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Cylindrical cup with double-curved handle. Circular saucer with flat central area and deep, sloping sides. There is a suspension hole in the footring of the saucer.   Both pieces have an opaque, bright yellow ground strewn with small five-petalled flowers and bordered by brown bands, zig-zags and dots. The borders at the top of the cup and round the inside edge of the saucer have a reserved white ground decorated with circular blue medallions, each painted with a spray of white flowers and encircled by a gold band (four on the cup and eight on the saucer). Between each of the medallions there is spray of blue flowers and foliage enclosed in an oval of gold dots, linked to the blue medallions by garlands of red flowers and foliage. There are gold bands on both sides of the borders, dentilated on the interior of the cup and exterior of the saucer. The handle has gold lines down its sides, and a stylised leaf, husks and dots down its back."}],"identifier":[{"accession_number":"C.59 & A-1961","primary":true,"type":"accession number","value":"C.59 & A-1961"},{"priref":"75591","type":"priref","value":"75591"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/75591","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/75591"}],"inscription":[{"location":"on base of cup and saucer","method":"painted in blue enamel","transcription":[{"value":"interlaced L's enclosing ii"}],"type":"factory mark"},{"description":[{"value":"in script"}],"location":"on base of cup and saucer below factory mark","method":"painted in blue enamel","transcription":[{"value":"mb"}],"type":"painter's mark"},{"location":"on base of cup","method":"incised","transcription":[{"value":"47"}],"type":"incised mark"},{"location":"on base of cup","method":"incised","transcription":[{"value":"44"}],"type":"incised mark"},{"location":"on base of saucer","method":"incised","transcription":[{"value":"49"}],"type":"incised mark"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"Louis C.G. Clarke Bequest"},"lifecycle":{"acquisition":[{"agents":[{"@link":{"type":"reference"},"admin":{"id":"agent-149875","uid":"adlib-agent-149875","uuid":"89f52d0e-b912-3dc9-8b2c-61d6aa011b16"},"summary_title":"Clarke, Louis Colville Gray"}],"date":[{"earliest":1961,"latest":1961,"value":"1961-04-27"}],"method":{"value":"bequeathed"},"note":[{"value":"Entry date: 1961-04-27"}]}],"creation":[{"date":[{"earliest":1786,"era":["CE"],"latest":1786,"value":"1786"}],"maker":[{"@link":{"role":[{"value":"factory"}],"type":"reference"},"admin":{"id":"agent-161360","uid":"adlib-agent-161360","uuid":"7b3ff8f7-d7ff-380d-8d45-22cbd06ada8e"},"summary_title":"S\u00e8vres Porcelain Manufactory"},{"@link":{"qualifier":"uncertain","role":[{"value":"painter"}],"type":"reference"},"admin":{"id":"agent-20074","uid":"adlib-agent-20074","uuid":"271ed45c-46f4-3b82-a3ae-0d8cf0050f91"},"summary_title":"Bunel, Marie-Barbe"}],"note":[{"value":"The gobelet litron was named after a cubic measure, the litron, which was normally made of wood, and was used for dry stuffs, such as corn and peas. Its size in Paris had been defined in 1670 as the equivalent of 9.45 cm high and 10.15 cm in diameter in pouces and lignes, which was larger than the largest of the porcelain cups. The first size of gobelet litron had been introduced at Vincennes before October 1752 when it was mentioned in an inventory of stock, but was probably being made a few years.The second and third sizes followed in 1753, and the fourth and fifth in 1757. They could be fitted with one of seven different handle forms . A drawing in the archives at S\u00e8vres is dated 19 February 1753 (MNS, R1, liasse 2, dossier 2, No. 6bis)  They were supplied singly, singly with a plateau carr\u00e9, in \u2019harlequin\u2019 sets, or as part of matching dejeuner. (See Documentation, Pr\u00e9aux and d'Albis, 1991, Savill, 1988,  Bellaigue 2009)\n\nThis is a gobelet litron and soucoupe of the third size with Savill's handle shape B. Yellow grounds were not very common prior to 1775 after which they became increasingly fashionable, especially after 1787."},{"value":"The painter's mark is not precisely like any listed by Brunet, 1953 (see documentation), but it is fairly close to alternative fig. 18 in Desir\u00e9 Riocreux's chart, see Jacquemart and Blant, 1862 (in documentation), attributed to Mme Bunel, n\u00e9e Buteux, painter of 'bouquets detach\u00e9s', who was working at the factory 1778-1816 according to Mlle Brunet, who gave the other mark illustrated by Riocreux MB. Peters, 1997,  attributes several mb marks to  Mme Bunel."}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-106779","uid":"adlib-term-106779","uuid":"f0706fcd-d94c-3987-bcb5-f7f794332b6a"},"summary_title":"18th Century, Late"},{"@link":{"type":"reference"},"admin":{"id":"term-14265","uid":"adlib-term-14265","uuid":"b9f6d73e-26ce-3588-a519-976c2cc93f7f"},"summary_title":"Louis XVI"}],"places":[{"@link":{"type":"reference"},"admin":{"id":"term-113750","uid":"adlib-term-113750","uuid":"9c94e435-9cde-38f2-b190-3a9ff2a77005"},"hierarchies":[[{"@link":{"type":"literal"},"name":[{"value":"France"}],"summary_title":"France","type":"country"}]],"summary_title":"S\u00e8vres"}]}]},"materials":[{"note":[{"value":"opaque, bright yellow"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-113756","uid":"adlib-term-113756","uuid":"79bc070a-703b-3bad-a71d-db930b9fccf0"},"summary_title":"ground 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