1592999776000 1312637261000 Standard Record object-156437 1755194595598 1754040043000 1755194515997 adlib fitz-online adlib-object-156437 https://data.fitzmuseum.cam.ac.uk/id/object/156437 b54901a7-9a74-3ae3-a38c-9a43b179d5b2 13 person reference agent-179398 adlib-agent-179398 55e6f979-1b3f-38d1-97a7-f109d8de6343 preacher reference term-107563 adlib-term-107563 38dcd825-1de1-3222-82c6-15a95729b5ff enamels reference term-125750 adlib-term-125750 2b10ac09-63c3-34ed-87d5-487058c1c344 Limoges painted enamels reference term-120007 adlib-term-120007 00af7c97-d937-3d5c-a1af-d2a83fe2785b Frank McClean white, pink, red, and black reference term-32638 adlib-term-32638 97b8d1a5-7b8f-3a2a-a275-7d001aeaae2b enamel reference term-39593 adlib-term-39593 e3e2a3f8-2433-3f63-9bcf-e776644d312d gold Decoration rectangular convex copper plaque with a small hole in each corner, enamelled en grisaille with a little pink, and one spot of red on a black ground, and gilded. Clear, unevenly applied counter-enamel, with thick blobs at the top and left side. white, pink, red, and black reference term-28662 adlib-term-28662 dd47e505-ccda-3f2b-b576-6104109430e8 enamelling reference term-28681 adlib-term-28681 c1f659e2-1209-31cf-8ff4-154e11452559 gilding reference term-107470 adlib-term-107470 f6217ee1-61ca-3c57-92a1-dd13e97bc77c gilt-metal Height cm 13 Width cm 10.5 Frame reference term-39588 adlib-term-39588 b17ff981-06b2-30a2-b9a9-b514fe84a191 copper Height cm 12.1 Width cm 9.7 Plaque reference term-107707 adlib-term-107707 cbae1ed2-5069-35db-a029-700dc23ada11 Christian religion Applied Arts Rectangular copper plaque enamelled en grisaille with a little pink and red, on a black ground, and gilded. A preacher in a canopied pulpit addresses a congregation. In the background a man and woman dine in front of a house. Below is an inscription ‘DONNE NOVSAVIOVR DHVY•NOS/TRE PAIN COTIDIAN’ (Give us today our daily bread). One of a set with M.49A, B & D-F-1904 Rectangular convex copper plaque with a small hole in each corner, enamelled in grisaille technique in opaque white with enlevage with a little pink, and one spot of red on a black ground, and gilded. The counter enamel is clear, and unevenly applied with thick blobs at the top and left side. On the left, a preacher stands in a canopied pulpit inscribed 'VERI/TAS' on its side. He addresses a congregation of women seated in the middle, and men standing on the right. A woman seated on the right holds a closed book. Another in the middle holds an infant on her lap, and another with her back to the pulpit has a cloak draped around her. A partly shown figure behind them has a red jewel in his turban-like cap. Only two of the men are shown in detail. Both wear square hats and long gowns. In the background there are columns and a man and woman dining at a table in front of a house. The man offers a cup to the woman. The sky is powdered with gold, and there are four gold plants in the foreground. A white panel running across the bottom of the plaque is inscribed in black with gilding over it 'DONNE NOVSAVIOVR DHVY\bullet NOS/TRE PAIN COTIDIAN' (Give us today our daily bread). A gold line runs round the scene and the inscription. The reverse is inscribed in black with the Roman numeral 'V'. The plaque is set in an ill-fitting, rectangular, gilt-metal frame with repeating formal leaf border. The plaque is held into the frame by four bent over pins attached to the cardinal points on the reverse. 224 reference exhibition-3305 adlib-exhibition-3305 534a3247-91a9-398f-abe9-7b419586f568 Feast and Fast: The Art of Food in Europe (1500-1800) reference exhibition-2107 adlib-exhibition-2107 07086265-735b-3fd0-90c6-7b1c4f93cb94 Fitzwilliam Museum, McClean Bequest, Catalogue of the Mediaeval Ivories, Enamels, Jewellery, Gems and Miscellaneous Objects Bequeathed to the Museum By Frank McClean, M.A., F.R.S. M.49C-1904 1 accession number M.49C-1904 156437 priref 156437 uri https://data.fitzmuseum.cam.ac.uk/id/object/156437 https://data.fitzmuseum.cam.ac.uk/id/object/156437 on front painted in black and gold DONNE NOVSAVIOVR DHVY•NOS/TRE PAIN COTIDIAN’ inscription Roman five on back painted in black V number almost square label with two serrated edges, and blue printed beaded border; text underlined as far as the H on back hand-written in black ink 3) 4899 sei/T000/N000/H 10 di una/venduta separato ...’. label reference agent-149638 adlib-agent-149638 7376d833-d0a7-3be0-916e-9c892b7a24d8 The Fitzwilliam Museum Frank McClean Bequest reference agent-172414 adlib-agent-172414 73d94f64-8c0d-30c1-9764-25b005f3ce1d McClean, Frank 1904 1904 1904 bequeathed Frank McClean died on 8 November 1904 1540 1540 CE 1540 circa 1540 1550 1 1550 CE 1550 1550 probably maker reference agent-99908 adlib-agent-99908 376e1128-04f6-3812-88a6-e4928cb7732d Nouailher, Colin after designer reference agent-63808 adlib-agent-63808 2ed7b47b-c05b-3fcc-879c-c3f517ea1682 Holbein, Hans, the younger after printmaker reference agent-93819 adlib-agent-93819 08bff0de-c601-3f77-b0ac-fe18f53ce404 Monogrammist C V B This plaque was originally the fifth of a set of eight illustrating the Lord's Prayer of which six are in the Fitzwilliam (M.49A-F-1904). The first plaque shows Christ instructing his disciples how to pray (Matthew, VI, 6-7), and the others have scenes associated with the petitions of the Lord's Prayer which follows (Matthew, VI, 8-13). The words are written in French at the bottom of each plaque. This plaque illustrates the line 'Give us our daily bread' (Matthew, VI, 11). At least seven more plaques are known illustrating this line, see Documentation The literal interpretation of the petition is represented by a couple taking a meal in the background, but the significant message of the scene is that the congregation should feed their minds and souls on the spiritual food of the Word of God expounded by the preacher. The viewers would probably have familiar with Jesus words to to Satan during his Temptation in the Wilderness, that 'Man shall not live by bread alone, but by every word that proceedeth out of the mouth of God' (Matthew IV:4), and with his words after the Feeding of the Five Thousand, 'I am the bread of life: he that cometh to me shall never hunger; and he that believes in me shall never thirst' (John VI: 35). The scenes in this Lord's Prayer series were inspired by a set of metalcuts by the Basel monogrammist C.V. after Holbein which appeared in Desiderio Erasmus's 'Precatio dominica in septem portiones' (The Lord's Prayer in seven parts), published by both Johann Froben and Johannes Bebel successively in Basle in 1524. The work was first published without illustrations in 1523, and was rapidly translated into modern languages. The illustrations in the Froben and Bebel editions have the inscriptions in Latin, but a set of eight prints issued separately a little later with inscriptions in French, signed CV, is in the British Museum (1904.0206, 64,1-8;) and seven of the set (no. 4 is missing) are in the Cabinet des Estampes, Bibliothèque nationale, Paris (EA 25c in fol., p. 57). While the iconography of all the plaques by Colin Nouailler was derived from these metalcuts, their details differ considerably, in some scenes more than others. See Documentation. The preacher on the plaques, who unlike the one in Precatio domenica ..., wears a biretta, seems likely to have been influenced by the woodcut for the Preacher in Holbein's 'The Dance of Death', published in Lyon in 1538. The iconography of this plaque differs greatly from the Holbein version, which presents an orthodox view of this line as a petition for everyday food together with the spiritual bread of the Eucharist and the Word of God. Possibly significantly the enameller omitted a priest administering the Eucharist in the middle of the metalcut scene. The word 'VERITAS' (Truth) on the side of the pulpit is not present in the print, nor on the other plaques of this subect. It may refer to the Latin text of St John's Gospel 17: 17, in which Christ, while praying to God for his disciples before his arrest asked 'Sanctify them through thy truth: thy word is truth'. Its presence can also be related to Erasmus's text in' Precatio dominica . . .', where he wrote in Latin 'Your Son is the truth, and the truth of the gospel is the bread that he left us for spiritual nourishment.' The presence of the word VERITAS therefore suggests that the patron or enameller was familiar with Erasmus' text as well as the illustrations. Two plaques from this Lord's Prayer series in the Louvre were attributed to Colin Nouailher by Alfred Darcel (1867) and his attribution was upheld by J.J. Marquet de Vasselot (1919-20) and Sophie Baratte (2000). This attribution was confirmed for plaques in the same style by the presence of the initials CN below the title on a plaque from the Lord’s Prayer decorated with the 'Deliver us from Evil' scene, acquired by the Musée de l’Évêché, (now the Musée des Beaux-Arts), Limoges, in 2007 (2007.5.2) with another plaque of the 'Give us our daily bread' scene (2007.5.1). Sets of plaques illustrating the Lord's Prayer were also executed by at two more Limoges enamellers: one signing himself KIP or KI; and the other probably Jean II or III Pénicaud. Their sets include some scenes which differ completely from the Holbein/CV prints, and their text follows the French of the prints in the British Museum. reference term-110475 adlib-term-110475 223ae6a7-2f91-3314-ae3c-da3233ae47dc 16th Century, Mid reference term-15498 adlib-term-15498 61725bf5-360f-3837-8aab-3c90b956a537 literal France France country literal Haute Vienne Haute Vienne region Limoges reference term-109995 adlib-term-109995 14d3bd3d-9589-392f-af47-7df0338ec440 literal Switzerland Switzerland country Basel reference media-136147 adlib-media-136147 509bd679-800b-36ec-8f03-b743f6606b97 jpeg aa/aa20/M_49_1904_203_20_281_29.jpg 1 height pixels 760 width pixels 639 1742591843180 1 image jpeg aa/aa20/mid_M_49_1904_203_20_281_29.jpg 1 height pixels 595 width pixels 500 1742591843180 1 image jpeg aa/aa20/M_49_1904_203_20_281_29.jpg 1 height pixels 760 width pixels 639 1742591843180 1 image jpeg aa/aa20/preview_M_49_1904_203_20_281_29.jpg 1 height pixels 297 width pixels 250 1742591843180 1 image 0 media image reference media-136148 adlib-media-136148 29be8714-b38e-3c67-991a-e9362f3d7e2c jpeg aa/aa20/M_49_1904_203_20_282_29.jpg 1 height pixels 760 width pixels 648 1742591869284 1 image jpeg aa/aa20/mid_M_49_1904_203_20_282_29.jpg 1 height pixels 586 width pixels 500 1742591869284 1 image jpeg aa/aa20/M_49_1904_203_20_282_29.jpg 1 height pixels 760 width pixels 648 1742591869284 1 image jpeg aa/aa20/preview_M_49_1904_203_20_282_29.jpg 1 height pixels 293 width pixels 250 1742591869284 1 image 1 media image reference media-887894306 portfolio portfolio-media-887894306 b47fdc1d-cc84-316a-a682-c303476deede jpeg portfolio/F25982D9_7CB9_CFFF_028E_8BBFC531887C/505/243/large_M_49C_1904_1_200801_mfj22_mas.jpg 1 height pixels 1536 width pixels 1024 1529370796000 1 image jpeg portfolio/F25982D9_7CB9_CFFF_028E_8BBFC531887C/505/243/mid_M_49C_1904_1_200801_mfj22_mas.jpg 1 height pixels 750 width pixels 500 1529370796000 1 image M.49C-1904_1_200801_mfj22_mas.tif 1529370796000 1 1 image jpeg portfolio/F25982D9_7CB9_CFFF_028E_8BBFC531887C/505/243/preview_M_49C_1904_1_200801_mfj22_mas.jpg 1 height pixels 375 width pixels 250 1529370796000 1 image pyramid tiff portfolio/F25982D9_7CB9_CFFF_028E_8BBFC531887C/505/243/M_49C_1904_1_200801_mfj22_mas.ptif 1 height pixels 4992 width pixels 3328 1529370796000 1 image 2 media image reference media-4255400051 portfolio portfolio-media-4255400051 f896f622-5527-392e-b2e8-b364bac715bd jpeg portfolio/F25982D9_7CB9_CFFF_028E_8BBFC531887C/505/244/large_M_49C_1904_2_200801_mfj22_mas.jpg 1 height pixels 1536 width pixels 1024 1529370796000 1 image jpeg portfolio/F25982D9_7CB9_CFFF_028E_8BBFC531887C/505/244/mid_M_49C_1904_2_200801_mfj22_mas.jpg 1 height pixels 750 width pixels 500 1529370796000 1 image M.49C-1904_2_200801_mfj22_mas.tif 1529370796000 1 1 image jpeg portfolio/F25982D9_7CB9_CFFF_028E_8BBFC531887C/505/244/preview_M_49C_1904_2_200801_mfj22_mas.jpg 1 height pixels 375 width pixels 250 1529370796000 1 image pyramid tiff portfolio/F25982D9_7CB9_CFFF_028E_8BBFC531887C/505/244/M_49C_1904_2_200801_mfj22_mas.ptif 1 height pixels 4992 width pixels 3328 1529370796000 1 image 3 media image reference term-107484 adlib-term-107484 935e21d3-0b7f-3ca6-9987-b79c82e054fd plaque history note Uncertain; possibly Robert Napier, West Shandon, Dunbartonshire by 1865; sold Christie’s, 5 June, 1877, one of six plaques in lot 2594; sold to Stettiner. Or, although smaller, G.H. Morland; sold Christie's, 10 May 1866, one of six plaques in gilt-metal frames in lot 437. An unidentified French sale in which the six plaques formed lot 289. An unidentified Italian owner or dealer before or after the sale. Frank McClean, MA, FRS (1837-1904), Tunbridge Wells; bequeathed by him. 1 reference object-156436 adlib-object-156436 be846ed0-3d5d-35a7-9e1d-9caa50238288

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1 reference 1 term-107484 adlib-term-107484 935e21d3-0b7f-3ca6-9987-b79c82e054fd plaque

plaque 1 reference object-156438 adlib-object-156438 6f5d2df2-fd58-3c26-a778-f4bf0695323a

1 reference 1 term-107484 adlib-term-107484 935e21d3-0b7f-3ca6-9987-b79c82e054fd plaque

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plaque 1 reference object-156440 adlib-object-156440 8783ea79-cad6-352d-b68c-4b9086c04d3e

1 reference 1 term-107484 adlib-term-107484 935e21d3-0b7f-3ca6-9987-b79c82e054fd plaque

plaque reference agent-149638 adlib-agent-149638 7376d833-d0a7-3be0-916e-9c892b7a24d8 The Fitzwilliam Museum Publ., p. 112, no. 67 112 reference publication-4060 adlib-publication-4060 0f6d91a4-87ab-338c-b868-7d56c66bc250 Fitzwilliam Museum, McClean Bequest, Catalogue of the Mediaeval Ivories, Enamels, Jewellery, Gems and Miscellaneous Objects Bequeathed to the Museum by Frank McClean, M.A., F.R.S. Publ. pp. 230-1, no. 5. Cf. p. 229, no. 5 formerly in the Chabrières-Arles Collection, Paris, illustrated framed with the other plaques in the series; p. 231, no. 5, in the Louvre; p. 233, no. 5 formerly in the collections of W. Bemrose, Derby, and the Rev. E.A. Coghill, Southwell 230-1 reference publication-200002170 adlib-publication-200002170 06575876-e5c8-362b-93fd-a20f0679b18f Quelques émaux de Colin Noailher et leurs modèles gravés Publ. text pp. 191-2, illustrated p. 191, fig. 6.16, and p. 252, cat. 224. p. 191, 252 reference publication-8743 adlib-publication-8743 a86a8f73-aae5-372c-930d-aa215bd02c9b Feast & Fast. The Art of Food in Europe 1500-1800 Ref. p. 244 for the source of the designs for the Lord's Prayer plaques 244 reference publication-200002171 adlib-publication-200002171 a8c2f19e-5c1e-3d49-8f24-ab741ecd8bc7 Holbein’s Thatigkeit für Baseler Verleger reference publication-6076 adlib-publication-6076 068a21f1-ace1-3495-956a-8069df651c67 Hollstein’s German Engravings, Etchings and Woodcuts 1400-1700, vol. XLIX Cf. p. 36, the Preacher wearing hat on left, not identical to plaque, but closer than the preacher in Praecatio domenica 36 reference publication-7352 adlib-publication-7352 afbbdf54-a157-3015-bdde-58f392efa1ad The Dance of Death by Hans Holbein the Younger. A Complete Facsimile of the Original 1538 Edition of Les simulachres & historiees faces de la mort Cf. p. 69, no. MR 2617 (other no. N.1336) with inscription in panel at top centre, formerly in the collection of Chevalier Edme-Antone Durand, acquired by the Louvre in 1852. 69 reference publication-6073 adlib-publication-6073 273632b3-da99-366e-9c3b-efd466467b8e Les émaux peints de Limoges. Musée du Louvre, Département des objets d'art Cf. pp. 296-99, a set of all eight Lord's Prayer plaques by Colin Nouailher, mounted in a wooden frame as a triptych, with above, at centre, an arched plaque of the Crucifixion with the Virgin and St John, probably from the workshop of Pierre Reymond. These plaques, like the Fitzwilliam's, have the inscriptions at the bottom. Purchased at Christie's, 4 July 2000, lot 22 (attributed to Pierre Reymond). Musée municipal de l’Evêché, inv. no. 2000.10.1 296-99 reference publication-200002664 adlib-publication-200002664 b15e6464-77a8-34fa-9ad7-9bbbcd063ed8 Les acquisitions du Musée municipal de l’Evêché - musée de l’Email de Limoges Cf. p. 4, another plaque of this subject, a preacher, with inscription DONNE + NOVS+AVIOVR+/DHVI+BISTRE+PAIN+/ +COTIDIAN+ (Give us this day our Daily Bread) below the scene and 'V' on the back; with large chip in top right and lower left corner, and inscription at the bottom; area of gold sky. Accompanied by another plaque inscribed MAIS.DELIVRE.NOVS./.DU. MALIN.AMEN./.CN' . Purchased by Musée municipal de l’Évêché, Limoges in 2007. 4 reference publication-6136 adlib-publication-6136 91a54493-ae80-3454-9624-e1a6a3a47029 Works of Art, Newsletter Cf. pp. 298-9, illustrated p. 297, fig. 10, the plaque sold by Bernard Descheemaeker, acquired by the Musée municipal de l’Évêché, Limoges in 2007, inv. 2007.5.1, with the other plaque of the 'Deliver us from Evil' scene inv. 2007.5.2 which is initialled CN below the title, and 'VIII; on the back. 297-9 reference publication-200002402 adlib-publication-200002402 ad98cb72-1d1d-338c-883d-4f5668b1e141 Les acquisitions du Musée municipal de l’Évêché de Limoges en 2007 reference term-10618 adlib-term-10618 9ebc0ae1-8cf8-312b-832c-9cf44da02136 Renaissance reference term-102735 adlib-term-102735 9ffebc71-0d53-3435-b13f-9ab850955082 prayer activity reference term-108537 adlib-term-108537 be68fb7e-acab-3b0f-b721-17da4528057d preaching object name reference term-47742 adlib-term-47742 7e0fdcca-1b0e-3803-906e-69370b5cf169 pulpit people reference term-147450 adlib-term-147450 5b605e9d-fbee-3f1b-b9a4-8f96b8e0eb62 congregation activity reference term-125761 adlib-term-125761 bce2de03-432e-3676-bb62-4a5042d2c1d3 dining literal preaching preaching literal pulpit pulpit literal congregation congregation literal dining dining

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plaque object OBJECT