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Circular with deep, curved sides, the rim divided by indentations into eight segments. There is a suspension hole in the footring.The dish has a bleu c\u00e9leste ground with a central, circular reserve framed by an inner band of gilding tooled with scrolling leaves, and an outer garland of large husks. The reserve is painted in polychrome with a duck standing on the right of a tree in a landscape with a pond or river on the right. Its name 'Canard de perie' is inscribed in black enamel on the base. There is a band of gilding round the rim, dentilated on the exterior."}],"exhibitions":[{"@link":{"catalogue":"274 (part of)","type":"reference"},"admin":{"id":"exhibition-2062","uid":"adlib-exhibition-2062","uuid":"57bd263b-1e27-33a8-aa9e-8438eadc978f"},"summary_title":"Exhibition (1937) of Old English Furniture Needlework, Silver, Old Chinese, S\u00e8vres and English Porcelains and Objects of Art"}],"identifier":[{"accession_number":"C.37B-1961","primary":true,"type":"accession number","value":"C.37B-1961"},{"priref":"93574","type":"priref","value":"93574"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/93574","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/93574"}],"inscription":[{"location":"on the base","method":"painted in blue enamel","transcription":[{"value":"interlaced L's enclosing P"}],"type":"factory mark"},{"description":[{"value":"resembling a dagger"}],"location":"on the base, beneath the factory mark","method":"painted in blue enamel","transcription":[{"value":"X"}],"type":"painter's mark"},{"description":[{"value":"very difficult to see"}],"location":"on base","method":"incised","transcription":[{"value":"V or possibly BV"}],"type":"incised mark"},{"location":"on base above the factory mark","method":"inscribed in black cursive script","transcription":[{"value":"Canard de perie"}],"type":"inscription"},{"description":[{"value":"rectangular white paper label now pale buff"}],"location":"on base below factory mark","method":"printed in black and hand-written in black","transcription":[{"value":"Painter Evans\/1768 handwritten, SEVRES printed"}],"type":"label"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"L.C.G. Clarke Bequest, 1960"},"lifecycle":{"acquisition":[{"agents":[{"@link":{"type":"reference"},"admin":{"id":"agent-149875","uid":"adlib-agent-149875","uuid":"89f52d0e-b912-3dc9-8b2c-61d6aa011b16"},"summary_title":"Clarke, Louis Colville Gray"}],"date":[{"earliest":1961,"latest":1961,"value":"1961-04-27"}],"method":{"value":"bequeathed"},"note":[{"value":"Research is necessary to establish if this compotier and its companion were part of the Ch\u00e9r\u00e9m\u00e8ff collection exhibited in London by Wertheimer in 1906, as were the pieces with comparable garlands of husks in the Dodge Collection."}]}],"creation":[{"date":[{"earliest":1768,"era":["CE"],"latest":1768,"note":[{"value":"date letter for 1768"}],"value":"1768"}],"maker":[{"@link":{"role":[{"value":"factory"}],"type":"reference"},"admin":{"id":"agent-161360","uid":"adlib-agent-161360","uuid":"7b3ff8f7-d7ff-380d-8d45-22cbd06ada8e"},"summary_title":"S\u00e8vres Porcelain Manufactory"},{"@link":{"role":[{"value":"painter"}],"type":"reference"},"admin":{"id":"agent-42675","uid":"adlib-agent-42675","uuid":"804a9ad0-e699-3b78-b203-384e376a5d1e"},"summary_title":"Evans, Etienne"},{"@link":{"qualifier":"after","type":"reference"},"admin":{"id":"agent-40851","uid":"adlib-agent-40851","uuid":"8a697505-9fa8-3510-a173-075266f8abda"},"summary_title":"Edwards, George"}],"note":[{"value":"Bird decoration after George Edwards was first used at S\u00e8vres on the service commissioned by the 3rd Duke of Richmond (1735-1806) in November 1765, and made in 1766 (with one exception of 1765). This was probably followed by the Razumosvsky Service of 1767 (except one piece 1766).  At least five other services or groups of pieces are known between 1767-1770 which have comparable decoration and  the names of the birds inscribed on the bases. They can be distinguished by the different designs of their gilding. This compotier and its pair probably belonged to a service with gold husks around the reserves which in the late 19th century belonged to Count A.D. Sheremetev (or Ch\u00e9r\u00e9m\u00e8teff), of St Petersburg. Part of the service, not including the compotiers ronds, was displayed in London by Asher Wertheimer in Bond Streeet, with other S\u00e8vres from the Sheremetev collection in 1906 (see Documentation). David Peters identified the service as one purchased on 5 November 1768 by an unnamed buyer, whom he considered was probably the M. de Cotensky who bought  twenty-four plates and two seaux \u00e0 glace on 9 March 1769, pieces not included in the earlier anonymous order. Peters identified Cotensky as probably Nikolai Konstantinovich Chotinski, Russian charg\u00e9 d\u2019affaires to France from 24 December 1767 to January 1774, and again from 28 August 1780 to 25 April 1782. This would account for the presence of the service in Russia. This hypothesis is supported by the presence of two seaux \u00e0 glace of similar format and with the same gilding design, with the date letter for 1769, in the Dodge Collection, at the Detroit Institue of Arts. The service ordered in November 1768  included 8 compotiers at 45 livres and 8 compotiers at 51 livres."},{"value":"George Edwards, 'A Natural History of Birds', was published in London in four volumes in 1743, 1747, 1750 and 1751. A French edition was published in 1745, 1747, and vols 3 and 4 in 1751.The 'Canard de perse; on C.37B-1961 was after pl. 100, which Edwards describes as 'The little Black and White Duck', and in the French edition, 'Histoire Naturelle de Divers Oiseaux', also 1747, it is called 'Le petit Canard noir et blanc'. Selma Schwarz noted that many of the names of the birds inscribed on the porcelain services do not coincide with the names given by Edwards, as these do not. The painters often added a place of origin drawn from the text, but sometimes inaccurately as a result of misunderstanding.  Etienne Evans, was one of the factory\u2019s leading bird painters, but was not so talented as Louis-Denis Armand, Aloncle, or Chappuis. His was described as \u2018travaillant fort m\u00e9diocrement\u2019 in  1755."}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-106496","uid":"adlib-term-106496","uuid":"bd563695-7339-3178-a8c4-251899070993"},"summary_title":"18th Century, Mid"},{"@link":{"type":"reference"},"admin":{"id":"term-15538","uid":"adlib-term-15538","uuid":"e4001da7-ed48-3271-a6fb-c7f54095a1ad"},"summary_title":"Louis XV"}],"places":[{"@link":{"type":"reference"},"admin":{"id":"term-113750","uid":"adlib-term-113750","uuid":"9c94e435-9cde-38f2-b190-3a9ff2a77005"},"hierarchies":[[{"@link":{"type":"literal"},"name":[{"value":"France"}],"summary_title":"France","type":"country"},{"@link":{"type":"literal"},"name":[{"value":"\u00cele de France"}],"summary_title":"\u00cele de 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Furniture Needlework, Silver, Old Chinese, S\u00e8vres and English Porcelains and Objects of Art, p. 38, part of no. 274, ill. opposite p. 36 (right);  Louis C.G. 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The other two compotiers passed through the R. Spencer C. 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Also, dated for 1769,  pp. 196-7 two ice cream coolers (71.23a,b, 71.232a,b)","page":"190-5","type":"reference"},"admin":{"id":"publication-5305","uid":"adlib-publication-5305","uuid":"da091c04-392c-3f11-add1-632cea602e03"},"summary_title":"The Dodge Collection of Eighteenth-Century French and English Art in the Detroit Institute of Arts"},{"@link":{"notes":"Ref. vol.II, p. 401-2 discusses this service, and lists pieces of similar date and description","page":"Vol. II, pp. 401-2","type":"reference"},"admin":{"id":"publication-5542","uid":"adlib-publication-5542","uuid":"2a50a06d-9569-3541-8bd6-d98d1f9c6081"},"summary_title":"S\u00e8vres Plates and Services of the 18th Century"}],"school_or_style":[{"@link":{"type":"reference"},"admin":{"id":"term-9010","uid":"adlib-term-9010","uuid":"ecd03def-5d2a-3b43-bb92-76be16fbabf6"},"summary_title":"Rococo"}],"subjects":[{"@link":{"relation":"animal","type":"reference"},"admin":{"id":"term-37390","uid":"adlib-term-37390","uuid":"fecfe6e5-8146-3c2c-afce-6c730f0f499c"},"summary_title":"duck"},{"@link":{"relation":"plant","type":"reference"},"admin":{"id":"term-58554","uid":"adlib-term-58554","uuid":"8ce08a13-3c47-3bf5-8d01-010b0259f547"},"summary_title":"trees"},{"@link":{"type":"literal"},"name":[{"value":"duck"}],"summary_title":"duck"},{"@link":{"type":"literal"},"name":[{"value":"trees"}],"summary_title":"trees"}],"summary":{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-90855","uid":"adlib-term-90855","uuid":"b48207ec-774d-3e3e-8ab3-536996bc5dac"},"summary_title":"dish"}},"summary_title":"dish","techniques":[{"description":[{"value":"soft-paste porcelain decorated with a bleu c\u00e9leste ground, painting in greyish-blue, several shades of green, yellow, pale purple, grey, brown, and black enamels, and gilding with tooled details."}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-111179","uid":"adlib-term-111179","uuid":"be5c887b-c0ed-3d89-82b2-c3a870e72a68"},"summary_title":"moulding"}},{"note":[{"value":"presumed lead-glaze"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-120062","uid":"adlib-term-120062","uuid":"d05176fb-17b8-3888-bba1-6c5e6c77d206"},"summary_title":"lead-glazing"}}],"title":[{"value":"Compotier rond"}],"type":{"base":"object","type":"OBJECT"}},[[213,207,194],[90,89,93],[6,160,214],[66,195,233],[156,152,136],[4,117,169],[205,164,69],[32,29,20],[136,101,28],[112,153,124],[184,108,80]],{}]