<?xml version="1.0"?>
<root>
  <admin>
    <added>1592991049000</added>
    <created>1312637261000</created>
    <flag>Standard Record</flag>
    <id>object-80509</id>
    <indexed>1747160296417</indexed>
    <modified>1711380364000</modified>
    <processed>1747159409017</processed>
    <source>adlib</source>
    <stream>fitz-online</stream>
    <uid>adlib-object-80509</uid>
    <uri>https://data.fitzmuseum.cam.ac.uk/id/object/80509</uri>
    <uuid>51047591-cff5-3ebf-a20b-f9f6d3a50b31</uuid>
    <version>9</version>
  </admin>
  <categories>
    <link>
      <type>reference</type>
    </link>
    <admin>
      <id>term-37642</id>
      <uid>adlib-term-37642</uid>
      <uuid>8f36efe3-4fe1-3da2-9944-000db5687ad7</uuid>
    </admin>
    <summary_title>porcelain</summary_title>
  </categories>
  <categories>
    <link>
      <type>reference</type>
    </link>
    <admin>
      <id>term-37637</id>
      <uid>adlib-term-37637</uid>
      <uuid>89b09133-dc0a-3a88-bd40-5aef1ad30ecb</uuid>
    </admin>
    <summary_title>soft-paste porcelain</summary_title>
  </categories>
  <component>
    <materials>
      <note>
        <value>blue, bluish-green, yellow, red, red-brown, purple, and black</value>
      </note>
      <reference>
        <link>
          <type>reference</type>
        </link>
        <admin>
          <id>term-107563</id>
          <uid>adlib-term-107563</uid>
          <uuid>38dcd825-1de1-3222-82c6-15a95729b5ff</uuid>
        </admin>
        <summary_title>enamels</summary_title>
      </reference>
    </materials>
    <name>Decoration</name>
    <techniques>
      <note>
        <value>in blue, bluish-green, yellow, red, red-brown, purple, and black enamels</value>
      </note>
      <reference>
        <link>
          <type>reference</type>
        </link>
        <admin>
          <id>term-120086</id>
          <uid>adlib-term-120086</uid>
          <uuid>cdecca31-5ec3-3fe3-9e5d-455d9771fda5</uuid>
        </admin>
        <summary_title>painting overglaze</summary_title>
      </reference>
    </techniques>
  </component>
  <component>
    <name>Partridge</name>
    <techniques>
      <description>
        <value>soft-paste porcelain, probabl press-moulded, lead-glazed and painted in blue, bluish-green, yellow, red, red-brown, purple, and black enamels</value>
      </description>
      <note>
        <value>probably press-moulded with applied parts</value>
      </note>
      <reference>
        <link>
          <type>reference</type>
        </link>
        <admin>
          <id>term-107436</id>
          <uid>adlib-term-107436</uid>
          <uuid>6c4cbf91-3da6-3dc7-b0f5-7b1f8cf8e0d7</uuid>
        </admin>
        <summary_title>moulded</summary_title>
      </reference>
    </techniques>
  </component>
  <content>
    <motifs>
      <link>
        <type>reference</type>
      </link>
      <admin>
        <id>term-115</id>
        <uid>adlib-term-115</uid>
        <uuid>94d65983-dea2-361b-b187-a968c98ab1d8</uuid>
      </admin>
      <summary_title>Nature</summary_title>
    </motifs>
  </content>
  <department>
    <value>Applied Arts</value>
  </department>
  <description>
    <value>Soft-paste porcelain painted in enamels</value>
  </description>
  <description>
    <value>Soft-paste porcelain, lead-glazed and painted in blue, bluish-green, yellow, red, red-brown, purple, and black enamels.  The partridge stands on both feet astride the stump, in profile to right with its head turned to its right. The larger tree trunk has three multiple stems bearing flowers, extending upwards under the bird's breast, and there is a spray of ivy on the ground.  The bird is painted in red-brown and purple, with red combs and a red-lined black beak; the tree at the front is yellow with red and blue dotted flowers; the leaves on the base are bluish-green.</value>
  </description>
  <exhibitions>
    <link>
      <catalogue>G11</catalogue>
      <type>reference</type>
    </link>
    <admin>
      <id>exhibition-1070</id>
      <uid>adlib-exhibition-1070</uid>
      <uuid>2cb713dc-899f-35df-9c15-515a05f38d48</uuid>
    </admin>
    <summary_title>Plagiarism Personified? European Pottery and Porcelain Figures</summary_title>
  </exhibitions>
  <identifier>
    <accession_number>EC.21-1941</accession_number>
    <primary>1</primary>
    <type>accession number</type>
    <value>EC.21-1941</value>
  </identifier>
  <identifier>
    <priref>80509</priref>
    <type>priref</type>
    <value>80509</value>
  </identifier>
  <identifier>
    <type>uri</type>
    <uri>https://data.fitzmuseum.cam.ac.uk/id/object/80509</uri>
    <value>https://data.fitzmuseum.cam.ac.uk/id/object/80509</value>
  </identifier>
  <institutions>
    <link>
      <type>reference</type>
    </link>
    <admin>
      <id>agent-149638</id>
      <uid>adlib-agent-149638</uid>
      <uuid>7376d833-d0a7-3be0-916e-9c892b7a24d8</uuid>
    </admin>
    <summary_title>The Fitzwilliam Museum</summary_title>
  </institutions>
  <legal>
    <credit_line>Given by the National Art Collections Fund as trustee of the R. S. Cochrane Fund</credit_line>
  </legal>
  <lifecycle>
    <acquisition>
      <agents>
        <link>
          <type>reference</type>
        </link>
        <admin>
          <id>agent-149857</id>
          <uid>adlib-agent-149857</uid>
          <uuid>470046d4-9799-31c0-81c7-49c04a9f9bb1</uuid>
        </admin>
        <summary_title>National Art Collections Fund</summary_title>
      </agents>
      <date>
        <earliest>1941</earliest>
        <latest>1941</latest>
        <value>1941</value>
      </date>
      <method>
        <value>given</value>
      </method>
      <note>
        <value>Entry date: 1941-06-12</value>
      </note>
    </acquisition>
    <creation>
      <date>
        <earliest>1752</earliest>
        <from>
          <earliest>1752</earliest>
          <era>CE</era>
          <latest>1752</latest>
          <precision>circa</precision>
          <value>1752</value>
        </from>
        <latest>1753</latest>
        <range>1</range>
        <to>
          <earliest>1753</earliest>
          <era>CE</era>
          <latest>1753</latest>
          <value>1753</value>
        </to>
      </date>
      <maker>
        <link>
          <role>
            <value>factory</value>
          </role>
          <type>reference</type>
        </link>
        <admin>
          <id>agent-157802</id>
          <uid>adlib-agent-157802</uid>
          <uuid>e51ed5e2-3605-39a0-b953-487f1f622a3a</uuid>
        </admin>
        <summary_title>Chelsea Porcelain Manufactory</summary_title>
      </maker>
      <note>
        <value>The model was adapted from pl. 72, the White Partridge in George Edwards, The Natural History of Uncommon Birds, vol. II, 1743.</value>
      </note>
      <periods>
        <link>
          <type>reference</type>
        </link>
        <admin>
          <id>term-113135</id>
          <uid>adlib-term-113135</uid>
          <uuid>fa76c83a-f086-31bd-a5a2-372c797ce3cf</uuid>
        </admin>
        <summary_title>Raised anchor period (1749-1752)</summary_title>
      </periods>
      <periods>
        <link>
          <type>reference</type>
        </link>
        <admin>
          <id>term-106451</id>
          <uid>adlib-term-106451</uid>
          <uuid>9cdfd62c-ee07-3884-ae08-c797aad08631</uuid>
        </admin>
        <summary_title>18th Century, Mid</summary_title>
      </periods>
      <periods>
        <link>
          <type>reference</type>
        </link>
        <admin>
          <id>term-107736</id>
          <uid>adlib-term-107736</uid>
          <uuid>e93a8dd1-d76d-320b-be9b-afa352e322a1</uuid>
        </admin>
        <summary_title>George II</summary_title>
      </periods>
      <places>
        <link>
          <type>reference</type>
        </link>
        <admin>
          <id>term-106216</id>
          <uid>adlib-term-106216</uid>
          <uuid>825b8379-ec94-388e-9a59-624e40c090d0</uuid>
        </admin>
        <hierarchies>
          <link>
            <type>literal</type>
          </link>
          <name>
            <value>England</value>
          </name>
          <summary_title>England</summary_title>
          <type>country</type>
        </hierarchies>
        <summary_title>London</summary_title>
      </places>
    </creation>
  </lifecycle>
  <materials>
    <note>
      <value>glassy type</value>
    </note>
    <reference>
      <link>
        <type>reference</type>
      </link>
      <admin>
        <id>term-37637</id>
        <uid>adlib-term-37637</uid>
        <uuid>89b09133-dc0a-3a88-bd40-5aef1ad30ecb</uuid>
      </admin>
      <summary_title>soft-paste porcelain</summary_title>
    </reference>
  </materials>
  <materials>
    <note>
      <value>presumed lead</value>
    </note>
    <reference>
      <link>
        <type>reference</type>
      </link>
      <admin>
        <id>term-107733</id>
        <uid>adlib-term-107733</uid>
        <uuid>00160189-e3ce-3796-a88b-5aa8d6c808c4</uuid>
      </admin>
      <summary_title>lead-glaze</summary_title>
    </reference>
  </materials>
  <measurements>
    <dimensions>
      <dimension>Height</dimension>
      <units>cm</units>
      <value>14.8</value>
    </dimensions>
  </measurements>
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    <admin>
      <id>media-52889</id>
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      <id>media-52888</id>
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    <value>Dr H. Bellamy Gardner; sold Sotheby's, 12 June 1941, Catalogue of the Celebrated collection of Chelsea Porcelain, English Ceramics and Enamels, the property of Dr and Mrs Bellamy Gardner, lot 96; given by the National Art Collections Fund as trustee of the R. S. Cochrane Fund</value>
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      <notes>Publ. No. G11.</notes>
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      <notes>Ref. William Duesbury listed partridges among items decorated in his London studio.</notes>
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      <notes>Ref. The White Partridge is B18 in Bradshaw's list of Chelsea figures made between 1750 and 1753.</notes>
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      <notes>Cf. A pair of polychrome partridges with raised anchor mark (no red enamel), in the Metropolitan Museum of Art, pl. 7 and pp. 32-3, fig. 23, where several other examples are listed.</notes>
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      <notes>Ref. and Cf. p. 54, pl. 37 The White Partridge from George Edwards, vol. 2, 1747, pl. 72, and pl. 58, a pair of Chelsea White Partridges c. 1749-52, in the Shreiber collection in the V. &amp; A. (inv. 414:215/A-1885)</notes>
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