<?xml version="1.0"?>
<root>
  <admin>
    <added>1592970669000</added>
    <created>1312637261000</created>
    <flag>Standard Record</flag>
    <id>object-156463</id>
    <indexed>1755194558770</indexed>
    <modified>1711451001000</modified>
    <processed>1755194515997</processed>
    <source>adlib</source>
    <stream>fitz-online</stream>
    <uid>adlib-object-156463</uid>
    <uri>https://data.fitzmuseum.cam.ac.uk/id/object/156463</uri>
    <uuid>1c47d2d8-6d29-3636-9a37-5b64a4a39e86</uuid>
    <version>10</version>
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      <uid>adlib-agent-206918</uid>
      <uuid>774b6904-36ed-3059-a007-d197ac98fb12</uuid>
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    <summary_title>Beit, Otto, Sir</summary_title>
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  <agents>
    <link>
      <type>reference</type>
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      <id>agent-179498</id>
      <uid>adlib-agent-179498</uid>
      <uuid>a66203ba-d987-331b-b04a-3ce6ee72d5c0</uuid>
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    <summary_title>Beit, Alfred, Sir</summary_title>
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  <agents>
    <link>
      <relation>person</relation>
      <type>reference</type>
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      <id>agent-179499</id>
      <uid>adlib-agent-179499</uid>
      <uuid>361dfe97-29b4-3237-b5ad-0c604a3993db</uuid>
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    <summary_title>Diomides</summary_title>
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  <categories>
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      <type>reference</type>
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    <admin>
      <id>term-107563</id>
      <uid>adlib-term-107563</uid>
      <uuid>38dcd825-1de1-3222-82c6-15a95729b5ff</uuid>
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    <summary_title>enamels</summary_title>
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  <categories>
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      <type>reference</type>
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    <admin>
      <id>term-125750</id>
      <uid>adlib-term-125750</uid>
      <uuid>2b10ac09-63c3-34ed-87d5-487058c1c344</uuid>
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    <summary_title>Limoges painted enamels</summary_title>
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      <type>reference</type>
    </link>
    <admin>
      <id>term-117089</id>
      <uid>adlib-term-117089</uid>
      <uuid>70d59fbc-64f7-304e-a336-bf6d65a433a8</uuid>
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    <summary_title>Louis C. G. Clarke</summary_title>
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  <component>
    <materials>
      <note>
        <value>white, black</value>
      </note>
      <reference>
        <link>
          <type>reference</type>
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        <admin>
          <id>term-32638</id>
          <uid>adlib-term-32638</uid>
          <uuid>97b8d1a5-7b8f-3a2a-a275-7d001aeaae2b</uuid>
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        <summary_title>enamel</summary_title>
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    </materials>
    <materials>
      <reference>
        <link>
          <type>reference</type>
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        <admin>
          <id>term-39593</id>
          <uid>adlib-term-39593</uid>
          <uuid>e3e2a3f8-2433-3f63-9bcf-e776644d312d</uuid>
        </admin>
        <summary_title>gold</summary_title>
      </reference>
    </materials>
    <name>Decoration</name>
    <techniques>
      <description>
        <value>rectangular and slightly convex copper plaque enamelled in grisaille technique on a brownish- black ground, and gilded. Translucent counter-enamel tinged with green.</value>
      </description>
      <note>
        <value>white, brownish-black in grisaille technique</value>
      </note>
      <reference>
        <link>
          <type>reference</type>
        </link>
        <admin>
          <id>term-28662</id>
          <uid>adlib-term-28662</uid>
          <uuid>dd47e505-ccda-3f2b-b576-6104109430e8</uuid>
        </admin>
        <summary_title>enamelling</summary_title>
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    </techniques>
    <techniques>
      <reference>
        <link>
          <type>reference</type>
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        <admin>
          <id>term-28681</id>
          <uid>adlib-term-28681</uid>
          <uuid>c1f659e2-1209-31cf-8ff4-154e11452559</uuid>
        </admin>
        <summary_title>gilding</summary_title>
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    </techniques>
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  <component>
    <materials>
      <reference>
        <link>
          <type>reference</type>
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          <id>term-39588</id>
          <uid>adlib-term-39588</uid>
          <uuid>b17ff981-06b2-30a2-b9a9-b514fe84a191</uuid>
        </admin>
        <summary_title>copper</summary_title>
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    </materials>
    <measurements>
      <dimensions>
        <dimension>Height</dimension>
        <units>cm</units>
        <value>4.3</value>
      </dimensions>
      <dimensions>
        <dimension>Length</dimension>
        <units>cm</units>
        <value>7</value>
      </dimensions>
    </measurements>
    <name>Plaque</name>
  </component>
  <component>
    <measurements>
      <dimensions>
        <dimension>Height</dimension>
        <units>cm</units>
        <value>5.4</value>
      </dimensions>
      <dimensions>
        <dimension>Length</dimension>
        <units>cm</units>
        <value>8.1</value>
      </dimensions>
    </measurements>
    <name>Frame</name>
  </component>
  <content>
    <motifs>
      <link>
        <type>reference</type>
      </link>
      <admin>
        <id>term-1111</id>
        <uid>adlib-term-1111</uid>
        <uuid>46c949dd-f376-3538-878f-397baee5be09</uuid>
      </admin>
      <summary_title>mythology</summary_title>
    </motifs>
  </content>
  <department>
    <value>Applied Arts</value>
  </department>
  <description>
    <value>copper enamelledin  grisaille and gilded. Diomides seated and holding the Palladium, a ball on a column, two women and an old man about to sacrifice a bull beside an altar.</value>
  </description>
  <description>
    <value>Rectangular and slightly convex copper plaque enamelled in grisaille on a black ground, and gilded. The translucent counter-enamel is tinged with green.
Diomides seated holding the Palladium before a group sacrificing a bull. On the left, Diomedes, nude, sits in profile to right on a drapery which passes over his left arm which is held out in front of him, supporting a gold winged figure of the Palladium. Further to the right is a column with a ball on top, a clad female figure with a quiver, holding her arms up to the right, another female figure, and an old man facing to the left with a bull, partly concealed behind an altar. A gold line runs round the edge.
Narrow rectangular frame with on the back, a toothed inner edge which holds the plaque in position, and, at top centre, a ring and a circular loop for suspension. The front has a blue-black ground decorated on the front in gold with a repeating pattern of formal flowerheads and foliage.</value>
  </description>
  <identifier>
    <accession_number>M.117-1961</accession_number>
    <primary>1</primary>
    <type>accession number</type>
    <value>M.117-1961</value>
  </identifier>
  <identifier>
    <priref>156463</priref>
    <type>priref</type>
    <value>156463</value>
  </identifier>
  <identifier>
    <source>Beit Collection</source>
    <type>old object number</type>
    <value>451</value>
  </identifier>
  <identifier>
    <type>uri</type>
    <uri>https://data.fitzmuseum.cam.ac.uk/id/object/156463</uri>
    <value>https://data.fitzmuseum.cam.ac.uk/id/object/156463</value>
  </identifier>
  <inscription>
    <location>on back</location>
    <method>painted in red</method>
    <transcription>
      <value>451</value>
    </transcription>
    <type>number</type>
  </inscription>
  <inscription>
    <description>
      <value>circular tie on tag inscribed on one side with name of collection and on the other with sale catalogue reference</value>
    </description>
    <location>attached</location>
    <method>hand-written</method>
    <transcription>
      <value>Beit Coll.&#x2019;, and, Christies/7oct.1948/lot/24.2&#x2019;.</value>
    </transcription>
    <type>label</type>
  </inscription>
  <institutions>
    <link>
      <type>reference</type>
    </link>
    <admin>
      <id>agent-149638</id>
      <uid>adlib-agent-149638</uid>
      <uuid>7376d833-d0a7-3be0-916e-9c892b7a24d8</uuid>
    </admin>
    <summary_title>The Fitzwilliam Museum</summary_title>
  </institutions>
  <legal>
    <credit_line>Louis.C.G. Clarke Bequest, 1960</credit_line>
  </legal>
  <lifecycle>
    <acquisition>
      <agents>
        <link>
          <type>reference</type>
        </link>
        <admin>
          <id>agent-149875</id>
          <uid>adlib-agent-149875</uid>
          <uuid>89f52d0e-b912-3dc9-8b2c-61d6aa011b16</uuid>
        </admin>
        <summary_title>Clarke, Louis Colville Gray</summary_title>
      </agents>
      <date>
        <earliest>1961</earliest>
        <latest>1961</latest>
        <value>1961-04-27</value>
      </date>
      <method>
        <value>bequeathed</value>
      </method>
      <note>
        <value>Clarke died on 13 December 1960</value>
      </note>
    </acquisition>
    <creation>
      <date>
        <earliest>1550</earliest>
        <from>
          <earliest>1550</earliest>
          <era>CE</era>
          <latest>1550</latest>
          <precision>circa</precision>
          <value>1550</value>
        </from>
        <latest>1570</latest>
        <note>
          <value>plaque was previously dated c. 1540-60 but 1540 was too early</value>
        </note>
        <range>1</range>
        <to>
          <earliest>1570</earliest>
          <era>CE</era>
          <latest>1570</latest>
          <value>1570</value>
        </to>
      </date>
      <maker>
        <link>
          <role>
            <value>enameller</value>
          </role>
          <type>reference</type>
        </link>
        <admin>
          <id>agent-178521</id>
          <uid>adlib-agent-178521</uid>
          <uuid>93516067-5cde-363d-9014-a627ff239225</uuid>
        </admin>
        <summary_title>Master of the Mars and Venus Plaque</summary_title>
      </maker>
      <maker>
        <link>
          <qualifier>after</qualifier>
          <role>
            <value>sculptor</value>
          </role>
          <type>reference</type>
        </link>
        <admin>
          <id>agent-9924</id>
          <uid>adlib-agent-9924</uid>
          <uuid>69af27b4-9a25-3a13-a443-54d1762f5280</uuid>
        </admin>
        <summary_title>Belli, Valerio (Valerio Vicentino)</summary_title>
      </maker>
      <note>
        <value>In Greek mythology Diomedes, depicted on the left, was one of the greatest heroes of the Trojan War, who, with Odysseus, stole the Palladium, the apotropaic image of Athena, on which the safety of the city of Troy was believed to depend. There are several different accounts of how this was achieved, and of the later fate of the Palladium. In classical literature the Palladium was described as in the form of a warrior with feet together, holding a spear, a shield, and in the other hand a spindle and distaff. But here the enameller has represented it as an elegant winged figure reminiscent of a Victory.

The scene was constructed from two unrelated images, both probably taken from Renaissance bronze plaquettes. Godsell (see Documentation) identified the two sources of the design. The group on the right is after a rare bronze plaquette, of a Sacrifice of a Bull by Valerio Belli (e.g. Staatliche Museen, Berlin, A.N.1161, Inv. 1293), and the seated Diomedes is probably after an anonymous  plaquette, after an Antique gem of Ulysses standing before Diomedes with a Palladium (e.g. NG Washington A 315.38B), but it might also have been derived from one of several gems, plaquettes, and medals which display only the figure of Diomedes holding the Palladium. The figure was not copied exactly, the enameller altered the position of the legs.

He was named the Master of the  Mars and Venus Plaque after a plaque in the Victoria and Albert Museum which illustrates the characteristics of his style. All his enamels are small plaques, and those which have been identified are in the monochrome palette described as grisaille. One of the features of his designs, illustrated by the Fitzwilliam's plaque, is that the figures are arranged more or less in a horizontal line, as if they were a sculptural frieze.</value>
      </note>
      <periods>
        <link>
          <type>reference</type>
        </link>
        <admin>
          <id>term-110475</id>
          <uid>adlib-term-110475</uid>
          <uuid>223ae6a7-2f91-3314-ae3c-da3233ae47dc</uuid>
        </admin>
        <summary_title>16th Century, Mid</summary_title>
      </periods>
      <periods>
        <link>
          <type>reference</type>
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        <admin>
          <id>term-10618</id>
          <uid>adlib-term-10618</uid>
          <uuid>9ebc0ae1-8cf8-312b-832c-9cf44da02136</uuid>
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        <summary_title>Renaissance</summary_title>
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      <places>
        <link>
          <type>reference</type>
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        <admin>
          <id>term-15498</id>
          <uid>adlib-term-15498</uid>
          <uuid>61725bf5-360f-3837-8aab-3c90b956a537</uuid>
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        <hierarchies>
          <link>
            <type>literal</type>
          </link>
          <name>
            <value>France</value>
          </name>
          <summary_title>France</summary_title>
          <type>country</type>
        </hierarchies>
        <hierarchies>
          <link>
            <type>literal</type>
          </link>
          <name>
            <value>Haute Vienne</value>
          </name>
          <summary_title>Haute Vienne</summary_title>
          <type>region</type>
        </hierarchies>
        <summary_title>Limoges</summary_title>
      </places>
    </creation>
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    <link>
      <type>reference</type>
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    <admin>
      <id>media-136192</id>
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    <value>Sir Otto Beit  KCMG, FRS (1865&#x2013;1930) before 1918; inherited by Sir Alfred Beit (1903&#x2013;94); sold Sotheby's, 7 October 1948, Catalogue of the celebrated collections of Hispano- Moresque, Italian majolica, bronzes and works of art, p. 4, second part of lot 24; Copper &amp; Adams, London; Louis C.G. Clarke MA, LL.D. (1881-1960), Leckhampton, Cambridge.</value>
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      <notes>Cf. and Ref..pp. 170-1 no. 256, and chapter 4, pp. 243-66.</notes>
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