>Diameter</dimension>
        <units>cm</units>
        <value>3.5</value>
      </dimensions>
    </measurements>
    <name>Foot</name>
  </component>
  <component>
    <measurements>
      <dimensions>
        <dimension>Diameter</dimension>
        <units>cm</units>
        <value>4.7</value>
      </dimensions>
    </measurements>
    <name>Rim</name>
  </component>
  <department>
    <value>Applied Arts</value>
  </department>
  <description>
    <value>soft-paste porcelain, painted in enamels with three sprays of flowers and leaves, and gilded</value>
  </description>
  <description>
    <value>Soft-paste porcelain, painted overglaze in blue, green, dark pink, purple, and grey enamels, and gilded. The cup stands on a low foot. The white ground is painted with three sprays of polychrome flowers and leaves, with above and below, a blue band crossed at intervals by two short diagonal gold lines. There is a band of gilding round the foot and a dentilated band of gilding round the rim.</value>
  </description>
  <identifier>
    <accession_number>C.66-1961</accession_number>
    <primary>1</primary>
    <type>accession number</type>
    <value>C.66-1961</value>
  </identifier>
  <identifier>
    <priref>75771</priref>
    <type>priref</type>
    <value>75771</value>
  </identifier>
  <identifier>
    <type>uri</type>
    <uri>https://data.fitzmuseum.cam.ac.uk/id/object/75771</uri>
    <value>https://data.fitzmuseum.cam.ac.uk/id/object/75771</value>
  </identifier>
  <institutions>
    <link>
      <type>reference</type>
    </link>
    <admin>
      <id>agent-149638</id>
      <uid>adlib-agent-149638</uid>
      <uuid>7376d833-d0a7-3be0-916e-9c892b7a24d8</uuid>
    </admin>
    <summary_title>The Fitzwilliam Museum</summary_title>
  </institutions>
  <legal>
    <credit_line>L.C.G. Clarke Bequest, 1960</credit_line>
  </legal>
  <lifecycle>
    <acquisition>
      <agents>
        <link>
          <type>reference</type>
        </link>
        <admin>
          <id>agent-149875</id>
          <uid>adlib-agent-149875</uid>
          <uuid>89f52d0e-b912-3dc9-8b2c-61d6aa011b16</uuid>
        </admin>
        <summary_title>Clarke, Louis Colville Gray</summary_title>
      </agents>
      <date>
        <earliest>1961</earliest>
        <latest>1961</latest>
        <value>1961-04-27</value>
      </date>
      <method>
        <value>bequeathed</value>
      </method>
      <note>
        <value>Entry date: 1961-04-27</value>
      </note>
    </acquisition>
    <creation>
      <date>
        <earliest>1757</earliest>
        <from>
          <earliest>1757</earliest>
          <era>CE</era>
          <latest>1757</latest>
          <value>1757</value>
        </from>
        <latest>1769</latest>
        <note>
          <value>A comet mark has traditionally been associated with the comet of 1769 but is found on S&#xE8;vres with date letters from 1753/4-1768. During this period several comets were observed, and there was something of a comet-hunting craze among amateur and professional astronomers, therefore a painter may well have adopted one as his mark, as Peters suggests (see Documentation).  A comet was observed by Charles Messier  (1730-1818) in Paris in 1758, and he observed Halley's comet in January 1759, although his observation was not made public until April. He discovered two further comets in 1759 and 1760, the latter known as The Great Comet of 1760, and observed further comets in 1763, 1764 and 1769, and two in 1770, the second also known as The Great Comet. However, the mark could be interpreted as a shooting star rather than a comet and is known from 1753 a little before the period of intense interest in comets.</value>
        </note>
        <range>1</range>
        <to>
          <earliest>1769</earliest>
          <era>CE</era>
          <latest>1769</latest>
          <value>1769</value>
        </to>
      </date>
      <maker>
        <link>
          <role>
            <value>factory</value>
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          <id>agent-161360</id>
          <uid>adlib-agent-161360</uid>
          <uuid>7b3ff8f7-d7ff-380d-8d45-22cbd06ada8e</uuid>
        </admin>
        <summary_title>S&#xE8;vres Porcelain Manufactory</summary_title>
      </maker>
      <note>
        <value>Egg cups were made at Vincennes from 1753. The first examples had a circular foot and stem, resembling a small wine glass, which may have been impractical. A model and moulds for a smaller egg cup, described as 'petit coquetier'  were made in 1756, probably for the model being sold in 1757. They were made in small numbers in the 1750s and became more popular in the 1760s.

Egg cups were only rarely included in orders for services, for example a service purchased by M. de Laborde from the marchand-mercier Lazare Duvaux between 1 January and 1 July 1758 included three eggcups costing 24 livres, and a service for the Mar&#xE9;chal -duc de Richelieu bought through Mme Duvaux at the end of 1758 included two eggcups at 18 livres each (see Documentation,  Peters, 2005).</value>
      </note>
      <periods>
        <link>
          <type>reference</type>
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          <id>term-106496</id>
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          <uuid>bd563695-7339-3178-a8c4-251899070993</uuid>
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        <summary_title>18th Century, Mid</summary_title>
      </periods>
      <places>
        <link>
          <type>reference</type>
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        <admin>
          <id>term-113750</id>
          <uid>adlib-term-113750</uid>
          <uuid>9c94e435-9cde-38f2-b190-3a9ff2a77005</uuid>
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        <hierarchies>
          <link>
            <type>literal</type>
          </link>
          <name>
            <value>France</value>
          </name>
          <summary_title>France</summary_title>
          <type>country</type>
        </hierarchies>
        <summary_title>S&#xE8;vres</summary_title>
      </places>
    </creation>
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    <note>
      <value>presumed lead-glaze</value>
    </note>
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        <id>term-107733</id>
        <uid>adlib-term-107733</uid>
        <uuid>00160189-e3ce-3796-a88b-5aa8d6c808c4</uuid>
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      <summary_title>lead-glaze</summary_title>
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        <id>term-37637</id>
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      <summary_title>soft-paste porcelain</summary_title>
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    </processed>
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      <title>
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        <type>main title</type>
        <value>Egg Cup, painted with flowers and leaves, Sevres Factory</value>
      </title>
    </source>
    <type>
      <base>media</base>
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      <id>media-3518215260</id>
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    <sort>5</sort>
    <source>
      <title>
        <primary>1</primary>
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        <value>Egg Cup, painted with flowers and leaves, Sevres Factory</value>
      </title>
    </source>
    <type>
      <base>media</base>
      <type>image</type>
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  </multimedia>
  <name>
    <reference>
      <link>
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      </link>
      <admin>
        <id>term-107623</id>
        <uid>adlib-term-107623</uid>
        <uuid>6e86c5a6-8a72-30d2-a109-4d4bd178f2fc</uuid>
      </admin>
      <summary_title>egg cup</summary_title>
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  </name>
  <name>
    <value>coquetier sans pied</value>
  </name>
  <name>
    <value>petit coquetier</value>
  </name>
  <note>
    <type>history note</type>
    <value>uncertain before Louis C.G. Clarke, LL.D, Cambridge</value>
  </note>
  <owners>
    <link>
      <type>reference</type>
    </link>
    <admin>
      <id>agent-149638</id>
      <uid>adlib-agent-149638</uid>
      <uuid>7376d833-d0a7-3be0-916e-9c892b7a24d8</uuid>
    </admin>
    <summary_title>The Fitzwilliam Museum</summary_title>
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    <link>
      <type>reference</type>
    </link>
    <admin>
      <id>publication-7514</id>
      <uid>adlib-publication-7514</uid>
      <uuid>f985cf34-340e-3a42-8c35-01df484fddc3</uuid>
    </admin>
    <summary_title>La cuisini&#xE8;re bourgeoise</summary_title>
  </publications>
  <publications>
    <link>
      <notes>Ref. for the earliest records of egg cups, and sales, and price, 6 livres for eggcups with flower decoration. Cf. p. 43, no. 68, a comparable egg cup with different decoration (MNC 18442)</notes>
      <page>43</page>
      <type>reference</type>
    </link>
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      <id>publication-3134</id>
      <uid>adlib-publication-3134</uid>
      <uuid>3aca7c2c-770f-3903-8496-0510265bed08</uuid>
    </admin>
    <summary_title>Porcelaines de Vincennes, Les Origines de S&#xE8;vres</summary_title>
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  <publications>
    <link>
      <notes>Ref.  p. 94, note 29 mentions a coquetier in the Magazin de vente in 1753. See p. 194, no. 237, a Vincennes pair of footed eggcups of 1755-56.</notes>
      <page>94</page>
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      <id>publication-3638</id>
      <uid>adlib-publication-3638</uid>
      <uuid>9fdd0b21-49ec-37e9-9467-969617c4e941</uuid>
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    <summary_title>La Porcelaine de Vincennes</summary_title>
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      <id>publication-7506</id>
      <uid>adlib-publication-7506</uid>
      <uuid>5a0bd159-679f-31c0-af93-cb04044e7238</uuid>
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    <summary_title>De Vincennes &#xE0; S&#xE8;vres, l'ann&#xE9;e 1756</summary_title>
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  <publications>
    <link>
      <notes>Ref. p. 91, Peters illustrates several versions of a comet mark, giving the date range c.1757-68 for its appearance on pieces decorated with flowers, and stating that it usually appears below the factory mark. He suggest that it might have been the mark of De Ville, who began work in 1758 or of N-L. Petit. The mark on the Fitzwilliam's egg cup does not closely resemble the variants illustrated by Peters.</notes>
      <page>91</page>
      <type>reference</type>
    </link>
    <admin>
      <id>publication-5938</id>
      <uid>adlib-publication-5938</uid>
      <uuid>a3784223-c3bf-3f73-9caf-7861ade1c75e</uuid>
    </admin>
    <summary_title>Decorator and Date marks on C18th Vincennes and S&#xE8;vres Porcelain</summary_title>
  </publications>
  <publications>
    <link>
      <notes>Ref. For eggcups bought with services, see Vol. II, p.299, no. 58.1  included 3 at 24 livres each and p. 303, Service 58.2. fincluded 2 at 18 livres each.</notes>
      <page>Vol. II, p. 299 and 303</page>
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    </link>
    <admin>
      <id>publication-5542</id>
      <uid>adlib-publication-5542</uid>
      <uuid>2a50a06d-9569-3541-8bd6-d98d1f9c6081</uuid>
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    <summary_title>S&#xE8;vres Plates and Services of the 18th Century</summary_title>
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    <link>
      <type>reference</type>
    </link>
    <admin>
      <id>publication-7686</id>
      <uid>adlib-publication-7686</uid>
      <uuid>450b2e5b-5b07-3cfe-9447-d3d96255d506</uuid>
    </admin>
    <summary_title>Vincennes and early S&#xE8;vres Porcelain from the Belvedere Collection</summary_title>
  </publications>
  <publications>
    <link>
      <notes>Cf. p. 53, no. 20 one of four sauceboats, bearing the date letter E for 1757 and a painter's mark like a comet. The sauceboats are sparcely decorated with floral sprays comparable in style to those on this eggcup. See also p. 83, no. 43, sixteen cups and nineteen saucers on which the comet mark is one of the painter's marks which occur on them (not stated on how many it occurs). The mark is illustrated on p. 175, illustration 34. It is not identical to the comet mark on the Fitzwilliam's eggcup.</notes>
      <page>p. 53</page>
      <type>reference</type>
    </link>
    <admin>
      <id>publication-3645</id>
      <uid>adlib-publication-3645</uid>
      <uuid>1a73c781-10fc-349e-8a13-c56f8b0eea9d</uuid>
    </admin>
    <summary_title>Le porcellane francesi a Palazzo Pitti</summary_title>
  </publications>
  <publications>
    <link>
      <notes>Cf. p. 209, no. 104, an egg cup decorated with floral sprays, but not with blue bands, with date letter for 1765-6, and indistinct painter's mark, m or pr.</notes>
      <page>209</page>
      <type>reference</type>
    </link>
    <admin>
      <id>publication-2797</id>
      <uid>adlib-publication-2797</uid>
      <uuid>f69be637-b908-3a88-88e7-6edf693f4d14</uuid>
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    <summary_title>Mus&#xE9;e Cognacq-Jay, II, Porcelaines</summary_title>
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  <publications>
    <link>
      <type>reference</type>
    </link>
    <admin>
      <id>publication-7507</id>
      <uid>adlib-publication-7507</uid>
      <uuid>221143e1-4011-3376-b3bb-4cdb7ec72e03</uuid>
    </admin>
    <summary_title>Le Service Cama&#xEF;eu Carmin de Fontainebleau,</summary_title>
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      <type>reference</type>
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    <admin>
      <id>term-9010</id>
      <uid>adlib-term-9010</uid>
      <uuid>ecd03def-5d2a-3b43-bb92-76be16fbabf6</uuid>
    </admin>
    <summary_title>Rococo</summary_title>
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      <relation>plant</relation>
      <type>reference</type>
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    <admin>
      <id>term-51570</id>
      <uid>adlib-term-51570</uid>
      <uuid>60c9a2b0-88e3-31c4-a903-cb3bfbb73411</uuid>
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    <summary_title>rose</summary_title>
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  <subjects>
    <link>
      <type>literal</type>
    </link>
    <name>
      <value>rose</value>
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    <summary_title>rose</summary_title>
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      <link>
        <type>reference</type>
      </link>
      <admin>
        <id>term-107623</id>
        <uid>adlib-term-107623</uid>
        <uuid>6e86c5a6-8a72-30d2-a109-4d4bd178f2fc</uuid>
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      <summary_title>egg cup</summary_title>
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  <summary_title>egg cup</summary_title>
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    <description>
      <value>soft-paste porcelain, thrown, lead-glazed, and painted overglaze in blue, green, dark pink, purple, and grey enamels, and gilded.</value>
    </description>
    <note>
      <value>probably</value>
    </note>
    <reference>
      <link>
        <type>reference</type>
      </link>
      <admin>
        <id>term-120082</id>
        <uid>adlib-term-120082</uid>
        <uuid>ea83ed85-6b07-3e7e-83fc-440cfda22f7e</uuid>
      </admin>
      <summary_title>throwing</summary_title>
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  </techniques>
  <techniques>
    <note>
      <value>presumed lead glaze</value>
    </note>
    <reference>
      <link>
        <type>reference</type>
      </link>
      <admin>
        <id>term-27616</id>
        <uid>adlib-term-27616</uid>
        <uuid>61e6a95d-84c8-3893-b6c8-213392262987</uuid>
      </admin>
      <summary_title>glazing (coating)</summary_title>
    </reference>
  </techniques>
  <title>
    <value>Coquetier sans pied ou petit coquetier</value>
  </title>
  <type>
    <base>object</base>
    <type>OBJECT</type>
  </type>
</root>
