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<root>
  <admin>
    <added>1592984324000</added>
    <created>1312637261000</created>
    <flag>Standard Record</flag>
    <id>object-76461</id>
    <indexed>1752602738499</indexed>
    <modified>1714400627000</modified>
    <processed>1752602690710</processed>
    <source>adlib</source>
    <stream>fitz-online</stream>
    <uid>adlib-object-76461</uid>
    <uri>https://data.fitzmuseum.cam.ac.uk/id/object/76461</uri>
    <uuid>9f12cd1a-b155-3d99-9dd9-4ee516b99da3</uuid>
    <version>6</version>
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      <uid>adlib-agent-193961</uid>
      <uuid>5b2cced4-a92f-301e-a340-12b325d99c30</uuid>
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    <summary_title>Martin, Maria</summary_title>
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  <agents>
    <link>
      <type>reference</type>
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      <id>agent-193962</id>
      <uid>adlib-agent-193962</uid>
      <uuid>1b7116c5-72a6-3ea4-8d81-ac6e9758361c</uuid>
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    <summary_title>Corder, William</summary_title>
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      <id>term-108657</id>
      <uid>adlib-term-108657</uid>
      <uuid>c170cd8e-fc63-3446-81a4-6682b5979808</uuid>
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    <summary_title>lead-glazed earthenware</summary_title>
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  <collection>
    <link>
      <type>reference</type>
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    <admin>
      <id>term-113184</id>
      <uid>adlib-term-113184</uid>
      <uuid>25fc548d-d02f-39a6-a34f-d609393a0043</uuid>
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    <summary_title>J. W. L. Glaisher</summary_title>
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  <component>
    <materials>
      <note>
        <value>green, yellow,  red, brown, grey, black</value>
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        <link>
          <type>reference</type>
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          <id>term-32638</id>
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          <uuid>97b8d1a5-7b8f-3a2a-a275-7d001aeaae2b</uuid>
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        <summary_title>enamel</summary_title>
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    </materials>
    <name>Decoration</name>
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  <component>
    <name>Decoraton</name>
    <techniques>
      <note>
        <value>in green, yellow, red, brown, grey, and black enamels</value>
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        <link>
          <type>reference</type>
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          <id>term-120086</id>
          <uid>adlib-term-120086</uid>
          <uuid>cdecca31-5ec3-3fe3-9e5d-455d9771fda5</uuid>
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        <summary_title>painting overglaze</summary_title>
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    </techniques>
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  <component>
    <name>Parts</name>
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        <link>
          <type>reference</type>
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          <id>term-111179</id>
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          <uuid>be5c887b-c0ed-3d89-82b2-c3a870e72a68</uuid>
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        <summary_title>moulding</summary_title>
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          <type>reference</type>
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          <id>term-121246</id>
          <uid>adlib-term-121246</uid>
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        <summary_title>modelling</summary_title>
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  <department>
    <value>Applied Arts</value>
  </department>
  <description>
    <value>Earthenware table figure group, moulded and modelled, lead glazed and painted with polychrome enamels.</value>
  </description>
  <description>
    <value>Staffordshire group of  a thatched red barn flanked by two flowering trees, with a man opening the door and, in front, a woman in a floral dress tending two chickens at left, and a cow at right. The base of the scene, coloured green, has a 3-bow front, the centre section lettered &#x2018;THE RED BARN&#x2019;. It sits on a four-legged table base, painted brown, with a green top, and decorated with polychrome swags and a small brown moulded dog centre front. The back is almost flat, and painted. The underside of the base is recessed and flat, with two 1.7 cm diameter vent holes.</value>
  </description>
  <identifier>
    <accession_number>C.962-1928</accession_number>
    <primary>1</primary>
    <type>accession number</type>
    <value>C.962-1928</value>
  </identifier>
  <identifier>
    <priref>76461</priref>
    <type>priref</type>
    <value>76461</value>
  </identifier>
  <identifier>
    <date>
      <earliest>1910</earliest>
      <latest>1910</latest>
      <value>1910</value>
    </date>
    <source>Glaisher MS Catalogue, vol.11</source>
    <type>old object number</type>
    <value>3203</value>
  </identifier>
  <identifier>
    <type>uri</type>
    <uri>https://data.fitzmuseum.cam.ac.uk/id/object/76461</uri>
    <value>https://data.fitzmuseum.cam.ac.uk/id/object/76461</value>
  </identifier>
  <inscription>
    <location>on the front of the table base</location>
    <method>painted</method>
    <transcription>
      <value>THE RED/BARN</value>
    </transcription>
    <type>inscription</type>
  </inscription>
  <inscription>
    <description>
      <value>a dog (greyhound); also a dot in same position on back</value>
    </description>
    <location>centre front of base</location>
    <method>moulded</method>
    <type>mark</type>
  </inscription>
  <institutions>
    <link>
      <type>reference</type>
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    <admin>
      <id>agent-149638</id>
      <uid>adlib-agent-149638</uid>
      <uuid>7376d833-d0a7-3be0-916e-9c892b7a24d8</uuid>
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    <summary_title>The Fitzwilliam Museum</summary_title>
  </institutions>
  <legal>
    <credit_line>Dr J.W.L. Glaisher Bequest</credit_line>
  </legal>
  <lifecycle>
    <acquisition>
      <agents>
        <link>
          <type>reference</type>
        </link>
        <admin>
          <id>agent-152564</id>
          <uid>adlib-agent-152564</uid>
          <uuid>c20df94d-f096-3e0b-a9b5-6ddd12161fb7</uuid>
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        <summary_title>Glaisher, J. W. L., Dr</summary_title>
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      <date>
        <earliest>1928</earliest>
        <latest>1928</latest>
        <value>1928</value>
      </date>
      <method>
        <value>bequeathed</value>
      </method>
      <note>
        <value>Captain Reynolds was the son of Mr C.W. Reynolds who acquired the Dwight figures which were sold in 1871</value>
      </note>
    </acquisition>
    <creation>
      <date>
        <earliest>1828</earliest>
        <era>CE</era>
        <latest>1828</latest>
        <precision>circa</precision>
        <value>1828</value>
      </date>
      <maker>
        <link>
          <type>reference</type>
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        <admin>
          <id>agent-188632</id>
          <uid>adlib-agent-188632</uid>
          <uuid>b379bf0c-f1b7-35d3-89f0-cbc229ee14ff</uuid>
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        <summary_title>Unidentified Pottery</summary_title>
      </maker>
      <note>
        <value>Earthenware figure groups were popular from around 1810, although the earliest examples date from nearly a century earlier. A cheaper alternative to porcelain figures, they were often produced by small potteries; very few are marked. Classical or literary subjects were frequently copied from porcelain examples, but potters increasingly turned to scenes from everyday life and topical events. These early figure groups are often complex, including modelled and moulded parts and applied decoration; the backs, though flat, are decorated; bocage (stylised foliage) is common on groups from c.1810-20. However, as demand increased, processes were streamlined to allow mass production and by c.1835 the earlier, relatively costly, methods had largely given way to three-part press-moulding.</value>
      </note>
      <note>
        <value>Table groups, standing on four or six short legs, were made from c.1825-35; similar features suggest they were made by just a few makers. They have in the past been attributed to Obadaiah Sherratt of Burslem, but without clear evidence; they were probably made by a number of figure makers. However, similarities in the shape and colouring of this table base, the moulded dog &#x2018;mark&#x2019; on the front and the bocage suggest this table base group was made by the same potter as two others in the Fitzwilliam Collection.</value>
      </note>
      <note>
        <value>The group commemorates the murder of Maria Martin by William Corder in the Red Barn, Polstead, Suffolk in 1827. Reported in &#x2018;The Times&#x2019; the crime became a national sensation. Some 10,000 people are reported to have attended Corder&#x2019;s  execution at Bury St Edmunds in 1828.</value>
      </note>
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          <type>reference</type>
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          <id>term-120816</id>
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        <summary_title>19th Century, second quarter</summary_title>
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          <id>term-107658</id>
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            <type>literal</type>
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          <name>
            <value>England</value>
          </name>
          <summary_title>England</summary_title>
          <type>country</type>
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        <hierarchies>
          <link>
            <type>literal</type>
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          <name>
            <value>Staffordshire</value>
          </name>
          <summary_title>Staffordshire</summary_title>
          <type>region</type>
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        <summary_title>Staffordshire</summary_title>
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    </creation>
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        <id>term-107733</id>
        <uid>adlib-term-107733</uid>
        <uuid>00160189-e3ce-3796-a88b-5aa8d6c808c4</uuid>
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      <summary_title>lead-glaze</summary_title>
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        <id>term-42861</id>
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      <summary_title>earthenware</summary_title>
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      <dimension>Height</dimension>
      <units>cm</units>
      <value>21.2</value>
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    <dimensions>
      <dimension>Width</dimension>
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        <uuid>238a8c79-c8ce-3ed9-9d80-3a938ba82083</uuid>
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      <summary_title>Staffordshire figure group (early)</summary_title>
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      <summary_title>table base group</summary_title>
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    <type>history note</type>
    <value>Captain Reynolds Collection, London; sold to Messrs Gill and Reigate; Mr Stoner, London, from whom purchased in 1910 by Dr J.W.L. Glaisher, Trinity College, Cambridge. Dr Glaisher paid &#xA3;125 for this and fourteen other  pieces, as part of a purchase of 35 figures and figure groups.</value>
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        <value>same maker</value>
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        <summary_title>figure group</summary_title>
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    <summary_title>figure group</summary_title>
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        <summary_title>figure group</summary_title>
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    <summary_title>The Fitzwilliam Museum</summary_title>
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      <notes>Publ. Vol. l, p. 126, no. 962</notes>
      <page>126</page>
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    <summary_title>Catalogue of the Glaisher Collection of Pottery and Porcelain in the Fitzwilliam Museum Cambridge</summary_title>
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  <publications>
    <link>
      <notes>Cf. various examples illustrated, and notes of similarities between table base groups.</notes>
      <page>261-75</page>
      <type>reference</type>
    </link>
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    <summary_title>English Earthenware Figures 1740-1840</summary_title>
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  <publications>
    <link>
      <notes>Cf. chapter on &#x2018;The Red Barn Murder&#x2019; with very similar table base group (p.48) and other Staffordshire figure interpretations. Also other examples of table base figure groups.</notes>
      <page>37,46-53, 137</page>
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      <id>publication-5796</id>
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    <summary_title>People, Passions, Pastimes, and Pleasures, Staffordshire Figures 1810-1835</summary_title>
  </publications>
  <publications>
    <link>
      <notes>Ref. early source re table base figures, mentions the Red Barn and Polito&#x2019;s Menagerie as assisting the dating of such groups.</notes>
      <page>92-4</page>
      <type>reference</type>
    </link>
    <admin>
      <id>publication-7215</id>
      <uid>adlib-publication-7215</uid>
      <uuid>5a432fe5-59b0-3aa3-80ff-60e8c20dd302</uuid>
    </admin>
    <summary_title>Staffordshire Chimney Ornaments</summary_title>
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  <publications>
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    </link>
    <admin>
      <id>publication-992</id>
      <uid>adlib-publication-992</uid>
      <uuid>e26b9de8-5607-3d6e-82c1-bba7d8cb57c4</uuid>
    </admin>
    <summary_title>Plagiarism Personified? European Pottery and Porcelain Figures</summary_title>
  </publications>
  <publications>
    <link>
      <notes>Cf.figure group &#x2018;Perswaition&#x2019;,c.1815-25.</notes>
      <page>100-101</page>
      <type>reference</type>
    </link>
    <admin>
      <id>publication-1030</id>
      <uid>adlib-publication-1030</uid>
      <uuid>9cf77d50-a614-3947-8d0e-919f695fe7b0</uuid>
    </admin>
    <summary_title>Fitzwilliam Museum Handbooks, English Pottery</summary_title>
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    <reference>
      <link>
        <type>reference</type>
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      <admin>
        <id>term-110220</id>
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        <uuid>e22d3544-a393-3f19-9be4-dc2632ca9942</uuid>
      </admin>
      <summary_title>figure group</summary_title>
    </reference>
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  <summary_title>figure group</summary_title>
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    <reference>
      <link>
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      <admin>
        <id>term-120062</id>
        <uid>adlib-term-120062</uid>
        <uuid>d05176fb-17b8-3888-bba1-6c5e6c77d206</uuid>
      </admin>
      <summary_title>lead-glazing</summary_title>
    </reference>
  </techniques>
  <title>
    <value>The Red Barn</value>
  </title>
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    <base>object</base>
    <type>OBJECT</type>
  </type>
</root>
