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The boy stands in front of a tree trunk on a low mound on a shallow square base, closed and concave underneath, with a ventilation hole in the centre. He has his right knee bent, and supports a small dog or puppy on his thigh while it jumps up towards his left hand, perhaps for a tit bit. He is barefoot, and wears breeches, a waistcoat and jacket."}],"identifier":[{"accession_number":"C.82-1997","primary":true,"type":"accession number","value":"C.82-1997"},{"priref":"76185","type":"priref","value":"76185"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/76185","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/76185"}],"inscription":[{"description":[{"value":"Rectangular with maroon stripes and serrated edges on three sides"}],"location":"on base","method":"hand-written in faded black ink","transcription":[{"value":"'108'"}],"type":"label"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"Given by G.H.W. Rylands in memory of his mother, Betha Wolferstan Rylands"},"lifecycle":{"acquisition":[{"agents":[{"@link":{"type":"reference"},"admin":{"id":"agent-151478","uid":"adlib-agent-151478","uuid":"2074e5a7-51c1-3bd3-aa50-9f830f8160ec"},"summary_title":"Rylands, G.H.W."}],"date":[{"earliest":1997,"latest":1997,"value":"1997-10-13"}],"method":{"value":"given"},"note":[{"value":"Entry date: 1997-10-13"}]}],"creation":[{"date":[{"earliest":1800,"from":{"earliest":1800,"era":["CE"],"latest":1800,"precision":"circa","value":"1800"},"latest":1825,"range":true,"to":{"earliest":1825,"era":["CE"],"latest":1825,"value":"1825"}}],"maker":[{"@link":{"type":"reference"},"admin":{"id":"agent-188353","uid":"adlib-agent-188353","uuid":"3a6356bf-7ed4-39e6-acea-a40648d5f75e"},"summary_title":"unidentified English pottery"}],"note":[{"value":"Yellow glazed earthenwares were produced by a number of English potteries during the late 18th and early 19th centuries. The yellow colour of earlier examples was produced from a mix of litharge (lead monoxide), antimony and tin or lead ash, with proportions varied to produce different tones. From around 1830, chrome pigment became available as a simpler alternative. Very few pieces of yellow-glazed ware are marked, but those that are show that makers included at least nine Staffordshire potteries, including Wedgwood, Spode, Enoch Wood and John Shorthouse, as well as potteries in Rotherham, Leeds, Newcastle-on-Tyne and Sunderland. Small, simply modelled and plain glazed figures  were cheap to produce and popular at this time."}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-106498","uid":"adlib-term-106498","uuid":"272179a1-524b-3f36-aab7-bf342ce484d6"},"summary_title":"19th Century, Early"},{"@link":{"type":"reference"},"admin":{"id":"term-107437","uid":"adlib-term-107437","uuid":"96f4b0d1-fc11-39ff-ae91-1b23d888d479"},"summary_title":"George III"},{"@link":{"type":"reference"},"admin":{"id":"term-108976","uid":"adlib-term-108976","uuid":"dc8f08bb-8cb5-3af0-a884-9780ec8d0e12"},"summary_title":"George 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