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    <added>1592999700000</added>
    <created>1312637261000</created>
    <flag>Standard Record</flag>
    <id>object-77362</id>
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    <modified>1714475174000</modified>
    <processed>1747159409017</processed>
    <source>adlib</source>
    <stream>fitz-online</stream>
    <uid>adlib-object-77362</uid>
    <uri>https://data.fitzmuseum.cam.ac.uk/id/object/77362</uri>
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    <version>5</version>
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      <uid>adlib-agent-139324</uid>
      <uuid>412c46d0-b7b7-3980-8ca2-6c1babc8909a</uuid>
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    <summary_title>Venus</summary_title>
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    <summary_title>stoneware</summary_title>
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      <id>term-107444</id>
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    <summary_title>C. B. Marlay</summary_title>
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        <value>off-white with slight sheen</value>
      </note>
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          <type>reference</type>
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        <summary_title>stoneware</summary_title>
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      <dimensions>
        <dimension>Width</dimension>
        <units>in</units>
        <value>10 &#xBE;</value>
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    <name>Bust</name>
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      <description>
        <value>off-white stoneware, moulded, and gilded, attached by a screw to a black basalt moulded base</value>
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          <type>reference</type>
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        <summary_title>moulding</summary_title>
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        <summary_title>gilding</summary_title>
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          <uuid>39fbe2f8-78d1-3f75-a8ca-2643967b2f2d</uuid>
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        <summary_title>black basalt</summary_title>
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      <dimensions>
        <dimension>Depth</dimension>
        <units>cm</units>
        <value>11.8</value>
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      <dimensions>
        <dimension>Width</dimension>
        <units>cm</units>
        <value>18.7</value>
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    <name>Socle</name>
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          <id>term-111179</id>
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        <summary_title>moulding</summary_title>
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      <summary_title>mythology</summary_title>
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  <department>
    <value>Applied Arts</value>
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  <description>
    <value>off-white stoneware with slight sheen and traces of gilding, supported on a black basalt socle</value>
  </description>
  <description>
    <value>Off-white stoneware with slight sheen and traces of gilding over much of the surface, supported on a black basalt socle, which is closed underneath and has a large circular ventilation hole in the middle. The name VENUS is impressed into the back and gilded. The rectangular socle is decorated on three sides and plain on the back. The lower edge is decorated in relief with Greek key pattern, with a row of beading above. The upper part of its sides are decorated with downward pointing leaves.The platform on which the bust rests has beading round the top edge, and below, upward pointing leaves, and a border of semi-circular motifs.</value>
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      <catalogue>J120</catalogue>
      <type>reference</type>
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      <id>exhibition-1070</id>
      <uid>adlib-exhibition-1070</uid>
      <uuid>2cb713dc-899f-35df-9c15-515a05f38d48</uuid>
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    <summary_title>Plagiarism Personified? European Pottery and Porcelain Figures</summary_title>
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  <exhibitions>
    <link>
      <catalogue>339</catalogue>
      <type>reference</type>
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      <id>exhibition-1108</id>
      <uid>adlib-exhibition-1108</uid>
      <uuid>35816467-17b9-3ee2-b287-d966a7cc0b87</uuid>
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    <summary_title>Natur und Antike in der Renaissance</summary_title>
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  <identifier>
    <accession_number>MAR.C.30-1912</accession_number>
    <primary>1</primary>
    <type>accession number</type>
    <value>MAR.C.30-1912</value>
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  <identifier>
    <priref>77362</priref>
    <type>priref</type>
    <value>77362</value>
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  <identifier>
    <type>uri</type>
    <uri>https://data.fitzmuseum.cam.ac.uk/id/object/77362</uri>
    <value>https://data.fitzmuseum.cam.ac.uk/id/object/77362</value>
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  <inscription>
    <location>on back of bust</location>
    <method>impressed in a rectangular stamp and gilded</method>
    <transcription>
      <value>VENUS</value>
    </transcription>
    <type>inscription</type>
  </inscription>
  <inscription>
    <location>close to the back edge of base of socle</location>
    <method>impressed</method>
    <transcription>
      <value>TURNER</value>
    </transcription>
    <type>mark</type>
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  <institutions>
    <link>
      <type>reference</type>
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    <admin>
      <id>agent-149638</id>
      <uid>adlib-agent-149638</uid>
      <uuid>7376d833-d0a7-3be0-916e-9c892b7a24d8</uuid>
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    <summary_title>The Fitzwilliam Museum</summary_title>
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  <legal>
    <credit_line>C.B. Marlay Bequest</credit_line>
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  <lifecycle>
    <acquisition>
      <agents>
        <link>
          <type>reference</type>
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        <admin>
          <id>agent-149674</id>
          <uid>adlib-agent-149674</uid>
          <uuid>de1bf9dd-2091-39ca-85f6-41e736f6e32b</uuid>
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        <summary_title>Marlay, Charles Brinsley</summary_title>
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      <date>
        <earliest>1912</earliest>
        <latest>1912</latest>
        <value>1912</value>
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      <method>
        <value>bequeathed</value>
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      <note>
        <value>Entry date: 1912</value>
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    </acquisition>
    <creation>
      <date>
        <earliest>1800</earliest>
        <era>CE</era>
        <latest>1800</latest>
        <precision>circa</precision>
        <value>1800</value>
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      <maker>
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          <id>agent-160993</id>
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        <summary_title>Turner</summary_title>
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      <note>
        <value>In the 18th and 19th centuries the Medici Venus (Venus de'Medici) in the Uffizi in Florence was probably the best-known and most copied classical marble after the Apollo Belvedere.</value>
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          <id>term-110483</id>
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        <summary_title>18th Century, Late-19th Century, Early</summary_title>
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      <periods>
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          <uuid>96f4b0d1-fc11-39ff-ae91-1b23d888d479</uuid>
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        <summary_title>George III</summary_title>
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          <id>term-110418</id>
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        <hierarchies>
          <link>
            <type>literal</type>
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          <name>
            <value>England</value>
          </name>
          <summary_title>England</summary_title>
          <type>country</type>
        </hierarchies>
        <summary_title>Longton</summary_title>
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      <dimension>Height</dimension>
      <units>cm</units>
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    <dimensions>
      <dimension>Height</dimension>
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