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The representation is naturalistic, but the bird has quizzical, human-like expression. Both head and body are finely modelled, with particular attention to the feathers, which are painted in shades of brown slip with additional marks in brown and black. The wings are folded behind, the ears are raised and the beak is open. The eyes, made as deep hollow orbs with the pupils cut out, are encircled by cream coloured radial feathers. The glaze on the body is thinly applied, giving a matt finish; the glaze on the face and head is thicker, and shiny. There are two holes drilled down through the base, behind the claws, to attach the owl to a stand."}],"identifier":[{"accession_number":"C.41 & A-1928","primary":true,"type":"accession number","value":"C.41 & A-1928"},{"priref":"137205","type":"priref","value":"137205"},{"source":"Glaisher MS Catalogue, vol. 26","type":"old object number","value":"4451"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/137205","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/137205"}],"inscription":[{"location":"round the neck","method":"incised and painted in black","transcription":[{"value":"'R.W. Martin. & Brothers.London & Southall. 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They  designed, made and decorated their own ornamental salt-glazed stoneware, originally using facilities at C.J.C.Bailey\u2019s Fulham Pottery and, briefly, at Shepherd\u2019s Bush. In 1877, they opened their own pottery at  Southall, Middlesex, and by 1882 were producing  some 5,000 pieces a year. Wallace had originally trained as a sculptor, exhibiting his work at the Royal Academy and elsewhere from c.1863. His younger brothers had learned their skills at Doulton\u2019s, Walter as a thrower and chemist, Edwin as a decorator. Modelled work is generally attributed to Wallace, but otherwise it is thought that the three learned from each other, exchanging skills and sharing roles. A fourth brother, Charles (1846-1910), sold the products \u2013 known as \u2018Martin-ware\u2019 \u2013 from a shop at Brownlow Street, London."},{"value":"The Fitzwilliam collection also contains an example of the Martins\u2019 more common \u2018Wally Birds\u2019, an anthropomorphic bird with large beak and comically-wise expression, 13.2 cm (C.1226 & A-1928)."},{"value":"This owl probably resembles a punch bowl said to have been made by Robert Wallace Martin for the Bohemian Club of San Francisco, a literary club founded in 1972, which has an owl as its emblem. According to the ceramic historian J F Blackler, the first model for this developed a firing crack and was not dispatched, but another arrived safely only to be destroyed by the 1906 earthquake. The Fitzwilliam\u2019s owl also has a firing crack, and probably for that reason remained at the Martin Brothers\u2019 pottery until it was sold to Dr Glaisher at the 1924 sale which followed Wallace\u2019s death the previous year."}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-109008","uid":"adlib-term-109008","uuid":"841b18bd-944d-3c9c-8d39-bdaabbcc28e1"},"summary_title":"20th Century, 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